Tuesday, April 7, 2026

Fifteen Years of Out of Print - Responses from our Readers: ISSUE 58, DECEMBER 2025

Out of Print 58 is the second edition published in our fifteenth year.

We asked our readers to tell us how they responded to any of the stories that appeared in December 2025.



- The Rain by Rajalakshmi N Rao

The world of 'The Rain' is intimate and oppressive: a couple who got married two years ago and have been, ever since, housebound by ceaseless rain. It's the rain that sets the mood, dominates the couple's thoughts and daily lives, and dictates their relationship. The wife personifies the rain as many different kinds of lover, male and female, naive and wily. She's wary of sharing these fanciful thoughts with her husband, who already calls her a 'stupid little girl' for filling up the time with reading.


Even in so short a story, the writer perfectly captures the setting. 'Invisible gray feathers' is a wonderful metaphor for the white noise of rain. 'Fierce downward thrust' aptly describes the oppression of loud and relentless rain. 


We who have lived through Covid will immediately recognise this world: like Covid, the rain forces proximity and deters intimacy. And, long before Covid, I recognised a parallel paradox, something we've all surely also experienced: sometimes, it's with distant acquaintances, or even with strangers we'll never meet again, that intimate self-revelations seem easiest. Why? Maybe because intimacy is a gift we'd like to bestow on our own terms. The forced co-cloistering of endless rain, of a pandemic, or of long cohabitation seems to strip us of the choice that characterises the gift of intimacy.


So, when the rain in the story ends at last, the couple pretend to make light of it. But surely they, like the reader, are breathing a sigh of relief.

- Amita Basu



The Rain is a quiet, evocative story that uses rainfall as more than atmosphere, it becomes an emotional language. Beneath the gentle prose runs a deep sadness, rooted in the wife’s unspoken unhappiness within her marriage. Her discontent is subdued, almost habitual, making it feel inescapable rather than dramatic. The rain mirrors love in all its contradictions: tender yet intrusive, nourishing yet suffocating. It seeps into silences and routines, much like a marriage sustained without joy. What lingers is the ache of emotional distance. The sense that both rain and love arrive, persist, and leave their mark, whether welcome or not.

- Ashwini Shenoy




- Shiuli by Ratul Ghosh

It is sheer coincidence and Ratul's and my story in Issue 58 dealt with the same theme: Disappearence of the mother. What I wsa especially drawn to, was the mother-son dynamic, which felt deeply relatable to me: a son who believes he is already doing enough, and a mother who is quietly lost, doing nothing. By the end, their roles reverse—but perhaps a little too late. 

- Vrinda Varma



An elderly woman vanishes from her home. Her grown son, the narrator, is berated by police and neighbours for not making more vigorous efforts to find her. He's perplexed by his own paralysis: 'I was a fly buzzing against glass, willing it to be air. I needed to escape to breathe.'


Was the woman demented, or was she overwhelmed by the various uprootings she'd recently experienced? The narrator's mother has been widowed; the ancestral house in Calcutta -- called Parijat, another name for shiuli or night-flowering jasmine -- has been sold; she has been forcibly transplanted to the dystopia of Bangalore during Covid. In this nuclear family, with her love for incense sticks, talcum powder, and deep-frying foods, she quickly becomes persona non grata. Confused and ineffectual, desperate to talk and to be useful -- she instead gets on everyone's nerves. 


This portrait is instantly recognisable, evoking both pathos and irritation: an elderly person who feels useless, who longs for something to do, and whose desperate desire to be involved paradoxically repels her closest kin and thus deepens her own isolation. Like every good story, this one forces the reader to look with a closer and kinder eye at the people in our own lives.


Shiuli is my favourite flower: for the fragrance, and for the contrast between the cream-coloured petals and the vivid orange stalks. Shiuli serves as a metaphor for emotion at various stages of the story and backstory of this piece: among other things, it comes to symbolise ownership, loss, and resilience.

- Amita Basu


Select responses to stories in ISSUE 57 may be read here.

Friday, January 9, 2026

BWW RK Anand Prize 2025

We at Out of Print are very pleased to be hosting the special mention and shortlisted stories of the second Bangalore Writers Workshop R K Anand Short Story Competition on our blog. The winning story has been published in Out of Print 58, the December 2025 issue of the magazine. 

We are hugely encouraged by the efforts of the Bangalore Writers Workshop (BWW) in supporting short fiction. Our founder and principal editor, Indira Chandrasekhar was on the jury for the prize along with noted writers Sonora Jha and Tanuj Solanki. Our gratitude to the Atta Galatta team for reading through the submissions and creating the shortlist. It made the task of the jury that much easier.

An introductory text to the prize by Bhumika Anand, director of BWW follows. It includes a response by Sonora Jha to Archana Nair's powerful story 'House of Witches' that received a special mention in the competition. Comments by Tanuj Solanki on the shortlisted entries are included too. 

The winning story is 'Shiuli' by Ratul Ghosh that explores the complexities of transplanting an aging parent from their home into the alien world of life in an apartment in the city, and to caring for them. 

In discussion with Bhumika, except for formatting them to be consistent with the Out of Print style, the stories being published on the blog will appear unedited, while the winning story went through a round of textual refinement as is the usual practice with Out of Print.



Winning Story

SHIULI by Ratul Ghosh



Special Mention

HOUSE OF WITCHES by Archana Nair



Shortlist

CYCLE by Aditi Chandrasekar

THE NIGHT STORIES ENDED by Amit Prabhakar


THE PURSE by Pallavi Chelluri

DEATH REIMAGINED by Sonu Sabir

AMPHIBIANS BY NIGHT by Malcolm Carvalho

THE THREAD REMEMBERS by Krishan Shetty

A PLACE LOST IN TIME by Sonu Sabir







BWW RK Anand Short Story Prize 2025 - Shortlist: An Introduction by Bhumika Anand

The BWW Short Fiction Award 2025 Shortlisted Entries: An Introduction


Bhumika Anand



This, 2025, is the second year of the R K Anand Prize for the BWW Short Fiction Award.


I want to start this announcement post with thank yous. This award would not have been possible if Subodh Sankar from Atta Galatta didn't help by being a partner, if the Bangalore Literature Festival team had not encouraged it, and if Indira Chandrasekhar from Out of Print had not agreed to partner with us. We were lucky to get a really discerning jury that included renowned international author and professor Sonora Jha (author of Intemperance among others), and one of India's stellar young authors, editor, and writing coach Tanuj Solanki (author of Manjhi's Mayhem among others) headed, of course, by the inimitable Indira Chandrasekhar (author of Polymorphism among others) from Out of Print. 


As most of our readers might know, this is a memorial award launched last year for my father R K Anand who passed away in 2023 owing to dementia-related complications. 


Giving to others even when we don't have much ourselves, always choosing friendship and kindness even when it isn't the easiest choice, working hard and taking pride in one's own work, and fighting for one's rights – these are some of the values my parents instilled in me. I run Bangalore Writers Workshop (BWW) a first-of-its-kind writing and storytelling school established in 2012 in Bangalore with these tenets in mind. As you might imagine, it's not easy. But it is fulfilling. I have made working with authors, especially, aspiring authors my life's work.    

In our BWW community, we constantly discuss craft, sure, but we are preoccupied with the human condition. Why are we the way we are? How do we make sense of an ever-changing world? How can we write with empathy and humour because God knows you need a sense of humour to live in the world we do. And this is what we deem as having heart. We may or may not improve as people in this pursuit, but I have definitely seen aspiring writers become emerging writers. This award is to recognise more such writers not just from the BWW community but others across the globe.   


And twice now, thanks to all our readers, partners, and participants, I can say we have succeeded.


