Friday, January 24, 2014

Opening Act: the Out of Print Workshop at the Times of India Literary Carnival 2013: Monika Pant

The Pink Doll
Monika Pant

Mrs Sen’s palms felt soft and smooth and a little pudgy to the child as they cupped her face. It made her think of Pink Doll. She missed Pink Doll.

It had been busy at the intersection under the overpass, lots of big cars on the afternoon that she’d found the doll. The traffic light had started to flash before changing when a cotton-candy rainbow came arcing across the grey and landed on the road. She’d darted out from Poorvi’s hold, picked it up and run back clutching the woolly head accompanied by the other kids’ shrieks of ‘hurry, hurry’, only to have Raji snatch at the doll’s brilliant pink hair. ‘Let her have it, you cow,’ Poorvi shouted and yanked Raji away. ‘Kid doesn’t have anything, not even a name. Let her keep the damn doll.’ Raji let go but bared her teeth and jeered, ‘Anaamika’. The child didn’t care.

When she closed her eyes now, she could remember 666666666666666666666666666666WHAT IT WAS LIKE TO STAND IN THwhat irwhat what it had felt like to stand in the shadow of the massive concrete arches, hugging the doll to her chest. The sensation evaporated as Mrs Sen removed her hands, leaving a shallow vacuum.

‘Sangeetha, that’s what I’ll call you,’ Mrs Sen said. ‘Yes, Sangeetha, music, that will be your name. And I will teach you to use that voice of yours.’

She shivered.

Sangeetha. That was the name of the woman she had worked for when she had run away. Could that be a coincidence? The past revisiting in a bizarre turn of events?

She touched her face involuntarily to fill the space that Mrs Sen’s hands had done. But it was another pair of hands she remembered. 

Those hands. Soft, smooth, a little clammy as they stroked her face and sometimes her neck. She waited in horror for them to travel further down, her heart hammering within, her mind darting like the mynah bird which flapped its wings against the bars of the cage. She remembered the cage that swung from side to side as the bird fluttered desperately to come out. She used to keep her eyes fixed on it the whole time, with her fists clenching and unclenching, her breath held, breathing through the mouth in rasping tones.

‘Why can’t you keep still, child?’

She would close her eyes as pain racked through her and she felt salty drops on her lips, running down over her chin, her neck, and forming a dark circle in the front of her frock.

And then, it would stop; the faint whir of the air conditioner suddenly seeming deafening in the hot afternoon. The lone howl of a stray dog coming from a distance lent a voice to her subdued sobs. When she opened her eyes, the striated sunshine filtered through green shutters in the sweaty room. Later, she would curl up under the stairs on a worn out bedcover, her face contorted, and her body continuing to shudder for a long while afterwards.

 ’Come, Sangeetha,’ Mrs Sen was saying, ‘You are to live with me now.’ Like a stuffed rag doll, she was bundled into the long gleaming car and gingerly sat down on the velvet seats, quickly lifting her feet from the carpeted floor of the vehicle, fearing that she would dirty it. Mrs Sen was looking at her solicitously.

‘What’s the matter? Don’t be afraid. I have adopted you, you know. You will no longer be mopping the floors and cleaning the dishes like you used to do there.’

So that was it.

‘I don’t think you liked it there, did you? You were beaten, you were overworked. Stop shivering, child.’

She looked down at her fingers laced on her lap, involuntarily closing into a pair of fists. She stared at the dirt-encrusted nails and wondered what Mrs Sen had seen in her.

‘You will have to be clean and tidy from now on. Your hands are filthy.’ It was as if her thoughts had been heard by Mrs Sen. She quickly moved her hands out of sight and dug them under her dress.

Glancing furtively through her lashes, she saw the lady adjust her sunglasses on top of her head. A stray grey hair had escaped from her carefully made hairdo and was dancing like a live thing along the cheekbone. Entranced, she watched it for some time, before turning her gaze downwards.

