Friday, January 9, 2026
BWW RK Anand Prize 2025
BWW RK Anand Short Story Prize 2025 - Shortlist: An Introduction by Bhumika Anand
The BWW Short Fiction Award 2025 Shortlisted Entries: An Introduction
Bhumika Anand
This, 2025, is the second year of the R K Anand Prize for the BWW Short Fiction Award.
I want to start this announcement post with thank yous. This award would not have been possible if Subodh Sankar from Atta Galatta didn't help by being a partner, if the Bangalore Literature Festival team had not encouraged it, and if Indira Chandrasekhar from Out of Print had not agreed to partner with us. We were lucky to get a really discerning jury that included renowned international author and professor Sonora Jha (author of Intemperance among others), and one of India's stellar young authors, editor, and writing coach Tanuj Solanki (author of Manjhi's Mayhem among others) headed, of course, by the inimitable Indira Chandrasekhar (author of Polymorphism among others) from Out of Print.
As most of our readers might know, this is a memorial award launched last year for my father R K Anand who passed away in 2023 owing to dementia-related complications.
Giving to others even when we don't have much ourselves, always choosing friendship and kindness even when it isn't the easiest choice, working hard and taking pride in one's own work, and fighting for one's rights – these are some of the values my parents instilled in me. I run Bangalore Writers Workshop (BWW) a first-of-its-kind writing and storytelling school established in 2012 in Bangalore with these tenets in mind. As you might imagine, it's not easy. But it is fulfilling. I have made working with authors, especially, aspiring authors my life's work.
In our BWW community, we constantly discuss craft, sure, but we are preoccupied with the human condition. Why are we the way we are? How do we make sense of an ever-changing world? How can we write with empathy and humour because God knows you need a sense of humour to live in the world we do. And this is what we deem as having heart. We may or may not improve as people in this pursuit, but I have definitely seen aspiring writers become emerging writers. This award is to recognise more such writers not just from the BWW community but others across the globe.
And twice now, thanks to all our readers, partners, and participants, I can say we have succeeded.
This year we received 174 entries from places as far as Pakistan and Lesotho in Africa, and a couple from the US. So, a big thank you to everyone who participated.
Our process for this award is quite simple. We longlisted 25 stories after two blind reads. Atta Galatta and team then came up with the ten shortlisted entries. Our jury then scored the winners on a scale of 1 to 10 with 10 being the highest.
As always, BWWers dominated the list – five this time.
During the prize distribution ceremony at the Bangalore Literature Festival 2025, Tanuj Solanki talked about the kinds of stories that are getting published these days. He said that most of the stories seem to deal with navigating ageing parents and/or grief, that many were speculative in nature, especially stories from authors in Bangalore, who, he felt, gravitated more easily and effectively from realism to fantasy or the fantastical.
As a writing mentor myself, I think I can vouch that this is true. Bangalore, like most cities, demands that we escape the chaotic, loud, irreparable real world and embrace newness that allows for pause, reflection, questioning, and doubt. And with age and adulting, young aspiring writers are navigating situations involving senior family members, familial dynamics, estranged spouses and children, office politics – and there is a keen thread of loss and grief in the stories I have read this year for the award. We've picked the best of the lot (though it was by no means an easy task). I hope you enjoy our shortlisted entries. Congratulations to all our short-listed authors.
In Aditi Chandrashekar's ‘Cycle’, we see a young girl navigate office politics, sexual relationships fairly deftly and powerfully in a Bangalore start-up.
Amit Prabhakar in ‘The Night Stories Ended’, takes on a mythical retelling of Arabian Nights making us examine the very art and nuance of storytelling.
Krishan Shetty in ‘The Thread Remembers’, quietly and tenderly shows us how the act of connecting with a stranger and learning a new craft can unlock sorrow and lead to shared grieving, healing, and reconciliation.
Malcolm Carvalho in ‘Amphibians by Night’, tells a fantastical tale of a Mumbai slum gripped by a flood during a stormy night and makes us ponder about the ramifications of an inequal society.
Pallavi Chelluri in ‘The Purse’, also talks about poverty and the great divide especially in urban landscapes between the haves and the have-nots with the inventive use of surrealism.
Ritika Bali in ‘The Things we Leave Unsaid’, grapples with sibling rivalry and familial misunderstandings at the same time that she focusses on familial connection and reconciliation in the background of shared loss and grief.
In ‘A Place Lost in Time’, Sonu Sabir explores a feminist coming-of-age inter-caste and inter-faith romance in Kerala and its repercussions.
In ‘Death Reimagined’, Sonu Sabbir captures the way religious organisations reclaim power over dissenters of even in and after their death, and how inescapable a knot religion is in society, necessitating the narrator to plan his own epitaph and funeral.
As you will see, all these stories are sharp, powerful, and extremely well-written.
We hope you enjoy them and they spark something creative in you as well.
When Sonora announced our special mention, ‘House of Witches’ by Archana Nair, this is what she said, ‘Archana Nair wrote this incredible story called ‘The House of Witches’ which became this very difficult thing for us to decide between the top two contestants, so congratulations. It's such a moving, powerful story about the three generations of women in this house and it has got this metaphysical element that Tanuj was mentioning earlier, has the grief element to it as well, and is a beautiful story about women's relationships across generations, the difficulty of that – the mother-daughter tensions, the aunts – but also the celebration of that. The women live fulfilling, magical, and witchy lives without men and sort of away from them – self-actualised women but also carrying grief and carrying generational stories between them. It was a beautiful, beautiful story to read.’
But, of course, we could have only one winner and that was ‘Shiuli’ by Ratul Ghosh.
When I first read the story, I had a feeling that this would be the winning entry because Ratul uses craft, emotion, pathos, and pain to great effect to render an unforgettable story. Personally too, as a daughter of a parent who suffered from dementia, it resonated deeply. For years, I lived with the constant fear of someday losing my father and having to file a missing person's report. I imagined that fear so often and lived it so keenly that Ratul's story made me tearful and grateful that I didn't have to go through that angst at least. Indira mentioned the theme of severance in her read of the story and that was absolutely mot juste!
‘Shiuli’ won because of the way it managed to capture the irreconcilable loss that comes from severance.
Congratulations, Ratul.
Thank you for reading this, readers. I hope to post again next year with the list of 2026 winners of the R K Anand Prize for BWW Short Fiction Award.
So, please keep writing, keep reading, and keep exploring.
Thank you for your time.
Warm regards,
Bhumika Anand
Founder and Director
Bangalore Writers Workshop
(www.bangalorewriters.com)
BWW RK Anand Short Story Prize 2025 - Special Mention: Archana Nair
BWW RK Anand Short Story Prize 2025 - Shortlist: Aditi Chandrasekar
Cycle
Aditi Chandrasekar
1
We had been talking about what makes a good marketer when my boss, Raj, told me ‘You’re one of the best I’ve met.’