This year we received 174 entries from places as far as Pakistan and Lesotho in Africa, and a couple from the US. So, a big thank you to everyone who participated. 


Our process for this award is quite simple. We longlisted 25 stories after two blind reads. Atta Galatta and team then came up with the ten shortlisted entries. Our jury then scored the winners on a scale of 1 to 10 with 10 being the highest.   


As always, BWWers dominated the list – five this time. 


During the prize distribution ceremony at the Bangalore Literature Festival 2025, Tanuj Solanki talked about the kinds of stories that are getting published these days. He said that most of the stories seem to deal with navigating ageing parents and/or grief, that many were speculative in nature, especially stories from authors in Bangalore, who, he felt, gravitated more easily and effectively from realism to fantasy or the fantastical. 


As a writing mentor myself, I think I can vouch that this is true. Bangalore, like most cities, demands that we escape the chaotic, loud, irreparable real world and embrace newness that allows for pause, reflection, questioning, and doubt. And with age and adulting, young aspiring writers are navigating situations involving senior family members, familial dynamics, estranged spouses and children, office politics – and there is a keen thread of loss and grief in the stories I have read this year for the award. We've picked the best of the lot (though it was by no means an easy task). I hope you enjoy our shortlisted entries. Congratulations to all our short-listed authors. 


In Aditi Chandrashekar's ‘Cycle’, we see a young girl navigate office politics, sexual relationships fairly deftly and powerfully in a Bangalore start-up. 


Amit Prabhakar in ‘The Night Stories Ended’, takes on a mythical retelling of Arabian Nights making us examine the very art and nuance of storytelling. 


Krishan Shetty in ‘The Thread Remembers’, quietly and tenderly shows us how the act of connecting with a stranger and learning a new craft can unlock sorrow and lead to shared grieving, healing, and reconciliation. 


Malcolm Carvalho in ‘Amphibians by Night’, tells a fantastical tale of a Mumbai slum gripped by a flood during a stormy night and makes us ponder about the ramifications of an inequal society. 


Pallavi Chelluri in ‘The Purse’, also talks about poverty and the great divide especially in urban landscapes between the haves and the have-nots with the inventive use of surrealism. 


Ritika Bali in ‘The Things we Leave Unsaid’, grapples with sibling rivalry and familial misunderstandings at the same time that she focusses on familial connection and reconciliation in the background of shared loss and grief. 


In ‘A Place Lost in Time’, Sonu Sabir explores a feminist coming-of-age inter-caste and inter-faith romance in Kerala and its repercussions. 


In ‘Death Reimagined’, Sonu Sabbir captures the way religious organisations reclaim power over dissenters of even in and after their death, and how inescapable a knot religion is in society, necessitating the narrator to plan his own epitaph and funeral.  


As you will see, all these stories are sharp, powerful, and extremely well-written. 


We hope you enjoy them and they spark something creative in you as well. 


When Sonora announced our special mention, ‘House of Witches’ by Archana Nair, this is what she said, ‘Archana Nair wrote this incredible story called ‘The House of Witches’ which became this very difficult thing for us to decide between the top two contestants, so congratulations. It's such a moving, powerful story about the three generations of women in this house and it has got this metaphysical element that Tanuj was mentioning earlier, has the grief element to it as well, and is a beautiful story about women's relationships across generations, the difficulty of that – the mother-daughter tensions, the aunts – but also the celebration of that. The women live fulfilling, magical, and witchy lives without men and sort of away from them – self-actualised women but also carrying grief and carrying generational stories between them. It was a beautiful, beautiful story to read.’ 


But, of course, we could have only one winner and that was ‘Shiuli’ by Ratul Ghosh. 

When I first read the story, I had a feeling that this would be the winning entry because Ratul uses craft, emotion, pathos, and pain to great effect to render an unforgettable story. Personally too, as a daughter of a parent who suffered from dementia, it resonated deeply. For years, I lived with the constant fear of someday losing my father and having to file a missing person's report. I imagined that fear so often and lived it so keenly that Ratul's story made me tearful and grateful that I didn't have to go through that angst at least. Indira mentioned the theme of severance in her read of the story and that was absolutely mot juste! 


‘Shiuli’ won because of the way it managed to capture the irreconcilable loss that comes from severance. 


Congratulations, Ratul.


Thank you for reading this, readers. I hope to post again next year with the list of 2026 winners of the R K Anand Prize for BWW Short Fiction Award. 


So, please keep writing, keep reading, and keep exploring. 


Thank you for your time. 


Warm regards, 


Bhumika Anand 

Founder and Director

Bangalore Writers Workshop

(www.bangalorewriters.com)  


BWW RK Anand Short Story Prize 2025 - Special Mention: Archana Nair

House of Witches

Archana Nair


As Amma and I shared a berth in the Jan Shatabdi express from Kochi to Trivandrum, we tried our best to look normal and avoid each other’s eyes. 

Growing up, summer meant sucking happy mangoes in Meema’s house. But I had skipped this tradition for a few years. I took up hobby classes during summer vacations and stayed at home with my father, while Amma went to Meema’s house and spent a few weeks out of formality. 

But this year, my mother and I packed our bags on the very first day of our summer vacations and took the train to see Meema. 

Amma was nervous beside me, biting her nails and scrolling through her phone. She taught Maths at the same school where I was in my final year. One more year, and we won’t share the same bus ride to school. I was fully prepared to move out next year, albeit a tiny hiccup. 

When we reached my grandmother’s house, she hugged me and lifted me off my feet. She stood six feet tall, with no wrinkles or signs of aging other than her grey hair. 

Meema lived with her best friend Cheriyamma in a small village, tucked away from the main town of Trivandrum. Though Cheriyamma lived a few houses away, she was always found at Meema’s house. 

‘You have grown so tall!’ Meema put me back on my feet and scanned me. I cowered under her scrutiny. Meema always smelled of turmeric that she rubbed into her skin every night to lighten her skin colour. She wore a blouse and mundu around the house that I found too revealing to my taste. 

‘You are as tall as me, Bhadra?’ Meema asked me. 

‘And she will grow more,’ Cheriyamma said. She was a small woman with her hair in a grey bob and dimples on both cheeks that seemed to grow deeper with her age. She also wore a mundu and a blouse, but she covered her chest with another mundu and looked dressed up to receive us, with tiny gold earrings and a thin chain around her neck, that sparkled in the sun. 

Amma looked around the house, taking everything in. 

‘Your jasmines are dying,’ Amma said. 

‘And you have grown so thin,’ Meema replied. She hugged Amma and I saw an exchange of tenderness that made me look away. 

‘Durga, let them in first, then you start the interrogation.’ Cheriyamma said, taking the luggage from Amma’s hands. 

Meema held my hands, and kept touching my hair and shoulder. I wished she would look away. All my anxiety to see her was boiling further under her direct glare. She had that power to read me with a single glance. The last I saw her was when I was ten, when she visited us in Kochi. 

‘She is all shy,’ Meema muttered to Cheriyamma, like I couldn’t hear it. 

Cheriyamma went to the kitchen and brought four glasses of mango juice. After I gulped down mine, she refilled mine. 

‘I will take some rest, just tired from the journey.’ Amma said and left for the bedroom, leaving me alone with the sharks. 

‘Her breasts are tiny, at seventeen, mine were bigger.’ Meema said. 

‘Give it time, she has your genes,’ Cheriyamma said. 

Both of them stared at my chest. Shocked, I collected my breasts and ran out of the room. It was true that I looked like my grandmother. My mother and I were like old photographs of her. We three were dark skinned, tall, broad, with round eyes and thick curly black hair. While Meema’s hair was greying, Amma’s was jet black and reached her bum. Mine were short and always in a pixie cut. 