‘… can you hear me?’

She looked up, aware that she had just been asked her a question.

‘I said, are you hungry?’

She shook her head.

‘Why are you afraid? You will have a large garden and I will give you lots of toys. Sangeetha, you can hear me, can’t you?’

She nodded.

She turned away to look out of the window, at the cars whizzing by, the sidewalk a hazy blur with women squatting on garbage heaps. O why could she not go back there and live among them? Why did she have to be rescued from the streets when she had run away? Her mind went back and forth over the events of the last few months – the beatings, the abuse, the charring of her back, the scarring of her mind, the silences, the screams, the laughter around her, the tears within – and then it had culminated in her running through the darkness, along deserted streets until morning found her lying exhausted next to an old beggar woman. The woman had been a mother, or an angel; she had heard of farishte in stories and was convinced she had been one.

With gnarled fingers soothing and washing her bleeding feet, the woman had brought back life into her and she had let her cry and cry until all her tears had dried and her natural childishness had returned. Somehow, her burdens had been transferred onto the bent back of the angel in disguise; and both lay entwined on the cold pavement – her small blackened face resting near the old, lined one through days and nights.  

But good things do not last forever and one day she found herself waking up with a cold hand clasping her own and a circle of faces peering at her, blocking the sun that had risen high in the sky.

‘Wh … what has happened?’

‘This woman, … is she your mother?’

‘No…, but, yes, she is.’

‘Who else do you have … a brother, sister, your father?’

The soft voice came from the slim girl in a blue salwar kameez, who was sitting beside her and questioning her.

‘I ... I have no one else.’

There were  other girls like her. They were part of a group from a school that was distributing old clothes to pavement dwellers and had found her lying next to a dead woman. The police came, she was sent to an orphanage and, just when she had begun to get settled, there was Mrs Sen to adopt a child. Why, oh why did she choose me?

Even though Raji had tormented her, Poorvi had smothered her with her big sister ways, even though the entire gang made fun of her because she did not know her name, she had settled down; and, in her own way, been happy. Times spent with them were like bits of coloured glass in her mind; shards which had pierced her sensibilities, but had also made her see pink, blue and green sections of the life around her. And now, it had vanished without a trace. Never would she see them again! Never again would she fight with Raji over….

‘Stop! Stop the car!’ she shouted.

‘What happened, child?’ Mrs Sen asked.

‘My … my … my…’

‘Yes, what is it? Your what?

‘My pink doll…’ she muttered, ‘I want my pink doll, I can’t leave it behind.’

‘Oh!’

Mrs Sen heaved a sigh of relief.

‘I will buy a doll for you exactly like your pink doll. Come. Driver, stop the car in front of a toy shop.’

The car stopped, they went from shop to shop, a strange pair they made – a little ragamuffin and a poised, fashionable lady. Everywhere, the shopkeeper brought out dozens of dolls. In boxes, in plastic covers, tiny wooden ones and big ones like human babies. Dolls that said ‘mama’, those that sang, and some that jiggled across the floor in time to music. Dolls with smooth golden hair, with ringlets of brown hair, or black wavy tresses. But she did not like any.

‘I want one with bright pink hair,’ she said.

‘Pink hair?’ Mrs Sen had a strange look in her eyes.

Disappointed, she hung her head and still Mrs Sen was not angry with her. She looked up at the frown that creased the perfect oval face smiling ever so tenderly at her. Was she wrong? Did Mrs Sen really care for her so much?

‘Let’s see what I can find for you at home,’ Mrs Sen said.

The car pulled into a beautiful bungalow and a guard came running to open the door. Walking through carpeted corridors and beautiful rooms, she was struck by the silence.

‘Does no one else live here?’ she asked.

‘Only you and me,’ smiled Mrs Sen. ‘Of course, there are cooks and other servants. You won’t be alone, there are the cook’s two young children with whom you can play.’