A sullen yellow light washed over our faces. We were in a dingy bar somewhere in Indiranagar. I kept my body turned ever so slightly to ensure that the better half of my face - the left side - was illuminated.
Raj spoke about work only briefly. He moved on quickly to other topics. He told me about a book he’d been reading recently, about the art of body language, and said, ‘I read that when two people are enjoying a conversation, they lean in closer to each other.’ He wiggled his finger back and forth between us. I leaned back.
‘What do you think about that campaign Diya pitched?’ I asked. A thinly veiled attempt to divert him. I wasn’t sure if I imagined it but there was a flicker of something on his face, like the smile he held up until then was replaced by its ghost, before he answered.
2
When I stumbled into my boyfriend’s flat that night, I could only make out a blurry figure seated on the couch. I felt its gaze on me for a few seconds before it wordlessly walked out of the door. Where are you going? I turned around and asked but the words that exited my mouth were unintelligible.
I made my way to the balcony and sank into a bean bag. I took many gulps of the night air before the spinning in my head paused. I waited. When Sameer finally reappeared, I could see him clearly. A deep frown had settled in.
‘Can’t you see what Raj is doing with you Anju?’ he said.
‘It’s not like that, babe. Trust me.’
‘What is it like then? Name another woman you know who just goes out with their manager to a bar alone.’
I couldn’t come up with a response.
‘Do you enjoy it? The attention he gives you?’
‘I don’t know.’ I muttered. I couldn’t look into his bloodshot eyes any longer, so I looked down. Soon enough, sobs began to rock my body.
It was a whole minute later that Sameer took a step towards me. He grabbed my shoulders.
‘He’s just an old prick who’s using you. Don’t drink with him ever again, okay?’ he said. I felt his fingers dig into my back. I nodded.
3
Sameer went to the UK for his sister’s graduation and his life became increasingly busy, so we only talked on the phone every few days.
I proposed the idea of a movie night. We perused his schedule until we landed on a 2-hour slot that suited us. I chose a romcom on Netflix, and greeted him with a finger heart when he showed up in the Zoom meeting. He looked tired.
‘How have you been?’ he asked, ‘how’s your sleep?’
‘I’ve been sleeping in autos. Too much work.’
‘What?’ He ran a hand through his hair. ‘You’ve got to take care of yourself, babe.’
I nodded. We hit play at the same time.
Fifteen minutes into the movie, I glanced at the tiny square of his face. He was checking his phone.
‘Sameer?’ I asked.
He looked up. ‘Sorry babe. Work. They’re driving me crazy these days.’
I stayed quiet for the rest of the movie. We both did. We passed each other a few knowing smiles and feigned shocked expressions whenever the movie called for it.
At the end of the movie, he stretched and said, ‘Alright, I’ve got to prepare for my meeting now. I miss you.’
‘I miss you too.’ I stared at myself on the screen for a few seconds after he left. Was that a new pimple on my forehead?
4
Layoffs took place at work the next day. I texted Sameer a screenshot of the email from the CEO that had landed in our inboxes. He was shocked and I pretended to be too. Raj had told me this was coming, a few months ago. My co-workers paired up at every desk to discuss the matter in increasingly angry whispers. I was pulled into one such discussion that was happening next to me.
‘How could they fire Sushil?’
‘He was practically running the team.’
‘Restructuring, my ass.’
Raj was inside of a meeting room, calming down what looked like an angry mob. We locked eyes.
‘Hey, I hope you’re okay.’ I texted him that night. The glow of the screen on my phone pained my eyes in the dark but I continued staring at the message I’d sent.
‘I am :) You take care.’
I cried a few minutes later, staring at the ceiling fan. I couldn’t put my finger on why.
5
When a colleague sat next to me in the office the next day, I wondered if the bags under my eyes showed. He made small talk with me for a short minute before he said, ‘We should go out sometime.’
I managed to let out a curt smile. His name was Karan. He took my phone and typed his number. ‘Let me know.’
I texted him that evening,’ Hey, just wanted to tell you I have a boyfriend. We can still meet as friends if you want to.’
Pat came the reply. ‘I do. Chai at 8?’
I arrived at 8 in Chai & Sons, a hot box that was basically an excuse for a tea stall. Karan arrived ten minutes later with a tight-lipped apology, and instantly flagged down a waiter.
Then, he placed his arms on the table and asked me about my day. ‘It was alright. Tiring.’ I asked him about his.
At some point during the conversation, we talked about the layoffs at work. ‘I don’t think that Sharma knows his shit at all.’ he said, shaking his head glumly. Sharma was the CEO.
I didn’t realise an hour had passed until I checked my phone.
‘What do you think of Raj?’ he suddenly asked.
‘What about him?’ I blinked, slowly putting my phone back down on the table.
‘I know he’s your boss and all…but what do you really think of him?’
‘You go first’
‘No, you work with him.’ He shook his head, ‘I don’t want to say anything that could bite my ass.’
I rolled my eyes. ‘Come on.’
‘I mean … it seems like he spends more time talking to women than actually doing his job.’
A sharp laugh left my mouth. I nodded. ‘Yeah,’ Karan piped up at my accepting response. ‘Young women.’ I added.
‘Yeah’, he said. ‘Manisha was just telling me that he took her out for drinks recently. Poor girl doesn’t realise what’s happening.’
I nodded slowly.
‘Manipulation. He seems to be really good at it.’ he continued, like he was commenting on the weather.
My throat felt dry.
We walked around the neighbourhood after that. I talked about Sameer, hesitantly. In return, he opened up about his most recent relationship.
We stood quietly next to each other as we waited for his cab to arrive. ‘I know I’m crossing a line saying this but I think you deserve better than your boyfriend.’ he said.
I lowered my head. I didn’t want him to read my mind. I suspected that he could.
6
I had a dream that night. I was on my bed and I was naked. The room was dark and I initially thought the man on top of me was Sameer. Or Karan. It was only when a beam of light shone from somewhere outside the window that I noted the fox eyes and a contorted expression of pleasure on Raj’s face. I ran my fingers through his hair. I felt a thousand fireworks explode in my abdomen.
When I woke up from the dream, it was still dark outside.
7
The next morning, I dressed up nicer than usual. I looked forward to feeling almost triumphant whenever Raj would saunter over to my desk and chat with me—but he didn’t.
Instead, he spent his day gallivanting with Manisha in between his meetings.
I sat purposely close to where they were. I barely heard them over the sound of my desk mates chatting and my own fingers clacking the keyboard but there was a sentence I could make out. ‘Does Friday work?’ Raj asked her.
On the auto ride home, I wondered if he liked her throaty laugh and the bold shade of lipstick she wore every day.
In bed that night, I opened Instagram and clicked on Karan’s profile.