It was uncanny that the genes of men in our lives hadn’t touched us in any way. 

*

By evening the heat of the summer drew us all outside to the verandah. I was struggling to set up a table fan while Amma cut long yellow slices of mangoes into a steel plate. I wore my oversized t-shirt over long pyjamas, Amma was in a see-through cotton nightie, and both Meema and Cheriyamma had their mundus up and folded till their knees. 

My father was very particular about dressing up decently, I wasn’t allowed shorts in the house. I eyed the half-naked women with jealousy. 

‘When your grandfather was alive, he wouldn’t let me step out. There were chores in the house from dusk to dawn. Anytime he saw me stretch my legs to relax, he would order me to do new things. Durga, that is not done, Durga this is not done! Durga, how dare you sit down!’ Meema began talking to me, like we had left off this conversation some years ago. 

‘Mean old coot!’ Cheriyamma muttered. She was sucking on a whole mango in one hand and fanning herself with a newspaper from another. Some juice dribbled down her hand and I fought the urge to ask her to wipe it. 

It was a ritual for Meema to fill me in on my grandfather’s life, who had passed away the year I was born. Some of this I already remembered from childhood.

Meema and Cheriyamma grew up together in the same neighbourhood. They were both seventh-class dropouts and married off when they were thirteen. Cheriyamma was married to a businessman from Dubai and Meema settled with her husband in her ancestral house. 

‘He had no penny, everything was my father’s. All the land, all the crops, he took it all.’ Meema said. 

‘The devil,’ Cheriyamma said. 

After Cheriyamma’s husband had a stroke that made him invalid, they put him in a hospital and she settled back in her hometown. Of the two, Cheriyamma had landed a softer husband who had left her in peace. 

‘One night when I returned home, it was way past dinner, he took a cane and beat me right there in the living room.’ Meema said. ‘Your mother tried to stop him but he grew madder. Poor child, she was twelve, what could she have done? He dragged her to the bedroom and locked her in the room door and then continued beating me black and blue.’ 

The mangoes turned icky in my mouth. I remembered this story, particularly one summer, when my father asked Meema to stop telling me these horrific tales of abuse. Meema went on, not leaving any details out. 

‘Why didn’t you leave him?’ I asked Meema, my first conversation with her since our arrival. She looked excited to hear my voice. 

‘Oh, he wasn’t that bad. He did some good things. May he rest in peace,’ she said. 

‘Night night.’ Cheriyamma got up to leave. 

‘You could stay,’ Amma said. 

‘No no, you kids, catch up.’

The three of us stared at Cheriyamma disappear into the night. I was weary from the travel, my eyes were drooping and I started softly dreaming of my grandfather with his cane. 

‘What happened, Shyama?’ Meema said very quietly. 

At the sound of her voice, sleep left me mid dream. I felt my stomach drop. I kept my eyes closed, but I was sure that both of them could hear my loud heartbeat. 

‘I am … pregnant.’ Amma said. 

I imagined my grandmother getting up angry and picking up an axe, ready to murder my father. But what I heard was a child-like excited voice. 

‘What are you saying?’ 

‘Don’t ask me, what, how ... I didn’t notice. It was a hectic school year and periods were always irregular and it just happened. I fainted once in school, and now the teachers know and it’s just…. O god, why me?’ She put her face in her hands and started rocking back and forth. 

‘Shyama, I don’t understand!’ 

‘All my colleagues are laughing at me or talking behind my back.’ 

This was one thing that broke my mother’s heart. She hated being gossiped about. Unlike Meema, who was the talk of the town, Amma always liked to be under the radar. 

‘Shyama, have you seen a doctor?’ 

‘It’s a perfectly healthy baby.’ 

‘At fifty?’ 

‘Forty-nine, Amma.’ 

Meema let out a loud laugh and I couldn’t keep my eyes shut anymore. I pretended to wake up and sat between them, looking from one to another. 

‘Mahesh … doesn’t want to … keep the child … he…’ Amma trailed off. 

‘We have never been lucky with men in our lives.’ Meema said. This was her answer to every problem related to my father. 

‘He wants me to abort.’ Amma said. 

‘Who is he to say that?’ Meema turned to me, ‘You are going to have a baby sister?’ ‘It’s a girl?’ I asked. 

‘Well look at the ruckus, of course it’s a girl.’ 

*

My father was not like my grandfather. My father was a soft-spoken man who wore ironed, neatly tucked full sleeved blue shirts and taught Physics at Cochin University. Every time we took a walk around the expansive campus, students and teachers stopped to chat with him. 

I was barely one when my grandfather passed away. Amma told me it was a sudden heart attack but Meema said he took to bed the day I was born and it was thanks to me that she could get rid of him. It was said that the morning he died he was shouting at Meema, while a nurse tended to him. His throat gave away mid-scream, and the body lay still, cutting short his abuses. 

In Meema’s neighbourhood, a household is supposed to mourn for sixteen days after the head of the house dies, and the wife is supposed to mourn the longest. But Meema and Cheriyamma went shopping the week after his death. Whenever someone visited to give condolences, she would go silent and act sad, but other times she spent time with Cheriyamma silently celebrating. 

I was sure Amma disapproved of this. She liked rules and traditions. She found the world of numbers very comforting where there were less surprises and everything on the left equated to things on right, unlike the differences between her and Meema. 

Meema stopped visiting us in Kochi, because my father found her obscene and loud. Amma agreed that it was better for me to stop visiting Trivandrum during the summer vacations. They occupied me with swimming and writing classes while Meema slowly faded away from my life. But it was difficult to forget her large presence. Every time my father brought up issues of Meema over the dining table, I remembered being held by her as a baby and the scent of turmeric washed over me. 

Now, we had a new problem to discuss over dinner. My father didn’t want a baby at fifty-five. I couldn’t imagine him tending to a toddler. My father was too important and intellectual to waste time at home. He was a busy lecturer with conferences and travel lined up six months in advance. 

I heard them fighting in the bedroom. 

‘I am surprised you want this, you are in line to become Head of Staff!’ He asked Amma. 

‘I can’t explain the feeling, I am unable to think of termination.’ Amma said. 

‘You are acting like your mother. People will laugh, Shyama.’

‘I can’t, Mahesh.’ 

‘Let’s act before it’s too late.’ 

She didn’t act on it. She kept fighting with him. They slept separately now. They stopped going to movies and office parties. The house was silent as if someone was sick. 

I wasn’t sure what they were fighting about till the day she fainted at school. I found out with the rest of the school. 

‘I should have told you,’ She apologised at night. 

‘Will you be okay?’ 

‘We will go to Meema’s, it will be fine.’ 

I didn’t understand my mother then. How would going to Meema fix having a baby in the house? The whole situation was ridiculous. I wondered if this was my mother’s tactic to keep me in the house after school. My father had planned my future studies abroad. I had everything prepared and lined up to move out. 

On top of everything, my classmates had started to tease me at school. 

‘Are they loud in the bedroom? Do they disturb you at night?’ 

‘How did it even happen?’ My English [teacher] asked me so seriously that I wondered if she wasn’t aware of the process. 

As we packed our bags for the summer vacation, I was aware that by the end of it, she would have a big belly filled with a baby. 

*

The next day, Cheriyamma came home with the head of a goat. Amma and I screamed at the sight of it. Cheriyamma hid it behind her and smuggled it to the kitchen. She then washed her hands and hugged Amma. 

‘You need mutton soup for strength.’ She whispered. 

We were a family of vegetarians. 