She nodded her head, taken in by the opulence, at a loss for words. This was like what they showed in the movies, she thought. Could people really be so rich?

She was shown into a tiny room upstairs with a bunk bed and a rocking horse. There was a cupboard of pretty dresses too. She was stunned. How could Mrs Sen have known that she loved horses? And how could she have bought so many dresses for her already? And then, she saw it.

On the round study table with a flowery tablecloth, stood a framed photograph of a family. She went and stood before it. She recognised only Mrs Sen who looked happier. There was a little girl on her lap. Beside her stood a tall man, smiling at both of them.

‘My husband and my daughter. They were killed in an accident.’ Mrs Sen stood at the door holding an old doll in her hand.

‘But … I … I came to give you this. My daughter used to sleep with this; can you make do with it tonight?’

The doll had one arm, a broken leg, and straggly hair made of bright pink wool.
*
Monika Pant is from India and has had her stories and poems published in several anthologies around the world. An English teacher for over fifteen years, she also writes course books in English Grammar and literature. Her real life snippets are published in the Chicken Soup for the Indian Soul series, which may be accessed at her Amazon author page. A short story written by her was on the longlist for the 2013 Commonwealth Short Story Prize. She recently published her memoir, Echoes From the Vortex , Authorspress India, 2014, and her debut novel, Caught in Two Winds, Lifi Publications, 2014. She blogs at http://monikapant.blogspot.in/.


Opening Act: the Out of Print Workshop at the Times Literary Carnival 2013: Indu Parvathi

A Version of She Can Sing

Indu Parvathi

Mrs Sen’s palms felt soft and smooth and a little pudgy to the child as they cupped her face. It made her think of Pink Doll. She missed Pink Doll.

It had been busy at the intersection under the overpass, lots of big cars on the afternoon that she’d found the doll. The traffic light had started to flash before changing when a cotton-candy rainbow came arcing across the grey and landed on the road. She’d darted out from Poorvi’s hold, picked it up and run back clutching the woolly head accompanied by the other kids’ shrieks of ‘hurry, hurry’, only to have Raji snatch at the doll’s brilliant pink hair. ‘Let her have it, you cow,’Poorvi shouted and yanked Raji away. ‘Kid doesn’t have anything, not even a name. Let her keep the damn doll.’Raji let go but bared her teeth and jeered, ‘Anaamika’. The child didn’t care.

When she closed her eyes now, she could remember 666666666666666666666666666666WHAT IT WAS LIKE TO STAND IN THwhat irwhat what it had felt like to stand in the shadow of the massive concrete arches, hugging the doll to her chest. The sensation evaporated as Mrs Sen removed her hands, leaving a shallow vacuum.

‘Sangeetha, that’s what I’ll call you,’ Mrs Sen said. ‘Yes, Sangeetha, music, that will be your name. And I will teach you to use that voice of yours.’

The little girl’s hair, styled into a fashionable swirl at her nape was still intact, not a hair out of place.She sat stiffly in a corner of the room watching the others play. They were dishevelled and flushed with the excitement of unhindered playtime while their mothers drank wine and gossiped in the next room. Toffee wrappers, ice cream cups and crumbs of cake littered the soft, carpeted floor. Her stomach grumbled. Mrs Sen had forgotten to ask her to have her food, though she did not forget to introduce her to her socialite friends who had complimented her on her magnanimity.

‘Oh Mrs Sen you are an angel. Imagine having a street urchin at home, that too with your own daughters...’

The child’s ears burnt when she heard the soft tones of the conversation. She had stood there in her frilly green frock for a long time, then drifted to the next room where the other children were playing. Poorvi called her to join them, but she preferred to watch from a sofa. When Poorvi wasn’t fighting with Raji or taking a breather from the comics to which she was glued, she was kind to the child. Maybe because she felt a bond. She too was ignored by her mother, except when she was decked up for appearances like this, where they would be paraded as Mrs Sen’s daughters, ‘so well behaved and beautiful’.