I scrolled using one index finger, carefully, so I didn’t accidentally ‘like’ a photo. There were many photos of him hiking. The thick veins that ran beneath his skin were visible even from the distance that the photos were taken. I stared at them so long I memorised the trail they formed.
8
When Sameer came back from the U.K., I used the spare key he had given me to go over to his house before he arrived, to cook him his favourite meal. When he arrived, he enveloped me in his arms at his doorstep. I stared down at the sprinkle of dandruff that rested on his black t-shirt.
We sat down at the dining table. I placed a small mound of beans and rice on my tongue, chewing for a long time, before blurting, ‘I need to tell you something.’
I hoped that he couldn’t tell that my hand inserted in the heap of rice was shaking.
‘Hmm?’
‘I think I realise that Raj has been kind of harassing me.’
I told him I felt obliged to drink with Raj, like something bad would happen if I didn’t. I told him I felt burdened with the information about the layoffs before it happened, that I’d been trusted with something I never wanted to know.
Sameer listened quietly, and then he stood up and paced around the living room, his hand still wet with curry.
‘I’m sorry. You were right. I was blind and I’m sorry,’ I said.
‘It’s not your fault.’ I doubted if he really meant that.
‘What if we try to expose him?’ I asked.
‘What do you mean?’
‘An anonymous email maybe? Do you think that’d be enough to get him suspended or something?’ I enquired.
Sameer stared at me, his expression unreadable.
‘Can you help me do it?’ I ventured.
‘No, Anju, that’s too risky and too much.’ Sameer waved his hand. A grain of rice landed on the floor.
‘What do you think I should do then?’
‘Just quit that job. It’s better that you are at peace in another job and company where you don’t have a dick of a boss.’
His shoulders slouched the more that he spoke, like the anger that had held them up until a few seconds ago had evaporated suddenly. Like all it took was the threat of an action to defeat him. I looked down at my plate and nodded. I couldn’t stand to look at him any longer.
9
I asked Karan to meet at Chai & Sons the next evening. When I approached him, I saw that there was already a plate of French fries on the table.
In between bites of fries, Karan said, ‘So, what’s up?’
‘I’ve been thinking.’
‘About?’
‘You know you were telling me about Raj going out with women and how he manipulates them and stuff.’
Karan’s smile faltered. ‘Uh huh’
‘So … what are the options for a woman in that situation?’
‘Are you in that situation?’
I rolled my eyes. ‘No, but’ I said, ‘what would a woman in that situation do? What can she do?’
He shrugged. ‘I don’t know. They could quit. Sometimes, they slap on legal cases that usually go nowhere. They can write and publish their experience somewhere online.’
‘Okay.’
‘Is Raj bothering you?’ he pressed on.
I looked down at the plate of French fries, and grabbed one.
‘You can tell me, you know. We can come up with something to do about it.’
I looked up at him. ‘Let’s take the motherfucker down,’ he said, staring a little too intensely into my eyes.
I pulled my laptop out of my bag. ‘Okay.’
10
We wrote an anonymous email. To Jigar, the head of HR. I wrote about feeling pressured to go out with him for drinks, how he’d given me money when I talked about some financial problems at home, and how he’d shared confidential information with me, about the layoffs before they took place.
Karan pressed send. Out of the corner of my eye, I saw him looking at me, at the leg I jiggled nervously and the skin I was tearing off my bottom lip. He reached out and tucked a stray piece of hair behind my ear.
11
Jigar responded a day later. He wanted to meet. To verify my identity, to get more detail and to get a go-ahead for an internal investigation.
12
I wrote and rewrote a draft for a response. For an entire day, my mind reeled with the possibilities. I could tell HR yes, build my case, maybe even get Raj suspended. Instead, I let the email grow stale.
I lied to Karan and told him that I hadn’t received a reply. Over another chai, he asked if we should reach out to someone else or make an anonymous blog post somewhere. I told him that wouldn’t be necessary for now, and that I was applying to other jobs.
‘I just want to put this all behind me,’ I said. He didn’t push further. At the office, it became easier to ignore Raj, to occupy myself with work.
One evening, Sameer arrived back at his place after drinks with his friends from college. I could tell that he was in a good mood. He came up to me in the kitchen and held my face between his palms. I said nothing, revelled in the attention.
He took off his jacket. ‘Did that weird HR lady from that start-up get back to you? On your job application?’ he asked.
‘No, she hasn't,’ I replied.
‘Hmm, and how’s work now?’ Sameer continued to ask. He began to wash his hands at the sink, ignoring the soaped cooker and plates.
I felt my phone vibrate in my pocket. I slid it out and glanced at the screen. ‘Peco’s at 9?’ read a text message. I stared at Sameer’s back, hunched over at the sink. I stared at his small shoulders. I stared at the kitchen counter, where a bunch of cut vegetables and open spice dabbas lay. I was making khichdi for dinner.
‘Yes.’ I quickly texted Karan back. As Sameer made his way back towards me with wet hands, I slid my phone back into my pocket. He planted a kiss on my lips. I made a mental note to visit the salon to get my eyebrows threaded before 9 pm. I could prepare khichdi for Sameer and then meet Rumi tonight.
BWW RK Anand Short Story Prize 2025 - Shortlist: Amit Prabhakar
The Night the Stories Ended
Amit Prabhakar
The well had run dry.
Scheherazade stood before her father's desk, her hands trembling like moth wings against lantern glass. Outside, the city exhaled its evening prayer calls spiralling upward into the violet dusk, merchants shuttering their stalls, the smell of cardamom and charred lamb drifting through latticed windows. Inside, silence sat heavy as an executioner's blade.
‘I have nothing left,’ she said.
Her father, the grand vizier, looked up from the parchment he'd been pretending to read. His beard had gone white in the nine hundred and ninety-nine nights since his daughter had walked into the king's chamber, offering herself as a bride to a man who murdered wives at dawn. The ink on the page before him had dried hours ago.
‘Nothing?’ he repeated, as if the word were foreign.
‘No myths. No fables. No tales of djinn or sailors or princes transformed into stags.’ Scheherazade's voice cracked like old pottery. ‘I've excavated every story our grandmother
whispered, every legend the traders brought from Cathay and Hind. I've spun tales from songs, from dreams, from the pattern of tea leaves at the bottom of cups. There is nothing left but silence, and silence will not keep me alive past dawn.’
Her sister Dunyazad sat cross-legged on the cushions, braiding and unbraiding the same strand of hair. She had been the one to sit at the foot of Scheherazade's bed each night, asking Sister, will you tell us a story? as if they were children again, as if the king were not there waiting to be enchanted, as if the headsman were not sharpening his blade in the courtyard below. Now she looked up, her eyes bright with desperate invention.
‘What about the story of the merchant and the three fish?’
‘Told it. Night four hundred and twelve.’
‘The princess who became a nightingale?’