‘Your father would turn in his grave looking at all this meat in the kitchen. Oh he never let me eat any, that brute. May he rest in peace.’ Meema said. I was sure this wasn’t the first time she was cooking meat in the house. 

It was when Meema threw the whole kitchen upside down in the coming weeks that I realised that Amma did indeed look weak. They filled the shelves with greens, fruits, meat, nuts and everything they could think of to fatten Amma up.

‘She needs strength,’ they kept repeating like a mantra. 

The network was poor in Meema’s house, so the days crept really slowly. I uninstalled social media for a detox, so that I could study and work on my applications. My father texted me about colleges and I replied, pretending like there was no pregnant woman in our life. 

Amma grew tired often, but she came more alive here compared to home. She and Meema fought about small things. I had never heard Amma’s raised voice at our house. In the evening, they sat together and watched Malayalam tv Soaps. This too was a new revelation, I didn’t know Amma liked tv. I wondered if Amma actually liked it here, even though she pretended to be otherwise in front of my father and me. 

Cheriyamma had moved back in, calling it the need of the moment. 

The heat in the house made my brain melt. 

‘Amma, I need AC, I can’t think in this heat!’ I complained to Amma one day out of frustration. 

‘It will start raining soon,’ Amma said, but Meema overheard us. 

‘She is right, we need AC in Shyama’s room.’ Meema declared. 

‘Really? ACs cause cancers, I read on WhatsApp.’ Cheriyamma said. 

‘Rubbish!’ 

I was happy. I waited for them to come to me to call my father and arrange for it. To my surprise, the AC arrived the same evening and was installed in the next hour. Meema tipped the guy a crisp five hundred rupee note. 

*

One day, they put Amma in the backseat of Cheriyamma’s old Mercedes and left me with a bunch of instructions. 

‘Your lunch is in the kitchen, be careful with the stove when you heat it, water the plants, clean your room and start packing.’ Cheriyamma said. 

‘Your mother’s friend, Lalitha is a gynaecologist in Trivandrum City Hospital, we have an appointment today. It’s only a thirty-minute drive.’ Meema said. 

It looked weird that we were doing all this without my father. Amma and I ran everything by him before deciding on anything. Rather than thinking of my college applications, I was now worried about Cheriyamma’s reckless driving as she manoeuvred through a tiny lane. 

*

Their first appointment brought in many problems. The news about pregnancy spread through the small town, and people poured into our house to see Amma. 

Some thought it was finally time for a boy to arrive in this house of witches. 

‘Like Shyama’s husband, fair and brown eyes. It’s high time!’ 

‘Is this an age to give birth? I asked you to plan the second child right after the first one, and now!’ 

This was my grandfather’s sister, who was probably the only one who had the power to silence Meema. She lectured Amma for hours and then packed tons of mangoes and left. 

‘When will you stand up to her?’ Cheryiamma muttered. 

‘She looks like him.’ Meema replied. 

Others laughed and asked what the doctors were saying about this wonder. Meema closed the door to Amma’s room and told everyone to get lost. 

‘I just want to see her once,’ an old, wrinkled woman slid past Meema and opened the door. Amma was changing, she stood naked in front of the old women in shock. She had a small belly protruding out now. 

‘Durga! Devi!’ The old woman joined her palms and prayed. Meema was so angry that she called the woman many unholy things. 

*

‘Don’t you want to go back?’ I asked Amma the night before I was leaving. 

The curve of her belly had grown significantly since we arrived. My sibling had eyes, ears, and a heartbeat now, as per the internet. 

‘I need her.’ 

I had never heard Amma say something like this. I thought we had a great life in Kochi. It hurt that Meema was the only one she needed now. 

I went home the next day and resumed school the day after. 

I missed my pregnant mother more than I expected. Her absence at the dining table was unsettling. My father’s lack of questions about her health made me furious. 

‘Did you finish the applications?’ He tried to chat with me. 

I left the table and paused all my applications. I lost the will to write how-I-would-be-great-fit for the colleges. All I kept thinking about was the baby. I tried video calling my mother, but the network was bad. Even two days of silence from my mother’s end filled me with such anxiety that I woke up in the middle of the night, feeling the baby kick inside me. 

‘Can you get broadband, Meema?’ I complained to Meema on the phone. Meema was on my speed dial for three months now, a number that I had never called before. 

‘Cheriyamma says the internet causes cancer.’

‘Rubbish!’ 

‘Pooja holidays are a month away, you come then, everything is fine here.’ 

I stopped speaking at school. I could hear everyone talk behind my back. I barely scraped through my mid-term exams. 

When the news reached the campus of my father’s college, he was met with thumps and cheer. I learnt that some students and teachers got together and gave my father a party. I stopped eating with him. 

One day I heard him call Amma. It was Meema who picked up the phone. 

‘If you need anything…’ My father began to say. 

‘She will always be taken good care of, I always said that to you, didn’t I?’ Meema’s voice came from the loudspeaker. 

‘Can I send some money?’ 

‘Money that we don’t need?’ 

*

As the Pooja holidays neared, my anxiety hit the roof. The due date was in six days and I lost my ability to think straight. 

‘Bhadra, be careful on the train,’ Meema said on the phone. 

‘I think I know how to travel!’ I screamed at her. 

‘The anger on this one, Bhadra Kali herself.’ I heard Cheriyamma mutter from behind. 

My father offered to drop me to the station. 

‘I can also come with you, I don’t mind,’ he said. 

‘No, thank you.’

I never spoke to him this way. The past nine months had created a big distance between us. What was before tiny holes in the fabric of our relationship, had now torn open and relieved itself fully void. 

I reached Meema’s house after a train ride, an auto ride and two instances of heavy rain. 

When I saw Amma after three months, my breath left my body. 

She was a bag of bones with a pregnant belly that she couldn’t stand straight with. All the anger inside me melted to a stream of tears down my cheeks. 

‘Do you want to feel it kick?’ She said and her face broke into a grin. 

I touched her stomach and felt the baby. It was unreal. In the afternoon, she fell asleep in my lap holding her belly. 

I kept an eye on Amma like a hawk for the next few days. I prepared myself for a boy because everyone was so sure it’s a girl. Meema had picked a name as well – Bhargavi. 

Amma was on painkillers. The child kept hurting her back, she could barely walk around the room. Amma was wearing the same clothes as Meema now. She wore a blouse and mundu which was hiked up till above her knees, while Meema sat on the floor gently massaging her swollen feet with hot oil. Amma’s stretched belly was in the centre of the room, round, veiny and naked. 

I looked at Meema, whose blouse had few open buttons. I had a full view of her big breasts that she was waiting on me to grow. 

Cheriyamma sat in the corner cutting vegetables in a similar half naked state. She didn’t wear a bra under her blouse and her thighs were exposed. 

Without men in our lives, it’s like there was no need to dress. I didn’t feel the need to avert my eyes, I looked at them whole, flesh and all, amidst potions and concoctions, preparing for a baby to arrive.


*

The evening before Vijayadashami, Amma cried with so much pain that we were out of the door in fifteen minutes. Cheriyamma drove us to the hospital. 

The city hospital was big, clean and white. Amma was taken straight to the ICU. Meema and Cheriyamma stood awkwardly in the corner, slightly shaken and out of place. 

I took charge. I found them seats and gave them both a bottle of water. 

Cheriyamma held Meema’s hands and I saw them close their eyes and pray. I paced back and forth in the corridor. My father was on his way, it would take him five more hours to reach the hospital, but I wasn’t waiting for him. 

My mother’s friend who often visited us in Kochi with her family, Lalitha aunty, came out and hugged me. 

‘She is okay, everything is okay, the baby is coming soon.’ She told me. She then turned to Meema and Cheriyamma and talked about the complications with the birth, they blinked at her and looked at me. 