Away from her mother’s surveillance Poorvi and even Raji spoke and acted like the maids who had been rearing them since their birth.

The child scrutinised the dolls on the high shelves lining the nursery from her sofa, deciding that none of them were as beautiful as pink doll who had been her friend ever since she had come to Mrs Sen’s house as an adopted daughter. She remembered the day when Grump the big Alsatian had entered her room and torn pink doll into pieces. She had sobbed the entire night holding onto the tatters but Susheela the maid had swept the pink and white fluff away the next morning. She had other dolls, the fairy doll with its white crystal studded gown, the prince with his small white horse ... but she missed pink doll.

 Mrs Sen never cuddled her after the first day when she was bringing her home from the big yellow building where all the other children like her had been. They were all her friends, who begged with her on the streets. On a blazing hot day Shambu Dada, who set targets for them every day, (‘fifty Rupees for you, don't dare to come back without that...’), was arrested and all of them were escorted to the shelter by the policemen.

‘Come on, get up, mama is calling us,’ Poorvi shrieked in her ears jolting her out of her restless sleep. The party was over.

In Mrs Sen's sprawling bungalow surrounded by manicured lawns she felt lost. She longed to be back on the streets again with the other kids where she could be herself.She could sing then. She mostly sat mute when the music teacher came to train her at Mrs Sen’s behest. Whenever she attempted to sing the teacher’s ragas she did so badly that she shut up immediately.

‘This child can’t sing Mrs Sen, she is so besuri...’ the teacher had said before she left for good.

‘But I heard her singing the other day when we had gone to receive her from the rescue shelter...’ a confused Mrs Sen had mumbled.

During the school vacation Mrs Sen took the children to the hill station where her husband managed his tea estates. The child shrivelled up under the steady gaze of Mr Sen who obviously disapproved of her.

‘You and your quirks, Manaswini,’ he had told Mrs Sen in his deep gruff voice. Don’t hurt the child, that’s all I have to say.’

The child hated meal times when she had to sit at the high table with the entire family, silently listening to the prattle of Poorvi and Raji. An invisible silver thread of conversation and laughter bound all except her at the table into a family.

‘Where is this child, what will we do now?’ Mrs Sen’s frustrated voice reached her ears. The child was hiding behind a concrete bench outside the temple of Kali where they had all come to pray. It was the last day of the visit. She knew that the flight was at eleven and they wouldn't wait much longer.

‘Leave her alone, she will survive, just don’t talk about her. If somebody asks about her, tell them that her mother came to take her back. Come on get in, I can’t cancel the plane tickets, come on come on come on,’ he shouted.

From her hiding place the child’s large fearful eyes peeped out through the gap between the concrete slabs of the bench, while the jeep snaked down the mountain roads.

She stood up, took a deep breath and ran lightly towards the beggars who lined the path leading up to the temple.

She was humming a tune.
*
Indu Parvathi is a writer based in Mumbai. She is currently working on a novel.



Opening Act: the Out of Print Workshop at the Times Literary Carnival 2013: Suneeta Rao

Pink Doll
Suneeta Rao

It had been four years since she was lifted out of the dark green BMC garbage can by the calloused hands of Amma, the oldest rag picker in the colony. There was barely enough life in her to stare blankly at you from behind those cobalt blue eyes. Amma held her, tentatively but firmly – petrified a bone might crack or that she might get hurt – and walked away from the dump with renewed vigour and a determination in her face that belied her age. The chipped and dirty words CLEAN UP painted on the bin receded as she took the fragile little bundle to her corner under the bridge. That was to be the child’s home for the next four years.

Poorvi was younger than Raji. The sisters passed the junction everyday on their way to school. Raji would get mad whenever the old lady knocked on their car window leaving behind a slimy smear. The baby would be peering at them curiously as the girls bickered and tried to shoo the old lady away. Every time, just as the car rolled away from the signal, Poorvi would toss a rupee coin into Amma’s outstretched hand – and they would exchange a brief but intense look which would be interrupted by a loud and impatient honking by Driver Ramu, who had no tolerance for any such delay.