‘Night seven hundred and six. Wove it into the tale of the enchanted garden.’
‘The…’
‘Dunyazad.’ Scheherazade's voice was gentle as crushed silk. ‘I've told every story in the
world.’
The vizier rose, his joints creaking like ship timber. He paced to the window, staring out at the palace that loomed across the plaza. A sprawl of white stone and gold leaf, beautiful as a sepulchre. ‘We could invent something,’ he said, not turning around. ‘Surely between the three of us…’
‘I've been inventing for the last hundred nights,’ Scheherazade said. ‘Stitching scraps of half-remembered tales together, stretching single incidents into sagas. Last week I told him about a man who dreamed he was a butterfly. It lasted four nights. Do you know how many ways there are to describe a butterfly, Father? I do. I know them all now.’
Dunyazad's hands stilled in her lap. ‘What about the djinn?’ Her voice dropped to a whisper, as if speaking too loudly might summon the very creatures she named. ‘Old Fatima says there's one who lives in the abandoned hammam by the spice market. They say he grants wishes, or stories, or…’
‘No.’ The word came out sharp as a slap. Scheherazade turned to her sister, softening. ‘Even if such a creature existed, and I'm not fool enough to dismiss the possibility, not after the things I've described that turned out to be true, what would I offer in exchange? My soul? My voice? Better to die with my throat whole than trade it for borrowed words.’
The room fell silent save for the fountain burbling in the courtyard, oblivious to tragedy.
Scheherazade thought of all the fountains she'd described in her stories. Fountains that granted wishes, fountains that remembered murders, fountains that served as portals to other worlds.
She'd made magic of everything, transformed the mundane machinery of life into wonder, and now wonder had abandoned her.
‘We could try,’ her father said, and there was something terrible in his reasonableness. ‘Sit.
Think. Surely among all the books, all the wisdom, there must be something.’
They tried.
They sat until the evening call to prayer became the night prayer, until the servants brought mint tea that went cold in their cups, until the candles burned low and had to be replaced.
The vizier pulled down every volume in his library. Chronicles of Alexander, poetry from Persia, philosophical treatises from scholars whose names had been dust for centuries. Dunyazad recited every song she knew, every joke, every scrap of gossip from the marketplace. Scheherazade closed her eyes and dove deep into the caverns of her memory, searching for some forgotten fragment, some overlooked jewel.
Nothing.
Every story led back to a story already told. Every promising beginning revealed itself as a
thread she'd already followed to its end. The world had been mapped, every corner illuminated by her voice. She had done what she set out to do. She had survived, night after night, word after word, until survival itself became a kind of miracle. But miracles, she was learning, had edges.
They ended.
‘Run,’ her father said finally. The word dropped into the silence like a stone into a well. ‘Take a horse. I'll give you money, letters of introduction. By dawn you could be…’
‘Where, Father?’ Scheherazade looked at him, this man who had aged a lifetime in less than
three years. ‘Persia? Byzantium? Do you think any place exists beyond the reach of a king’s
fury?’ She shook her head. ‘And even if I could run, even if I reached some distant shore where his name meant nothing, what then? Every member of our family would answer for my cowardice.’
‘He might…’ Dunyazad's voice was small. ‘He might forgive you. After all these nights, surely
he, must like you.’
‘Yesterday,’ Scheherazade interrupted, and her voice was gentle but immovable as stone, ‘he ordered a man to be beheaded for sneezing in the court after it was dismissed. Just yesterday, Dunyazad. A sneeze.’ She let the words settle. ‘What do you imagine he'll do to the woman who promised him a story and brought him silence instead?’
Her sister's face crumpled. Scheherazade crossed the room and gathered her into an embrace, breathing in the rosewater scent of her hair, feeling the bird-quick pulse of her heart. How many little girls had she saved by sacrificing herself? How many daughters had grown up with fathers, how many mothers had watched their babies learn to walk? The king's first wife had been guilty of nothing but existing, and the second, and the third, and the dozens who followed.
Scheherazade had stopped the slaughter. She'd bought nine hundred and ninety-nine sunrises with her voice. One more dawn. That's all there would be.
‘I love you,’ she whispered into her sister's hair. ‘Both of you. I need you to know, that this, all of this, was worth it.’
Her father's hand settled heavy on her shoulder. They stood that way, the three of them, holding each other against the weight of inevitability. Outside, the city slept. Somewhere, the king was waiting.
Scheherazade walked back to the palace alone.
The streets were empty, the moon a silver coin tossed onto dark velvet. Her footsteps echoed off the walls. A rhythm like a dejected heartbeat, like a countdown. She'd worn her finest robe, the one embroidered with peacocks and flowering vines, as if beauty could be armour against the blade. Vanity, perhaps. Or defiance. She wasn't sure there was a difference anymore.
The palace gates loomed ahead, bronze and pitiless. The guards knew her, had watched her pass every evening for nine hundred and ninety-nine nights. They knew, too, what awaited women who entered the king's chambers. They must have wondered, sometimes, how she'd lasted so long. Whether she was blessed or cursed or simply cleverer than the others. Now they averted their eyes as she approached, guilt and relief warring on their faces. Not their daughter walking to her death. Not tonight.
Something moved in the shadows. Scheherazade stopped. A cat. Scrawny, mottled grey and black, with eyes that caught the moonlight like polished amber materialised from the darkness. It regarded her with the serene indifference cats reserve for humans and fate. Then it turned and slipped through the palace gates, its tail a question mark disappearing into the gloom.
A cat.
Something stirred in the depths of her mind. Not quite memory, not quite dream. A sliver of
hope, maybe. The first story. The very first story her grandmother had told her, back when she was small enough to fit in the old woman's lap, when the world was new and full of infinite tales yet to be discovered. Something about a cat. And a lion. She pressed her palms against her temples, willing the memory to coalesce. The lion came to learn ... no, that wasn't quite right. The lion wanted ... almost. The pieces swam just beyond reach, tantalising, infuriating.
What was the story?
The guards were staring now. She must look mad, standing frozen outside the gates, her hands clutching her head. Scheherazade forced herself to move forward, her mind still chasing that elusive thread. A cat and a lion. A cat and a lion. The lion came to the cat to learn. Yes. That was it. But learn what?
The king's chamber was exactly as she'd left it the night before. Silk carpets, silver oil lamps, the great carved bed where she'd sat for nine-hundred-and-ninety-nine nights spinning reality into dreams. The king himself stood by the window, his back to her. Shahryar. She'd learned to read the set of his shoulders over the months and years. She could gauge his mood by the angle of his spine, the tension in his hands. Tonight, he was still as a drawn bow.
‘Husband,’ she said, and her voice barely shook.
He turned. His face was carved from the same stone as his palace. Hard, beautiful, merciless. But his eyes ... his eyes were human. That was the cruelty of it. He'd been a good man once, they said, before his first wife's betrayal had poisoned him against all women, against love itself, against the very notion that trust could exist. Scheherazade had spent nine hundred and ninety-nine nights trying to prove otherwise, one story at a time.