‘But she will be fine, right?’ I asked her. 

‘Yeah, yeah … where is your father?’ 

‘Do you want something from him?’ 

‘No. I mean, yeah, no, I guess. Aunty has signed, and everything is okay. Okay, so I am going in. But are you all…’ Lalitha aunty said, unsure of whom to address. 

‘Yeah, we will stay here, don’t worry,’ I said. 

After four hours, my mother delivered Bhargavi like she promised. Meema kissed Cheriyamma on her lips and then she kissed me. All three of our faces were wet. 

But then Amma was taken into an emergency operation because of a third-degree vaginal tear.

Meema broke down. 

She started sobbing and losing breath. A nurse put her on an oxygen cylinder and we had to scuffle to find a bed for her. I kept running between two rooms in my house slippers. 

‘I think I should be near the ICU with Shyama, and you watch Meema. They may need an adult there.’ Cheriyamma said. 

‘You are better here. I will manage that?’ I asked her. Cheriyamma looked relieved and took a chair next to Meema. 

I kissed Meema’s head and remembered how my birth had sent her husband to the bed. A fear rose in me that I tried to shake off by pacing more aggressively outside the ICU. 

The night passed. At the break of dawn, Lalitha aunty came out and said that the surgery went well and my mother was okay now. 

‘She has to be admitted for a few days and needs to be monitored up close, but I am here. It will be okay. Her vitals are picking back up.’ 

I rushed to tell Meema the news and she started crying again. They hooked her back on the oxygen cylinder and gave her an injection to calm her down. 

‘She is dramatic, don’t mind her,’ Cheriyamma said. 

When my father arrived, I saw that his hair wasn’t combed well. He had left in his night suit. It made me feel better that he didn’t take time to dress. He exchanged a long conversation with Lalitha Aunty and then he took the seat next to me. 

‘I tried my best to be early, just too many hurdles on the way.’ 

‘We were doing fine actually,’ I said, which pained him. 

Lalitha Aunty put Bhargavi in his arms and for the first time I looked at her. 

‘Born on Vijayadashami like Durga! Fighting and kicking!’ Lalitha Aunty said.’ ‘Like Meema,’ I said. 

Bhargavi was dark skinned like the three of us, with a head full of black curls. She opened her eyes a tiny bit to look at me and broke into a loud cry.

BWW RK Anand Short Story Prize 2025 - Shortlist: Aditi Chandrasekar

Cycle

Aditi Chandrasekar


1

We had been talking about what makes a good marketer when my boss, Raj, told me ‘You’re one of the best I’ve met.’ 


A sullen yellow light washed over our faces. We were in a dingy bar somewhere in Indiranagar. I kept my body turned ever so slightly to ensure that the better half of my face - the left side - was illuminated. 


Raj spoke about work only briefly. He moved on quickly to other topics. He told me about a book he’d been reading recently, about the art of body language, and said, ‘I read that when two people are enjoying a conversation, they lean in closer to each other.’ He wiggled his finger back and forth between us. I leaned back.


‘What do you think about that campaign Diya pitched?’ I asked. A thinly veiled attempt to divert him. I wasn’t sure if I imagined it but there was a flicker of something on his face, like the smile he held up until then was replaced by its ghost, before he answered.


2

When I stumbled into my boyfriend’s flat that night, I could only make out a blurry figure seated on the couch. I felt its gaze on me for a few seconds before it wordlessly walked out of the door. Where are you going? I turned around and asked but the words that exited my mouth were unintelligible. 


I made my way to the balcony and sank into a bean bag. I took many gulps of the night air before the spinning in my head paused. I waited. When Sameer finally reappeared, I could see him clearly. A deep frown had settled in. 


‘Can’t you see what Raj is doing with you Anju?’ he said.


‘It’s not like that, babe. Trust me.’


‘What is it like then? Name another woman you know who just goes out with their manager to a bar alone.’ 


I couldn’t come up with a response. 


‘Do you enjoy it? The attention he gives you?’ 


‘I don’t know.’ I muttered. I couldn’t look into his bloodshot eyes any longer, so I looked down. Soon enough, sobs began to rock my body. 


It was a whole minute later that Sameer took a step towards me. He grabbed my shoulders.


‘He’s just an old prick who’s using you. Don’t drink with him ever again, okay?’ he said. I felt his fingers dig into my back. I nodded.


3

Sameer went to the UK for his sister’s graduation and his life became increasingly busy, so we only talked on the phone every few days. 


I proposed the idea of a movie night. We perused his schedule until we landed on a 2-hour slot that suited us. I chose a romcom on Netflix, and greeted him with a finger heart when he showed up in the Zoom meeting. He looked tired.


‘How have you been?’ he asked, ‘how’s your sleep?’


‘I’ve been sleeping in autos. Too much work.’


‘What?’ He ran a hand through his hair. ‘You’ve got to take care of yourself, babe.’


I nodded. We hit play at the same time. 


Fifteen minutes into the movie, I glanced at the tiny square of his face. He was checking his phone. 


‘Sameer?’ I asked.


He looked up. ‘Sorry babe. Work. They’re driving me crazy these days.’


I stayed quiet for the rest of the movie. We both did. We passed each other a few knowing smiles and feigned shocked expressions whenever the movie called for it.


At the end of the movie, he stretched and said, ‘Alright, I’ve got to prepare for my meeting now. I miss you.’


‘I miss you too.’  I stared at myself on the screen for a few seconds after he left. Was that a new pimple on my forehead?


4

Layoffs took place at work the next day. I texted Sameer a screenshot of the email from the CEO that had landed in our inboxes. He was shocked and I pretended to be too. Raj had told me this was coming, a few months ago. My co-workers paired up at every desk to discuss the matter in increasingly angry whispers. I was pulled into one such discussion that was happening next to me.


‘How could they fire Sushil?’


‘He was practically running the team.’


‘Restructuring, my ass.’


Raj was inside of a meeting room, calming down what looked like an angry mob. We locked eyes. 


‘Hey, I hope you’re okay.’ I texted him that night. The glow of the screen on my phone pained my eyes in the dark but I continued staring at the message I’d sent.


‘I am :) You take care.’


I cried a few minutes later, staring at the ceiling fan. I couldn’t put my finger on why.


5

When a colleague sat next to me in the office the next day, I wondered if the bags under my eyes showed. He made small talk with me for a short minute before he said, ‘We should go out sometime.’ 


I managed to let out a curt smile. His name was Karan. He took my phone and typed his number. ‘Let me know.’ 


I texted him that evening,’ Hey, just wanted to tell you I have a boyfriend. We can still meet as friends if you want to.’ 


Pat came the reply. ‘I do. Chai at 8?’ 


I arrived at 8 in Chai & Sons, a hot box that was basically an excuse for a tea stall. Karan arrived ten minutes later with a tight-lipped apology, and instantly flagged down a waiter. 


Then, he placed his arms on the table and asked me about my day. ‘It was alright. Tiring.’ I asked him about his. 


At some point during the conversation, we talked about the layoffs at work. ‘I don’t think that Sharma knows his shit at all.’ he said, shaking his head glumly. Sharma was the CEO.


I didn’t realise an hour had passed until I checked my phone.


‘What do you think of Raj?’ he suddenly asked.


‘What about him?’ I blinked, slowly putting my phone back down on the table.


‘I know he’s your boss and all…but what do you really think of him?’


‘You go first’ 


‘No, you work with him.’ He shook his head, ‘I don’t want to say anything that could bite my ass.’


I rolled my eyes. ‘Come on.’ 


‘I mean … it seems like he spends more time talking to women than actually doing his job.’ 