Poorvi could not keep her mind off those dark blue eyes. It was she who stopped the car when she saw Amma’s body lying lifeless on the pavement – the pink doll in shreds beside her. It was Poorvi who picked the girl up and took her to Asha Sadan, the adoption centre run by their mother. It was busy at the intersection under the overpass that hot Monday afternoon. The traffic light just turned green when the girl suddenly let go of Poorvi’s hand and darted across to the mangled remains of her doll. She picked it up and ran back clutching the woolly head to the shouts of ‘Hurry! Hurry’ from Raji, who tried to grab at the doll’s brilliant pink hair. ‘Let her have it, you cow,’ Poorvi shouted and yanked Raji away. ‘Kid doesn’t have anything, not even a name. Let her keep the damn doll.’ Raji let go but bared her teeth and jeered, ‘Anaamika.’ The girl child didn’t care.

That was the day their next-door neighbour, Mrs Sen, came in with her application. Mrs Sen had been married for nearly ten years. Although her music gave her a full life and some satisfaction, it could not lighten the heavy burden of not being able to bear a child. Her body refused to bear fruit even when things were good with her husband – and she spent those years craving for a child that was never born. ‘A girl,’ she had said. ‘I want a girl’.

Mrs Sen’s palms felt soft and smooth and a little pudgy to the child as they cupped her face. It made her think of Pink Doll. She missed Pink Doll. Raji had snatched it from her the moment they reached the home and she had not seen it since. When she closed her eyes now she could remember what it felt like to stand in the shadow of the massive concrete arches, hugging the doll to her chest. The sensation evaporated as Mrs Sen removed her hands, leaving a shallow vacuum.

‘Sangeetha, that’s what I’ll call you,’ Mrs Sen said. ‘Yes, Sangeetha, music, that will be your name. And I will teach you to use that voice of yours.’

Although Sangeetha practiced diligently everyday for years – not daring to incur the wrath of old Mrs Sen by missing a single day of Riyaz, it was dance that was her true passion. Poorvi was the dancer – and Raji the singer. Sangeetha would watch Poorvi practice her Bharatanatyam with passion and longing – and then, when no one was looking, she would close her eyes and throw herself into a world of movement and gay abandon – her every fibre one with the music that only she could hear. She dared not let Mama Sen see her – that would mean she would have to skip her meal that day – which meant less energy to dance!

Poorvi would secretly take her for dance class on the days Mrs Sen was busy. Sangeetha would watch and soak in as much of it as possible, and the moment she was on her own she would burst into a whirling frenzy – forgetting it all – the taunts, the rules, the scolding, all the things that cramped her style and soul.

But the singing continued. Every morning she would wake up at the crack of dawn to the starchy smell of Mama Sen’s crisp red and white saree. The thick, powdery, crimson-red circle loomed large on Mama Sen’s forehead – like the third eye – always watching the girl’s every move lest she dared to stray from the raga or falter in pitch or tone.

It is now twenty years later. Sangeetha is twenty-four. She has changed her name to Tridha.

The accident had left Poorvi paralysed from the waist down. But she has managed the long and arduous journey to New York. Mama Sen, older and calmer, is still strong enough to push Poorvi’s wheelchair. Raji and her husband will join them at Boston airport – she has just completed her degree in Music Pedagogy. Poorvi’s novel is almost complete – she had started it in the hope that writing would heal her devastated heart. And it did to some measure.

The roar of the stadium crowd is deafening. Madison Square Garden is brimming with a charged, multi-racial audience. Screaming teenage fans are clamouring with each other for a glimpse of anyone who steps out of their sleek black shiny limousines onto the red carpet. Cameras and wide smiles flash everywhere. The paparazzi are going berserk. Lady reporters are shouting into their microphones, trying not to smudge their eyeliner or lipstick while powdering their noses every second and adjusting their in-ear monitors frantically.