Tonight, she had no stories.
‘Tell me,’ he said, and it was a command wrapped in courtesy.
Scheherazade opened her mouth. Closed it. Opened it again. The cat's amber eyes flashed in her memory. Her grandmother's voice, papery with age, speaking words she'd heard before she could read. ‘There was once,’ she began, and faltered. ‘There was once a lion…’
The king's expression didn't change, but she felt his attention sharpen like a blade's edge.
‘A lion,’ she continued, the words stumbling out unpractised, unrehearsed, ‘who ruled the forest but knew he lacked ... something. Cunning, perhaps. Or stealth. And so he sought out the cat, who was known for...’ What was the cat known for? ‘For moving through the world unseen. And the lion said, ‘Teach me your ways.’’
This wasn't how stories were supposed to work. Stories had architecture, rhythm, carefully
placed revelations. This was fumbling in darkness, hoping there was ground beneath each
footfall.
‘And the cat agreed,’ Scheherazade said, her pulse hammering in her throat. ‘Day after day, the lion came to learn. The cat taught him to walk without sound, to wait without moving, to see what others overlooked. The lion was a diligent student. He absorbed every lesson.’
She paused, reaching for the thread. ‘Until one day, maybe it was the last day … and…’
Yes. The last day. Something happened on the last day.
‘The lion turned on the cat,’ she said, and the memory crystallised suddenly, sharp and clear. ‘He said, ‘If I kill you, the other animals will come to me for teaching. They'll have no choice. ‘And he lunged at the cat.’
Her voice caught. She could see it now, her grandmother's hands miming the pounce, the child, Scheherazade gasping in delighted horror.
‘But the cat leaped into a tree,’ Scheherazade continued, her words gaining speed, ‘up to a
branch the lion could never reach. And from that safety, the cat looked down and said, 'I taught you everything you needed to learn, great king. But not everything I know.' And the lion...’
The fragment ended there. Her grandmother had laughed, had said something about keeping wisdom in reserve, about the difference between teaching and trust. But Scheherazade couldn't remember the exact words, couldn't stretch the story any further. She'd given him perhaps five minutes when she needed to reach dawn. With that her voice and breath stopped.
The silence in the chamber was absolute.
‘And the lion,’ the king said quietly, his voice strange, ‘understood that he would always be
what he was. Powerful. Deadly. And alone in his inability to reach what he most desired to
destroy.’
Scheherazade stared at him. Shahryar moved from the window, and she forced herself not to step back. He'd never hurt her. Not once, in nine hundred and ninety-nine nights, but the threat was always there, implicit as gravity. He stopped before her, close enough that she could smell sandalwood and something else, something like sorrow.
‘You're frightened,’ he observed.
‘Yes.’
‘You think I'll kill you.’
‘Yes.’
‘Because you've run out of stories.’
There was no point in lying. ‘Yes.’
The king, her husband, her audience, her executioner, smiled. It was a strange expression on his face, like sun breaking through storm clouds. ‘Scheherazade,’ he said, and her name in his mouth sounded almost like a prayer. ‘You have told me nine hundred and ninety-nine stories. Tales of wonder and horror, comedy and tragedy, wisdom and folly. You've shown me a world so vast and various that I'd forgotten it existed. You've made me laugh. You've made me weep. You've made me think, which is perhaps the greatest gift of all.’
He took her hands in his. They were warm.
‘And tonight, on your final night, by the bargain we struck, you came to me terrified and empty, and you gave me maybe the first story you ever heard. A fragment. A child's tale about a lion who could never climb high enough to reach what he wanted to kill.’ His grip tightened. ‘Do you know what I see, Scheherazade?’
She shook her head, not trusting her voice.
‘I see a woman who walked into the chamber of a man bent on destruction and saved a kingdom with nothing but words. I see courage wearing silk. I see the person who taught me that perhaps not everything beautiful must be torn down before it can hurt me.’ He released one of her hands, reaching up to touch her cheek. ‘I see the cat in the tree. And tonight, instead of you telling me a story, I will tell you one.’
‘You … what?’ and she let out her breath.
‘Sit,’ he said, gesturing to the cushions where she'd sat so many nights before. ‘It's your turn to listen.’
Dazed, Scheherazade sat. The king settled beside her. Not commanding, not looming, but beside and began to speak.
‘There was once a lion,’ he said, ‘who thought himself mighty because he could kill. Who
believed his power made him whole, his rage made him righteous. Who destroyed everything that came close because closeness meant vulnerability, and vulnerability meant betrayal waiting to happen. And into this lion's domain came a cat. A small, fragile, armed with nothing but stories. And night after night, the cat returned, though returning meant risking death. And night after night, the cat spoke, weaving words into something the lion had forgotten existed. Not armour. Not protection. But connection.’
His voice was unpractised at storytelling, but earnest. Scheherazade found herself leaning
forward.
‘The lion told himself he kept the cat alive for the stories. For the entertainment. But as the
nights accumulated like gold, he began to understand the truth. The cat was teaching him, not how to hunt, not how to kill more efficiently, but how to be something other than teeth and fury. Through a thousand tales of transformation and redemption, the cat showed him that perhaps he too could be transformed and redeemed. Could choose something beyond destruction.’ The king paused, and when he continued, his voice was rough. ‘And then came the final night. And the cat, exhausted and empty. About a lion who could never reach the cat in the tree.’
‘And did it work?’ Scheherazade whispered. ‘Was the lion redeemed?’
Shahryar turned to her, and his eyes held something she'd never seen there before, something fragile and fierce and frighteningly like hope.
‘Ask me tomorrow,’ he said. ‘And the day after. And the day after that. Ask me every day for the rest of our lives, and I’ll spend each one trying to answer yes.’ He took her hands into his. ‘No more stories for survival,’ he said. ‘No more bargains with dawn. Just ... stay. Not because you must, but because you choose to. And if you choose to climb into the tree and stay there, I'll understand. I'll deserve it. But I hope…’ his voice cracked, barely, like ice breaking in spring, ‘I hope you'll teach me how to build something other than fear between us.’
Outside, the night was giving way to blue-grey pre-dawn. Scheherazade looked at her husband, this man she'd saved and been saved by in equal measure and felt something in her chest unknot for the first time in nine hundred and ninety-nine nights.
‘The cat in my grandmother's story,’ she said slowly, ‘stayed in the tree. Kept her distance.
Survived by remaining out of reach.’
‘Yes,’ Shahryar said, and there was understanding in his voice, not resignation but recognition of the lesson's truth.
‘But the story ended there,’ Scheherazade continued, her voice gaining strength. ‘My
grandmother never told me what happened next. Whether the cat stayed in the tree forever, or whether the lion proved himself worthy of trust. She left that part unwritten.’