A sharp laugh left my mouth. I nodded. ‘Yeah,’ Karan piped up at my accepting response. ‘Young women.’ I added.


‘Yeah’, he said. ‘Manisha was just telling me that he took her out for drinks recently. Poor girl doesn’t realise what’s happening.’ 


I nodded slowly. 


‘Manipulation. He seems to be really good at it.’ he continued, like he was commenting on the weather.


My throat felt dry. 


We walked around the neighbourhood after that. I talked about Sameer, hesitantly. In return, he opened up about his most recent relationship.


We stood quietly next to each other as we waited for his cab to arrive. ‘I know I’m crossing a line saying this but I think you deserve better than your boyfriend.’ he said.


I lowered my head. I didn’t want him to read my mind. I suspected that he could.


6

I had a dream that night. I was on my bed and I was naked. The room was dark and I initially thought the man on top of me was Sameer. Or Karan. It was only when a beam of light shone from somewhere outside the window that I noted the fox eyes and a contorted expression of pleasure on Raj’s face. I ran my fingers through his hair. I felt a thousand fireworks explode in my abdomen.


When I woke up from the dream, it was still dark outside. 


7

The next morning, I dressed up nicer than usual. I looked forward to feeling almost triumphant whenever Raj would saunter over to my desk and chat with me—but he didn’t. 


Instead, he spent his day gallivanting with Manisha in between his meetings.


I sat purposely close to where they were. I barely heard them over the sound of my desk mates chatting and my own fingers clacking the keyboard but there was a sentence I could make out.  ‘Does Friday work?’ Raj asked her.


On the auto ride home, I wondered if he liked her throaty laugh and the bold shade of lipstick she wore every day. 


In bed that night, I opened Instagram and clicked on Karan’s profile. 


I scrolled using one index finger, carefully, so I didn’t accidentally ‘like’ a photo. There were many photos of him hiking. The thick veins that ran beneath his skin were visible even from the distance that the photos were taken. I stared at them so long I memorised the trail they formed.


8

When Sameer came back from the U.K., I used the spare key he had given me to go over to his house before he arrived, to cook him his favourite meal. When he arrived, he enveloped me in his arms at his doorstep. I stared down at the sprinkle of dandruff that rested on his black t-shirt.


We sat down at the dining table. I placed a small mound of beans and rice on my tongue, chewing for a long time, before blurting, ‘I need to tell you something.’ 


I hoped that he couldn’t tell that my hand inserted in the heap of rice was shaking.


‘Hmm?’


‘I think I realise that Raj has been kind of harassing me.’ 


I told him I felt obliged to drink with Raj, like something bad would happen if I didn’t. I told him I felt burdened with the information about the layoffs before it happened, that I’d been trusted with something I never wanted to know. 


Sameer listened quietly, and then he stood up and paced around the living room, his hand still wet with curry. 


‘I’m sorry. You were right. I was blind and I’m sorry,’ I said.


‘It’s not your fault.’ I doubted if he really meant that.


‘What if we try to expose him?’ I asked.


‘What do you mean?’


‘An anonymous email maybe? Do you think that’d be enough to get him suspended or something?’ I enquired.


Sameer stared at me, his expression unreadable. 


‘Can you help me do it?’ I ventured.


‘No, Anju, that’s too risky and too much.’ Sameer waved his hand. A grain of rice landed on the floor. 


‘What do you think I should do then?’ 


‘Just quit that job. It’s better that you are at peace in another job and company where you don’t have a dick of a boss.’


His shoulders slouched the more that he spoke, like the anger that had held them up until a few seconds ago had evaporated suddenly. Like all it took was the threat of an action to defeat him. I looked down at my plate and nodded. I couldn’t stand to look at him any longer.


9

I asked Karan to meet at Chai & Sons the next evening. When I approached him, I saw that there was already a plate of French fries on the table. 


In between bites of fries, Karan said, ‘So, what’s up?’ 


‘I’ve been thinking.’


‘About?’


‘You know you were telling me about Raj going out with women and how he manipulates them and stuff.’


Karan’s smile faltered. ‘Uh huh’


‘So … what are the options for a woman in that situation?’


‘Are you in that situation?’


I rolled my eyes. ‘No, but’ I said, ‘what would a woman in that situation do? What can she do?’


He shrugged. ‘I don’t know. They could quit. Sometimes, they slap on legal cases that usually go nowhere. They can write and publish their experience somewhere online.’ 


‘Okay.’


‘Is Raj bothering you?’ he pressed on.


I looked down at the plate of French fries, and grabbed one.


‘You can tell me, you know. We can come up with something to do about it.’ 


I looked up at him. ‘Let’s take the motherfucker down,’ he said, staring a little too intensely into my eyes.


I pulled my laptop out of my bag. ‘Okay.’


10

We wrote an anonymous email. To Jigar, the head of HR. I wrote about feeling pressured to go out with him for drinks, how he’d given me money when I talked about some financial problems at home, and how he’d shared confidential information with me, about the layoffs before they took place. 


Karan pressed send. Out of the corner of my eye, I saw him looking at me, at the leg I jiggled nervously and the skin I was tearing off my bottom lip. He reached out and tucked a stray piece of hair behind my ear.


11

Jigar responded a day later. He wanted to meet. To verify my identity, to get more detail and to get a go-ahead for an internal investigation. 


12

I wrote and rewrote a draft for a response. For an entire day, my mind reeled with the possibilities. I could tell HR yes, build my case, maybe even get Raj suspended. Instead, I let the email grow stale.


I lied to Karan and told him that I hadn’t received a reply. Over another chai, he asked if we should reach out to someone else or make an anonymous blog post somewhere. I told him that wouldn’t be necessary for now, and that I was applying to other jobs. 


‘I just want to put this all behind me,’ I said. He didn’t push further. At the office, it became easier to ignore Raj, to occupy myself with work.


One evening, Sameer arrived back at his place after drinks with his friends from college. I could tell that he was in a good mood. He came up to me in the kitchen and held my face between his palms. I said nothing, revelled in the attention. 


He took off his jacket. ‘Did that weird HR lady from that start-up get back to you? On your job application?’ he asked. 


‘No, she hasn't,’ I replied.


‘Hmm, and how’s work now?’ Sameer continued to ask. He began to wash his hands at the sink, ignoring the soaped cooker and plates. 


I felt my phone vibrate in my pocket. I slid it out and glanced at the screen. ‘Peco’s at 9?’  read a text message. I stared at Sameer’s back, hunched over at the sink. I stared at his small shoulders. I stared at the kitchen counter, where a bunch of cut vegetables and open spice dabbas lay. I was making khichdi for dinner.


‘Yes.’ I quickly texted Karan back. As Sameer made his way back towards me with wet hands, I slid my phone back into my pocket. He planted a kiss on my lips. I made a mental note to visit the salon to get my eyebrows threaded before 9 pm. I could prepare khichdi for Sameer and then meet Rumi tonight.


BWW RK Anand Short Story Prize 2025 - Shortlist: Amit Prabhakar

The Night the Stories Ended

Amit Prabhakar


The well had run dry.


Scheherazade stood before her father's desk, her hands trembling like moth wings against lantern glass. Outside, the city exhaled its evening prayer calls spiralling upward into the violet dusk, merchants shuttering their stalls, the smell of cardamom and charred lamb drifting through latticed windows. Inside, silence sat heavy as an executioner's blade.


‘I have nothing left,’ she said.


Her father, the grand vizier, looked up from the parchment he'd been pretending to read. His beard had gone white in the nine hundred and ninety-nine nights since his daughter had walked into the king's chamber, offering herself as a bride to a man who murdered wives at dawn. The ink on the page before him had dried hours ago.