She steps out gracefully in her diamante strapped stilettos – the slit of her shimmering gold brocade gown slipping ever so gently to reveal her toned bronze calves. The Prada purse comes next, followed by a swish of her thick silken black hair. The low back dress is now in full view and as she turns to face the cameras – the crowd goes wild. She lifts her hand in a gentle warm wave, stopping every now and then to oblige a voice that calls her name from behind a camera, not wanting to disappoint any one of them.

The ramp is long enough for Mrs Sen to want to pause for a moment every few minutes, for a breath. The wheel chair is now becoming heavy – and Raji and her husband are too busy gawking at the stars to offer to help. A sympathetic Mexican security guard in his smart black suit and dark glasses finally emerges from the crowd. He effortlessly wheels Poorvi up the ramp and Mrs Sen, looking astoundingly elegant in her maroon silk Calcutta saree nods with graceful gratitude as he cocks his handsome head in acknowledgement.

The anticipation is unbearable. The low hum bursts into a roar as the MC of the show, a popular comedian, announces the opening act. Mama Sen watches in awe as one after the other the performers and awardees make their way on and off stage – each one more enthralling than the other. Finally, the moment is here. The nominees have been announced and now it is time to announce the winner.

Mrs Sen knows it is her the moment the famous actress on stage starts the introduction. Her eyes are already welling up.

‘Ladies and gentlemen … the winner of the “Best Female Pop Album of the Year”… All the way from Mumbai, the feisty newcomer, for the first time ever a crossover pop star from India – Will you welcome please, Tridha Sen, for PINK DOLL!!!!!!
*
Suneeta Rao is hailed as India's most loved performing artist. Her song, Paree Hoon Main from the album Dhuan made Suneeta a household name, leading the press to affectionately crown her the ‘Paree of the Masses’. The song, and the UNFPA sponsored video Sun Zara was a pledge to fight against the practice of sex selection and received worldwide acclaim for its powerful depiction of the cause of the girl child. Suneeta is the spokesperson of the girl child initiative Laadli. She has recently released her first English single called You Say You Love Me. 

As a writer Suneeta has written and published a number of travel articles including one on Ladakh for Jetwings called Ah! Ladakh! and one on the coffee plantations of Chikmagalur that was published in Midday. She also wrote for JADE magazine on her favourite musicians of today's Indie Music scene. Suneeta was commissioned to write a blog for the Times Wellness site called Diary of a Supermum, which was published weekly for a year. She writes her own lyrics and has dabbled in poetry.



Wednesday, November 27, 2013

Opening Act: The Out of Print Workshop at the Times Literary Carnival 2013

Opening Act
Dec 6 2013, 10:30-11:45
Mehboob Studio, Bandra

The Out of Print short story workshop at the Times Literary Carnival with founding editor, Indira Chandrasekhar
·       We will focus on the starting paragraphs of a piece of short fiction
·       We can accommodate up to ten writers with some experience
·       Applicants are asked to send in a sample piece of writing of 500-1000 words cut and paste into the body of the email to outofprintmagazine@gmail.com with subject line OofP.TOI.workshop.2013
·       Participants who've been selected will be informed by noon, Dec 5 
·       Observers will be permitted -- depending, of course, on space constraints

Please note:
The choice of participants is final
Applications bearing the incorrect subject line may not be read
Please use a normal font, and double space the lines



Wednesday, October 16, 2013

Out of Print designer, Yamuna Mukherjee exhibits her art


Out of Print designer, Yamuna Mukherjee makes the amazing True Colours 2 show!

The images in the show come from around the world. Only 83 digital artists and photographers from 20 countries were chosen by the judges from a host of international submissions. 

View Yamuna's images honouring that take the beloved strays of Bangalore into surreal narratives, at this link.