She looked at him. This man who had just told her a story, who had chosen words over the blade. They sat together as the sun rose, and for the first time, Scheherazade watched the dawn not as an ending, but as a beginning. The well had run dry, yes. But perhaps that meant it was time to stop drawing from the past and start living toward the future.
No more stories.
Or perhaps she looked at the man beside her, this lion learning to be gentle, perhaps the story was just beginning.
Outside, somewhere in the palace gardens, a grey and black cat with amber eyes sat grooming its paws, supremely indifferent to the fates it had altered simply by crossing a path at precisely the right moment.
As is the way with cats.
And as is the way with stories, too.
BWW RK Anand Short Story Prize 2025 - Shortlist: Ritika Bali
The Things We Leave Unsaid
Ritika Bali
Tina waves at me from the porch of her Dubai Marina bungalow. The kids are already yanking at the door handles, eager to leap out of the taxi. I tell them to wait, but they tumble out to meet their aunt and uncle, leaving me behind to wrestle with the suitcases.
‘Hello, my beautiful sister!’ Tina’s arms fling wide towards me. ‘So good to see you!’
I jerk back like a marionette on strings before finally surrendering. For weeks, I’d rehearsed this moment: meeting Tina and her husband, Vikram. So, why the nerves now? I tug at my sleeves, smoothing invisible wrinkles and stalling.
Her perfume reaches me first. Of course, it’s expensive. Tina has always known how to wear luxury the way other people wear skin. She folds me into her embrace and her hair brushes my cheek. I let her hold me, though a part of me floats, not fully in the hug or in the moment.
‘Good to see you.’ I coax my lips to curve. Sweat clings to my arms despite the morning breeze.
Tina smiles her old, easy smile. For a moment, my shoulders loosen, and I sense a familiarity with my sister. But something in us has shifted during the years apart.
From the moment I see it, I know this house would feature in Condé Nast: sleek white walls and oversized glass doors framed by tall palms, bougainvillea cascading over the stone fence, pinks and purples spilling against sun-warmed brick. Inside, it smells citrusy. Everything gleams—polished floors, curated artwork, minimalist furniture. Cushions on the couch are fluffed into perfection; the rugs appear to have been hand-picked from a Persian atelier. The kitchen, with its green marble counters and copper lights, is pristine, as though scrubbed spotless just before our arrival. The bedrooms are immaculate. Nothing feels out of place or where it shouldn’t be. It’s almost too neat and untouched.
The kids are already orbiting the swimming pool with Vikram, their voices bubbling over. ‘This view is unbelievable!’ they shout. ‘There’s a hot tub, too? Why can’t we live here forever?’
At home, I can barely drag a word out of them, their faces swallowed by phone screens. Now their eyes sparkle like they’re living their teenage dream.
‘Of course!’ Tina laughs. ‘We wish you were all staying longer.’ She turns, squeezes my arm and blurts, ‘I miss Ma. I’m sorry I couldn’t make it. It hurts me so much. I’ve been meaning to tell you—’
Not the excuses again.
‘A beautiful house indeed,’ I cut in. ‘Different from what I glimpsed on our video call. Spectacular, though. You and Vikram have done very well for yourselves.’
Tina exhales. I scowl.
As plans for the evening swim continue, their voices muffled by the pummelling in my chest, I catch my reflection in the glass door. Oily, gummed-up hair, faded T-shirt, claret lipstick feathering at the corners of my mouth. And beside me is Tina frolicking in her mansion, five times the size of the cramped apartment my husband left me—his parting gift after the affair—along with two boys to raise alone at forty-five.
And until six months ago, I was the one caring for our ailing mother, a responsibility Tina had conveniently shifted onto me because she was living abroad. When Ma’s asthmatic lungs rattled through the nights, when the bills stacked higher than I could count, it was me who shouldered it all. I brought her to live with me, bathed her, fed her and stayed up past midnight, filling out job applications with higher pay to keep us afloat.
Tina had visited once in between. For two weeks. She brought flowers and a cheque and fluttered around with all the right words of concern. Then she left, citing some urgent business matter that ‘absolutely couldn’t be pushed back.’ Ma’s health worsened. The hospital bills kept mounting, and Tina’s cheque was long spent. The day Ma passed, I was the one who sent out the message to family and friends. Vikram called soon after. Tina was in the hospital, apparently, for a horrid stomachache. Bedridden, he said. I didn’t ask more. If she were awake, talking and crying into the phone, it couldn’t have been that serious. But it was convenient. Not that I had the energy to care. I was drowning in grief, arrangements, and endless faces offering condolences.
A few days later, Tina and Vikram floated the idea of the kids and me visiting them. ‘A change of scene,’ they said. But the proposal soon became an insistence. They promised to cover the tickets, and we would stay with them. I resisted at first. I had no desire to walk into their glass palace of a life. But my sons pleaded morning and night, their eyes alight at the thought. And what choice did I have? I wasn’t about to let them travel alone. So I set aside my pride, bit back the taste of humiliation and gave in.
One week, we agreed. Let Tina and Vikram take care of our entire visit, I thought. Let them call it generosity. I would know it for what it was: guilt masquerading as kindness. Part of me had wanted to see for myself what they’d built, the picture-perfect DINK lifestyle that always lit up on the video calls.
And now that I’m witnessing it all, I know coming here was a mistake.
I push down the rising in my throat with the same old refrain: Everything’s fine. Everything’s always fine. Later, when I’m alone in the guest room and the boys are lost in the video games, I press my face into the pillow and scream until my throat splinters into needle pricks and my voice grates down to a rasp.
*
You sit cross-legged on the mosaic floor, knees nearly touching. Between you and her lies the elephant you call Lulu, one button eye missing, the other hanging by a loose thread. She lunges first, snatching it up and holding it tight against her chest. ‘Mine,’ she declares in her implacable voice.
You lean forward, fingertips brushing the frayed edge of the elephant’s ear. ‘I got it for my birthday,’ you say. ‘Play with it after.’
Your mother appears at the doorway, a dishcloth twisted in her hand, sweat across her forehead. ‘What’s happening here? Give it to your sister.’ But you both tug at the toy like dogs, heads snapping side to side, chins thrust forward, knuckles whitening as you clamp down on your grip.
Your mother presses her fingertips to her temple, then pointing at you, she says, ‘You’re older. You should understand. Find something else.’ Your hands drop limply to your lap as tears bubble in your eyes. But they don’t fall. They never fall. Your mother turns away, muttering under her breath: ‘Give me a break. Just … give me a damn break.’
*
For lunch, Tina lays the table with dainty china and silverware. She places the chicken curry on trivets and steps aside, letting Vikram flutter in with a bowl of salad. He takes an exaggerated sniff. ‘Smells incredible. But I’m thinking lunch while we watch the race.’ He swivels toward the boys. ‘Right? You’re in, yeah?’