‘Nothing?’ he repeated, as if the word were foreign.


‘No myths. No fables. No tales of djinn or sailors or princes transformed into stags.’ Scheherazade's voice cracked like old pottery. ‘I've excavated every story our grandmother

whispered, every legend the traders brought from Cathay and Hind. I've spun tales from songs, from dreams, from the pattern of tea leaves at the bottom of cups. There is nothing left but silence, and silence will not keep me alive past dawn.’


Her sister Dunyazad sat cross-legged on the cushions, braiding and unbraiding the same strand of hair. She had been the one to sit at the foot of Scheherazade's bed each night, asking Sister, will you tell us a story? as if they were children again, as if the king were not there waiting to be enchanted, as if the headsman were not sharpening his blade in the courtyard below. Now she looked up, her eyes bright with desperate invention.


‘What about the story of the merchant and the three fish?’


‘Told it. Night four hundred and twelve.’


‘The princess who became a nightingale?’


‘Night seven hundred and six. Wove it into the tale of the enchanted garden.’


‘The…’


‘Dunyazad.’ Scheherazade's voice was gentle as crushed silk. ‘I've told every story in the

world.’


The vizier rose, his joints creaking like ship timber. He paced to the window, staring out at the palace that loomed across the plaza. A sprawl of white stone and gold leaf, beautiful as a sepulchre. ‘We could invent something,’ he said, not turning around. ‘Surely between the three of us…’


‘I've been inventing for the last hundred nights,’ Scheherazade said. ‘Stitching scraps of half-remembered tales together, stretching single incidents into sagas. Last week I told him about a man who dreamed he was a butterfly. It lasted four nights. Do you know how many ways there are to describe a butterfly, Father? I do. I know them all now.’


Dunyazad's hands stilled in her lap. ‘What about the djinn?’ Her voice dropped to a whisper, as if speaking too loudly might summon the very creatures she named. ‘Old Fatima says there's one who lives in the abandoned hammam by the spice market. They say he grants wishes, or stories, or…’


‘No.’ The word came out sharp as a slap. Scheherazade turned to her sister, softening. ‘Even if such a creature existed, and I'm not fool enough to dismiss the possibility, not after the things I've described that turned out to be true, what would I offer in exchange? My soul? My voice? Better to die with my throat whole than trade it for borrowed words.’


The room fell silent save for the fountain burbling in the courtyard, oblivious to tragedy.

Scheherazade thought of all the fountains she'd described in her stories. Fountains that granted wishes, fountains that remembered murders, fountains that served as portals to other worlds.


She'd made magic of everything, transformed the mundane machinery of life into wonder, and now wonder had abandoned her.


‘We could try,’ her father said, and there was something terrible in his reasonableness. ‘Sit.

Think. Surely among all the books, all the wisdom, there must be something.’


They tried.


They sat until the evening call to prayer became the night prayer, until the servants brought mint tea that went cold in their cups, until the candles burned low and had to be replaced. 

The vizier pulled down every volume in his library. Chronicles of Alexander, poetry from Persia, philosophical treatises from scholars whose names had been dust for centuries. Dunyazad recited every song she knew, every joke, every scrap of gossip from the marketplace. Scheherazade closed her eyes and dove deep into the caverns of her memory, searching for some forgotten fragment, some overlooked jewel.


Nothing.


Every story led back to a story already told. Every promising beginning revealed itself as a

thread she'd already followed to its end. The world had been mapped, every corner illuminated by her voice. She had done what she set out to do. She had survived, night after night, word after word, until survival itself became a kind of miracle. But miracles, she was learning, had edges.


They ended.


‘Run,’ her father said finally. The word dropped into the silence like a stone into a well. ‘Take a horse. I'll give you money, letters of introduction. By dawn you could be…’


‘Where, Father?’ Scheherazade looked at him, this man who had aged a lifetime in less than

three years. ‘Persia? Byzantium? Do you think any place exists beyond the reach of a king’s

fury?’ She shook her head. ‘And even if I could run, even if I reached some distant shore where his name meant nothing, what then? Every member of our family would answer for my cowardice.’


‘He might…’ Dunyazad's voice was small. ‘He might forgive you. After all these nights, surely

he, must like you.’


‘Yesterday,’ Scheherazade interrupted, and her voice was gentle but immovable as stone, ‘he ordered a man to be beheaded for sneezing in the court after it was dismissed. Just yesterday, Dunyazad. A sneeze.’ She let the words settle. ‘What do you imagine he'll do to the woman who promised him a story and brought him silence instead?’


Her sister's face crumpled. Scheherazade crossed the room and gathered her into an embrace, breathing in the rosewater scent of her hair, feeling the bird-quick pulse of her heart. How many little girls had she saved by sacrificing herself? How many daughters had grown up with fathers, how many mothers had watched their babies learn to walk? The king's first wife had been guilty of nothing but existing, and the second, and the third, and the dozens who followed.


Scheherazade had stopped the slaughter. She'd bought nine hundred and ninety-nine sunrises with her voice. One more dawn. That's all there would be.


‘I love you,’ she whispered into her sister's hair. ‘Both of you. I need you to know, that this, all of this, was worth it.’


Her father's hand settled heavy on her shoulder. They stood that way, the three of them, holding each other against the weight of inevitability. Outside, the city slept. Somewhere, the king was waiting.


Scheherazade walked back to the palace alone.


The streets were empty, the moon a silver coin tossed onto dark velvet. Her footsteps echoed off the walls. A rhythm like a dejected heartbeat, like a countdown. She'd worn her finest robe, the one embroidered with peacocks and flowering vines, as if beauty could be armour against the blade. Vanity, perhaps. Or defiance. She wasn't sure there was a difference anymore.


The palace gates loomed ahead, bronze and pitiless. The guards knew her, had watched her pass every evening for nine hundred and ninety-nine nights. They knew, too, what awaited women who entered the king's chambers. They must have wondered, sometimes, how she'd lasted so long. Whether she was blessed or cursed or simply cleverer than the others. Now they averted their eyes as she approached, guilt and relief warring on their faces. Not their daughter walking to her death. Not tonight.

Something moved in the shadows. Scheherazade stopped. A cat. Scrawny, mottled grey and black, with eyes that caught the moonlight like polished amber materialised from the darkness. It regarded her with the serene indifference cats reserve for humans and fate. Then it turned and slipped through the palace gates, its tail a question mark disappearing into the gloom.


A cat.


Something stirred in the depths of her mind. Not quite memory, not quite dream. A sliver of

hope, maybe. The first story. The very first story her grandmother had told her, back when she was small enough to fit in the old woman's lap, when the world was new and full of infinite tales yet to be discovered. Something about a cat. And a lion. She pressed her palms against her temples, willing the memory to coalesce. The lion came to learn ... no, that wasn't quite right. The lion wanted ... almost. The pieces swam just beyond reach, tantalising, infuriating.


What was the story?


The guards were staring now. She must look mad, standing frozen outside the gates, her hands clutching her head. Scheherazade forced herself to move forward, her mind still chasing that elusive thread. A cat and a lion. A cat and a lion. The lion came to the cat to learn. Yes. That was it. But learn what?


The king's chamber was exactly as she'd left it the night before. Silk carpets, silver oil lamps, the great carved bed where she'd sat for nine-hundred-and-ninety-nine nights spinning reality into dreams. The king himself stood by the window, his back to her. Shahryar. She'd learned to read the set of his shoulders over the months and years. She could gauge his mood by the angle of his spine, the tension in his hands. Tonight, he was still as a drawn bow.


‘Husband,’ she said, and her voice barely shook.


