Out of Print 33
Out of Print
33 pays tribute to two literary figures of the subcontinent,
the Urdu writer, Mustansar Hussain Tarar who celebrated his eightieth birthday
at the beginning of March, and the Hindi writer, Krishna Sobti who passed away
in January this year. We present a translation by Daisy Rockwell titled ‘The
Currency Has Changed’ of Sobti’s first short story that Sobti said, launched her as a writer. We thank
Raza Naeem for bringing our attention to Tarar’s birthday and sending us his
translation of the story ‘Baba Bagloos’. It weaves around the brutality
inherent in the system that resulted in the hanging of Zulfikar Ali Bhutto.
We also feature two love
stories. Parineeta Singh’s ‘The House on Fox Hill’,draws the reader in
with its charming, hopeful yet ineffectual protagonist who brings to mind some
of the young men in R K Narayan’s stories. His winsome young neighbour’s
interest in his adventures as a detective in a haunted house, lead to the
realisation of his love. Ewa Mazierska ‘Shopping And Longing In Goa’ is set in
Panjim and is told from the point of view of a tourist shopping in the city. An
outsider, she views each small overture with scepticism. As she wanders through
the city, drinking tea and buying things she does not need, one particularly
brusque shopkeeper changes the course of her journey.
Other works in the edition
are by Noor Niamat Singh’s and Ananya Dasgupta’s. Noor Niamat Singh’s ‘The Semicircle of Life’, her
first publication, is an extraordinary journey into the mind of a young woman
as she identifies emotional and psychological rafts to help her maintain
stability as she deals with an unstable mother, a concerned circle of loved
ones and a pregnancy she feels distanced and detached from.
‘Regret’ by Ananya Dasgupta is a sensitive and
honest examination of a young woman’s foray into being a teacher’s aide to a
couple of underprivileged children in Boston. A chance encounter, many years
later, brings the narrator face to face with her inability to break through to
one young man and the many layers of regret embodied therein.
The art work, the extraordinary ‘Leaking
Lines (Radcliffe Line)’ by Reena Saini Kallat, 2018 references the
boundary demarcation line between the Indian and Pakistani portions
of the Punjab and Bengal provinces of undivided India that was published on 17
August 1947.
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