Their eyes light up instantly. ‘Yes! Team Verstappen!’
‘No, Hamilton!’
‘Vikram,’ Tina calls after her husband, who’s already stacking his plate. ‘The table’s set. Let’s eat properly here?’
‘Relax.’ He waves her off. ‘Let me enjoy with my nephews!’ And just like that, he piles curry on rice, strides to the living room, and drops down with a grin. The boys scramble after him with clattering plates.
I don’t care about the race, so I take the seat at the table, bracing for the awkwardness that will surely settle between Tina and me.
But from the couch, chaos erupts before anyone’s even taken a bite. The tv roars. The boys roar louder. ‘No, no, no!’
There are gasps.
Vikram shoots up from his spot. ‘What the— move! Don’t crash!’ He jerks forward, and in the motion, a glob of hot curry arcs through the air.
Time slows: a streak of orange, then splat. Fireworks of curry across the couch. A perfect bull’s-eye dead centre on the cream carpet.
At first, there’s silence. Then the room detonates.
‘Oh my god!’ Tina shrieks, racing forward.
The boys jolt back, startled, bumping hard into a slim pedestal. The marble bust of some unbothered Greek goddess perched on top tilts once, twice, then wobbles.
Tina steps forward. ‘No wait—’
It’s too late.
With a loud cracking sound, the marble head tumbles, splits at the nose, and rolls onto the hardwood floor.
‘Shit! We’re dead! I told you to eat at the table! What were you even thinking?’ Tina shrieks, her face flushed crimson. ‘Where do they keep the damn washcloths now?’
‘I’ll check the kitchen,’ Vikram says, already bolting toward it. Drawers slam open and shut as he rummages through them. Tina joins him, mirroring his panic, both of them moving like strangers in their own house. For a moment, they seem to forget we’re even here until Tina’s exasperation falters and she stares at me. ‘It’s the house help. We don’t know where she puts these things,’ she says in a low voice and shrugs.
I sit quietly with the kids, swallowing the bite with a slow sip of water. Later, we spend the evening scrubbing the living room.
*
When Ma tells you the room will no longer belong to you, you laugh first, thinking it’s a joke. Your room can’t just belong to someone else, at least not your younger sister.
‘She’s growing up fast,’ Ma says. ‘She needs a bigger bed. You’ll be away at college anyway.’
You nod because that’s what you always do. But slowly, the change hits you like a punch.
The blue curtains are replaced with yellow stripes. Your posters, your stack of diaries, the tiny chipped mickey mouse mug you used to keep pens in, all stowed in carton boxes under the bed.
You feel displaced and infuriated. Your sister is sprawled on her bed, reading her book. ‘So,’ you say in a voice gruffer than you intend, ‘don’t forget…it was my room first.’
She looks up, surprised, and for a second it seems like she might argue, but then she smiles a soft, easy smile. ‘Look at this!’
She reaches for the photo frame on her steel almirah. It is made from seashells that you both collected on your trip to the beach. Inside, there’s a grainy picture of the two of you, sunburned and laughing, with matching ponytails and your arms thrown around each other.
‘I’ll always keep this,’ she says, running a finger over the frame’s uneven edge. ‘Wherever I go, I’ll put it up.’
You want to stay angry and repeat that the room is still yours, but something inside you melts. The shells catch the sunlight from the window and the laughter in that photo feels like you can almost hear it again.
‘Don’t lose it,’ you tell her.
‘I won’t,’ she promises. ‘I will put it where I can see it every day.’ And you believe her.
*
Throughout the next day, Tina moves about the house, hyper-aware of her linens and floors, watching where she sits and what she touches. Her caution edges into irritability and though she tries to hide it, her face and body give her away. I move lightly across the hardwood floor when no one’s watching, wary that if I press even a little harder, it might cause something to break. Every time the kids grow too loud or careless, I hush them. There’s no way I’ll let them or myself be a bother to my sister and sully her picture-perfect world.
We circle around the subject of our mother, speaking of her health, her last days, her habits and idiosyncrasies, but never once calling out the truth: that Tina didn’t show up when it was time to bid her a final goodbye and that she had called me relentlessly instead, urging me to visit her, even going so far as to rope in my older son, asking him to persuade me and break me down where she could not.
When she asks about my job, I plainly say it’s going great. I keep my voice even, but my boss’s bemused face flashes before my eyes, the way he looked at me when I requested a week’s leave, and I’m reminded just how precarious my position in the new company is. I don’t ask Tina how her retail business is going. I don’t need to.
Rather, I ensure to check in with Tina and Vikram if our visit is keeping them from work. They always shrug and say in unison. ‘Don’t worry about it,’ But I can’t help it. I can’t relax. Even though this trip was meant as an escape from my life back home, being here feels like slipping right back into it. Sometimes, I retreat to the guest room to nap or spend more time than necessary in the bath. No one comes looking for me then, and for a few minutes, I feel something close to peace.
Between our perfunctory conversations, my thoughts take me back home, the dust gathering on the tables and windowpanes, the damp smell rising from the tiles and the decay that still sticks to the walls of the room where Ma used to lie. I dream of returning home to find the calatheas by the window long dead. Their leaves curl inward, brittle as old paper, veined with a white, web-like film. A spider, perhaps mistaking the plant for prey, has spun a cradle around it, threading silk through each shrivelled stem as if coddling its victim before drinking the last of its sweet sap.
Then the kids suddenly appear out of nowhere, shouting as if the house is on fire. I jolt upright and for a split second, I think Ma is in the next room, that she’s stopped breathing again. But when I see their faces, it hits me that the moment belongs to another time. I’m far from it now. They’re only excited. They want me to join them.
I pull myself up, still shaken, and follow them into the living room. The evening light slants through the glass door. Tina and Vikram walk toward us, both grinning, carrying glossy shopping bags with luxury logos.
‘We got you all some presents!’ Tina announces, her voice lilting with pride.
The kids nearly fall off their chairs with anticipation. I can’t remember the last time I saw that kind of light in their eyes. I try, god knows I try to give them everything I can.
Tina reaches into the bags, pulling out the gifts one by one like Santa. ‘Alright! For my favourite nephews in the whole world, these are for you!’
The kids dive forward, tearing through paper. Their faces bloom with delight as they pull out sleek smartwatches and headphones. Accessories that must cost more than my month’s grocery bill.
‘Thank you! Awesome stuff,’ they yell in unison.
Tina and Vikram beam, pleased with themselves. But I am not. All this money that could’ve been used to cover our mother’s hospital bills when Tina was gone, or a live-in nurse when I was drowning in the work of keeping her alive. Look how it’s being poured into shiny distractions. No, stop. Don’t think like that, Maya. I berate myself. You’ll ruin everything.