He turned. His face was carved from the same stone as his palace. Hard, beautiful, merciless. But his eyes ... his eyes were human. That was the cruelty of it. He'd been a good man once, they said, before his first wife's betrayal had poisoned him against all women, against love itself, against the very notion that trust could exist. Scheherazade had spent nine hundred and ninety-nine nights trying to prove otherwise, one story at a time.


Tonight, she had no stories.


‘Tell me,’ he said, and it was a command wrapped in courtesy.


Scheherazade opened her mouth. Closed it. Opened it again. The cat's amber eyes flashed in her memory. Her grandmother's voice, papery with age, speaking words she'd heard before she could read. ‘There was once,’ she began, and faltered. ‘There was once a lion…’


The king's expression didn't change, but she felt his attention sharpen like a blade's edge.


‘A lion,’ she continued, the words stumbling out unpractised, unrehearsed, ‘who ruled the forest but knew he lacked ... something. Cunning, perhaps. Or stealth. And so he sought out the cat, who was known for...’ What was the cat known for? ‘For moving through the world unseen. And the lion said, ‘Teach me your ways.’’


This wasn't how stories were supposed to work. Stories had architecture, rhythm, carefully

placed revelations. This was fumbling in darkness, hoping there was ground beneath each

footfall.


‘And the cat agreed,’ Scheherazade said, her pulse hammering in her throat. ‘Day after day, the lion came to learn. The cat taught him to walk without sound, to wait without moving, to see what others overlooked. The lion was a diligent student. He absorbed every lesson.’ 


She paused, reaching for the thread. ‘Until one day, maybe it was the last day … and…’


Yes. The last day. Something happened on the last day.


‘The lion turned on the cat,’ she said, and the memory crystallised suddenly, sharp and clear. ‘He said, ‘If I kill you, the other animals will come to me for teaching. They'll have no choice. ‘And he lunged at the cat.’


Her voice caught. She could see it now, her grandmother's hands miming the pounce, the child, Scheherazade gasping in delighted horror.


‘But the cat leaped into a tree,’ Scheherazade continued, her words gaining speed, ‘up to a

branch the lion could never reach. And from that safety, the cat looked down and said, 'I taught you everything you needed to learn, great king. But not everything I know.' And the lion...’


The fragment ended there. Her grandmother had laughed, had said something about keeping wisdom in reserve, about the difference between teaching and trust. But Scheherazade couldn't remember the exact words, couldn't stretch the story any further. She'd given him perhaps five minutes when she needed to reach dawn. With that her voice and breath stopped.


The silence in the chamber was absolute.


‘And the lion,’ the king said quietly, his voice strange, ‘understood that he would always be

what he was. Powerful. Deadly. And alone in his inability to reach what he most desired to

destroy.’


Scheherazade stared at him. Shahryar moved from the window, and she forced herself not to step back. He'd never hurt her. Not once, in nine hundred and ninety-nine nights, but the threat was always there, implicit as gravity. He stopped before her, close enough that she could smell sandalwood and something else, something like sorrow.


‘You're frightened,’ he observed.


‘Yes.’


‘You think I'll kill you.’


‘Yes.’


‘Because you've run out of stories.’


There was no point in lying. ‘Yes.’


The king, her husband, her audience, her executioner, smiled. It was a strange expression on his face, like sun breaking through storm clouds. ‘Scheherazade,’ he said, and her name in his mouth sounded almost like a prayer. ‘You have told me nine hundred and ninety-nine stories. Tales of wonder and horror, comedy and tragedy, wisdom and folly. You've shown me a world so vast and various that I'd forgotten it existed. You've made me laugh. You've made me weep. You've made me think, which is perhaps the greatest gift of all.’


He took her hands in his. They were warm.


‘And tonight, on your final night, by the bargain we struck, you came to me terrified and empty, and you gave me maybe the first story you ever heard. A fragment. A child's tale about a lion who could never climb high enough to reach what he wanted to kill.’ His grip tightened. ‘Do you know what I see, Scheherazade?’


She shook her head, not trusting her voice.


‘I see a woman who walked into the chamber of a man bent on destruction and saved a kingdom with nothing but words. I see courage wearing silk. I see the person who taught me that perhaps not everything beautiful must be torn down before it can hurt me.’ He released one of her hands, reaching up to touch her cheek. ‘I see the cat in the tree. And tonight, instead of you telling me a story, I will tell you one.’


‘You … what?’ and she let out her breath.


‘Sit,’ he said, gesturing to the cushions where she'd sat so many nights before. ‘It's your turn to listen.’


Dazed, Scheherazade sat. The king settled beside her. Not commanding, not looming, but beside and began to speak.


‘There was once a lion,’ he said, ‘who thought himself mighty because he could kill. Who

believed his power made him whole, his rage made him righteous. Who destroyed everything that came close because closeness meant vulnerability, and vulnerability meant betrayal waiting to happen. And into this lion's domain came a cat. A small, fragile, armed with nothing but stories. And night after night, the cat returned, though returning meant risking death. And night after night, the cat spoke, weaving words into something the lion had forgotten existed. Not armour. Not protection. But connection.’


His voice was unpractised at storytelling, but earnest. Scheherazade found herself leaning

forward.


‘The lion told himself he kept the cat alive for the stories. For the entertainment. But as the

nights accumulated like gold, he began to understand the truth. The cat was teaching him, not how to hunt, not how to kill more efficiently, but how to be something other than teeth and fury. Through a thousand tales of transformation and redemption, the cat showed him that perhaps he too could be transformed and redeemed. Could choose something beyond destruction.’ The king paused, and when he continued, his voice was rough. ‘And then came the final night. And the cat, exhausted and empty. About a lion who could never reach the cat in the tree.’


‘And did it work?’ Scheherazade whispered. ‘Was the lion redeemed?’


Shahryar turned to her, and his eyes held something she'd never seen there before, something fragile and fierce and frighteningly like hope.


‘Ask me tomorrow,’ he said. ‘And the day after. And the day after that. Ask me every day for the rest of our lives, and I’ll spend each one trying to answer yes.’ He took her hands into his. ‘No more stories for survival,’ he said. ‘No more bargains with dawn. Just ... stay. Not because you must, but because you choose to. And if you choose to climb into the tree and stay there, I'll understand. I'll deserve it. But I hope…’ his voice cracked, barely, like ice breaking in spring, ‘I hope you'll teach me how to build something other than fear between us.’


Outside, the night was giving way to blue-grey pre-dawn. Scheherazade looked at her husband, this man she'd saved and been saved by in equal measure and felt something in her chest unknot for the first time in nine hundred and ninety-nine nights.


‘The cat in my grandmother's story,’ she said slowly, ‘stayed in the tree. Kept her distance.

Survived by remaining out of reach.’


‘Yes,’ Shahryar said, and there was understanding in his voice, not resignation but recognition of the lesson's truth.

‘But the story ended there,’ Scheherazade continued, her voice gaining strength. ‘My

grandmother never told me what happened next. Whether the cat stayed in the tree forever, or whether the lion proved himself worthy of trust. She left that part unwritten.’


She looked at him. This man who had just told her a story, who had chosen words over the blade. They sat together as the sun rose, and for the first time, Scheherazade watched the dawn not as an ending, but as a beginning. The well had run dry, yes. But perhaps that meant it was time to stop drawing from the past and start living toward the future.


No more stories.


Or perhaps she looked at the man beside her, this lion learning to be gentle, perhaps the story was just beginning.


Outside, somewhere in the palace gardens, a grey and black cat with amber eyes sat grooming its paws, supremely indifferent to the fates it had altered simply by crossing a path at precisely the right moment.


As is the way with cats.


And as is the way with stories, too.