I wasn’t always like this. I was the sister with the plan, the one who made it to the top management program, who married for love, who had two beautiful boys. And then I became the sister who gave up her job to raise them, who got left behind for someone younger, who now lives in her ex-husband’s discarded apartment.
‘And for our dearest Maya!’ Tina says, turning to me with a theatrical flourish. She waves a bag in front of me. ‘Guess what it is?’
‘Surprise me!’ I shrug and pull out a makeup kit and a new phone in a gleaming white box. ‘This makeup brand is all the rage in Dubai!’ she says eagerly. ‘And of course, you recently mentioned your phone was giving you a hard time.’
My face goes warm. I’m holding up the makeup kit. ‘To all the pretend parties I get invited to every week,’ then I run my hand over the case, feigning to admire the phone. ‘I can already picture myself using it at work, coming off as a rich bishh—’ I say, looking at the kids, hoping they didn’t hear me and then laugh at my own absurdity. ‘Thank you. It’s…very thoughtful.’
But I don’t stop there. ‘Maybe,’ I continue, pushing myself up from the couch. ‘You should’ve gifted this to me earlier, when you last visited. I could’ve called you on this expensive phone for help when Ma was choking on her pills. Maybe then you would’ve listened and stayed longer?’ The words escape before I can stop them.
And then, as if some invisible hand has seized my strings again, I grab the makeup box, flip it open, and plunge my fingers into the eyeshadows. I smear the colours across my eyelids, furious. I twist the lipstick and drag it across my lips in a jagged line. ‘I look good, don’t I?’
The room goes still. The kids shrink back. Tina and Vikram’s mouths open, but nobody speaks a word.
I feel like someone’s pounding their fists on my chest. The heat radiates from my face. ‘A new phone!’ I laugh hysterically, repulsed by all of them and their nonsense gifts and idiotic feelings that can no longer contain the torrent swirling within.
I fling the phone across the room as hard as I can. It careens through the air like a missile before crashing into the far wall. Gasps follow in the stunned silence. Vikram slaps his hand over his mouth as if he never imagined this side of the otherwise calm sister-in-law.
But it’s not over. I feel my body move towards the fallen phone and my feet descend on it, each blow heftier than before. When I finally stop my grunting and stomping, my laboured breathing is the only sound in the room. Everyone is staring at me, tense and breathless, dreading another round of fits.
But instead, I look down at the phone, so they too look down at the phone, and none of them can believe that it is still in one piece.
My older picks it up and turns it over in his hand. ‘Not even a scratch.’
‘And that is damn impressive!’ exclaims Vikram. ‘Can you believe it’s a knock-off?’ His head stops bobbing when he realises what he’s done. Tina’s gaze intensifies. The kids glance at their gadgets. ‘I mean, they’re just as good,’ he sputters. ‘You won’t even know the difference—’
‘Okay, Vikram! They get it,’ Tina interrupts her husband, smiling. It isn’t really a smile. She gently beckons the kids to go to the room and watch tv, then pulls me carefully by the arm and hands me a glass of water. The cool rush of the liquid seems to soak into the madness that has filled the room. She sits beside me. ‘You never say what needs to be said. Let it out,’ she says, poking the left side of my chest. ‘Keeping all that inside you?’
I open my mouth, but nothing comes out.
‘Okay, I’ll go first,’ Tina says quietly. She takes a deep breath. ‘Our business is failing. It seems nobody wants to buy anything from the store now.’
My head jerks up. ‘We are in debt and we lost our house last week.’ She glances around. ‘This house isn’t ours. It’s a rented property. An acquaintance offered it until we can figure things out. But I think you already knew. Right after the curry incident.’ Her words come out in a rush now. ‘And selfish of me, in the midst of all the chaos, I wanted you and the kids to still visit us. I forced Vikram to keep up the act. Plus, I didn’t want you to think we failed, after all that drama when we said we were moving to Dubai for better prospects.’
I look at her and want to tell her I would never think of her as a failure. I want to say it but she presses her hand against my mouth. ‘You next,’ she says softly.
I hesitate, then force myself to speak. ‘I’ve resented you for a long time for leaving me behind. My life these past few years has been...hard. You were always caught up in your life, and I was caught up in Ma. I lost a part of myself taking care of her.’
‘I’m sorry for being inconsiderate,’ Tina whispers, tears spilling. Vikram, who’s been silent all this while, nods. ‘I am sorry too. I should’ve been more present.’
‘Then why,’ I ask, my voice snapping, ‘did you never come when Ma died? I waited for you.’
Tina looks down and her eyes flicker with pain. She places a hand on her belly and sobs. ‘I wanted to tell you about the baby, but Ma was so sick. And then I lost—I lost her the same day Ma—’ She collapses into tears. ‘I’ll never forgive myself for not being there.’
The air leaves my body. Without a word, I lower myself beside her. I guide her head to my shoulder. Her arm curls around me, and together, we cry the way sisters do when holding it in becomes unbearable. ‘I’m sorry,’ I whisper between breaths.
‘I’m glad you came. I’ve missed you.’ Tina lifts her head and tucks a plastered strand of hair from my forehead. After a long pause, she says, ‘How about I cook Ma’s recipe for mutton soup tonight? I know you love it.’
I let out a shaky smile. Looking around, I say, ‘And it wasn’t really the curry incident that gave you away. It was the seashell photo frame. I couldn’t find it anywhere. You’ve always kept it in your house where you can see it every day.’
Tina laughs softly. ‘How did I not think of that?’
I glance at her. ‘So, what’s next?’
She looks thoughtful. ‘I think our time here is done. This place no longer feels like home. Maybe it never was.’
I purse my lips and take her hand in mine. Outside, the tangerine light squashes through the window. For the first time in years, I don’t feel like I’m the only one holding everything together. And for now, that’s enough.
*
You lie curled on the couch with an ache in your head. The smell of onions sizzling in ghee drifts toward you. Ma is making mutton soup, the kind she always makes when you’re sick. You can hear the ladle clanging against the pot and the splutter as she adds water to it.
Tina sits cross-legged next to you, refusing to leave your side even for a minute, pressing a damp cloth to your forehead. ‘You should rest,’ you murmur in a hoarse voice.
‘So should you,’ she replies, folding her arms.
You want to roll your eyes but don’t have the strength.
From the kitchen, Ma calls out, ‘Almost done. Just five more minutes!’
Tina adjusts the blanket around you and draws circles on your arm with her finger. You manage a weak laugh that turns into a cough. Instantly, her hand is on your back, rubbing gently.
Ma finally appears with the soup, steam rising in curls. She places it carefully on the coffee table. ‘Drink while it’s hot.’
You sit up slowly, the blanket sliding off your shoulders, and Tina grabs the bowl before you can. She tests the heat with her breath, then holds the spoon to your lips.
Ma stands nearby, pretending to tidy up, but really just watching the two of you.