Wednesday, May 6, 2026

Out of Print Workshop at MAP | Cats


Out of Print Workshops


In collaboration with the Museum of Art & Photography


On the last weekend in March, a group of writers gathered at the Museum of Art and Photography as part of the Write from Art, Write from Story collaboration between Out of Print magazine and the Museum.


The writing workshop was conducted by Dr Indira Chandrasekhar, the founder of Out of Print. In these workshops conducted for MAP, Indira uses the visual from the exhibition around which the workshop centres as the inspiration for the writing that participants work on. 


This workshop focussed on the exhibition 'The Many Lives of the Cat' on its closing weekend. It was an exhibition that explored how the feline has been represented in art across the ages through different regions of the subcontinent. To fully engage with the visual the writers were treated to a walk-through of the exhibition conducted by one of the docents. Many small discussions, triggered by the docent’s own views and ways of exploring the exhibition were an interesting consequence. At the end of the walk-through, Indira suggested that the writers allow their own imaginations to inspire them, and not necessarily be guided by what they had heard. It turned out, there was really no need for her to have stated that – the range of ideas and narratives that emerged was fascinating and diverse. 


The participants spanned many ages – our youngest was about nine – and many different levels of engagement with writing and art. They responded to different works in the exhibition: from a detailed miniature of centuries past to vibrant pinks in contemporary depiction; from the definitive and pictorial in Patua art to the dark intensities in a charcoal drawing; from a cat centred in the green of tropical foliage to a cat positioned off-centre drawing viewers focus to the green of a capsicum on a kitchen table; from a multi-headed Gond representation to the ambiguous message in a large embroidered panel. The discussions before the writers started to put their thoughts down about what they had seen in the paintings was truly interesting, examining the psychology of the cat, of the human, and showing how the visual can trigger imagination and create story.


In most Out of Print writing engagements, writers are encouraged to finish the pieces they developed during the workshop and send them in to the magazine editors. Select pieces are then published. Below, we list five out of the many fine works developed at the workshop. 


JAYASHRI JAYARAMAN | THE CAT THAT KNEW TOO MUCH

SANCHARY GHOSH | NAVRATRI – THE 11TH MORNING

NIVEDITHA K PRASAD | DESERT CAT AND THE OASIS

SHUBHA SHASTRY | WHERE WE LEARNED TO BELONG

ASHWIN DEV BHAT | LOSS OF PHYSICS






Out of Print Workshop at MAP: 'The Cat that Knew Too Much' by Jayashri Jayaraman


Jayashri Jayaraman



Once upon a time, there lived a cat named ‘Cat’.


Cute

Cuddly

Ugly

Elusive

Ferocious

Hypnotic

Watchful

Untamed

Unknowable


Cat the cat, wanted to be everything.


A reasonable ambition

For a creature that has been

Worshipped as divine

Blamed for bad luck

Sometimes both, in the same lifetime


And so it began where all things begin…

With feeling!


Love

Longing

Fury

Fear

Bravery

Boredom

Dread

Delight

Wonderment


The cat wanted to feel everything.


A curious pursuit

For a creature that trusts instinct over emotion…

That reads the air before the room

That senses before it understands

That chooses before it knows why


And so, it learned quickly

What’s feeling, without knowing?


The keeper

The watcher

The chosen

The coveted

The show-off

The trickster

The beloved

The believer

The dreamer


The cat knew it had to be in the company of all.


A paradox, really

For cats are solitary beings

Yet masters of co-existence


Ignore you, it will

Insist on bringing you an offering, it must

Sitting where it shouldn’t, well, it can’t be helped

On plans. On pans. On laptops. On laps.


Skilfully walking the tight rope of contradictions

But is one life ever enough?

When so much of it slips by in sleep


Not for a creature

That must follow every flicker

Every sound

Every maybe


‘Curiosity killed the cat,’ they say

But satisfaction brought it back

And that’s probably why, the cat has nine lives


Or so the stories go…


Nine lives, none fully spent

Eight nights it watched you sleep

Seven secrets buried in its gaze

Six senses sharper than yours

Five shadows it leaves behind

Four corners it royally claims

Three things it will never forget or forgive

Two worlds it treads between

One moment before it decides


In all of them

Cat the cat, remains unowned, unknowable, unfinished


Because a cat is never just a cat

It wasn’t trying to be everything at all

It already was


And the nine lives?

Perhaps, not for the cat

But for everyone trying to understand it.




Out of Print Workshop at MAP: 'Navratri: The 11th Morning' by Sanchary Ghosh

Navratri: The 11th Morning

Sanchary Ghosh


Inspired by the Kalighat Patua of Jagdamba



The day after Durga slew Mahishasur, Her mount, the Lion Somnandi, woke to a startlingly bright morning. As His senses slowly arrived in the land of the waking, He felt disoriented – ten dark, gloomy days of the sun that felt like a distant memory had been replaced by a riot of colours and textures. 


Was this softly glowing, faintly golden-green carpet of grass the same murky one He had fallen asleep on? These shrubs looked fuller somehow, the forest shimmering alive with contrasting light and shadow plays. The events of yesterday slowly came back to Him. 

Somnandi recalled the volume of asura underling necks He’d snapped, all the blood and chunks of meat ingested. The memory brought satisfaction; the pride of knowing that He was instrumental in the downfall of the enemy plaguing the human pets of the Devas. Unfortunately, that also explained the hangover-like grogginess He was experiencing – He had not eaten whole carcasses, but the innumerable bites from the hordes slain probably constituted overeating. 


He got up and stretched, thinking of drinking some water. 


The very next second, He was assailed by a horrible churning in His stomach. He dropped down shaking, His entire focus hijacked by the pressure building up in His chest. It felt awfully like the contents of the last ten days were still inside and wanted to come out. He willed the churning sensation away – as a divine being, such things as odd and sickening feelings did not dare bother Him. 


But it did not work! Now, Somnandi started panicking because He had never failed to exercise His will, thus far. He decided to summon His Caretaker; She would fix him right away. 


Somnandi roared, a sound that shook the entire forest and made the animals hide. Durga heard His call, appearing instantly. 


‘What’s wrong, dear?’ She said, an amused smile playing on Her lovely face. 


He was irritated and roared again, but more softly this time. Couldn’t She sense His State? Why was She smiling and not making the dreadfulness go away? His insides cramped in another wave of rebellion against Him, but all She did was bend to stroke His mane and back. He liked it, but it wasn’t fixing Him. 


‘Aww, you’ve gotten sick. I told you not to nibble on the demons, didn’t I? But you just had to sample!’ She chastened. Somnandi narrowed His eyes at Her; now was not the time for a scolding. 


‘Darling, their flesh is poisonous. Not much even I can do right now. Best let it all come out; the sooner it leaves your system, the better you’ll feel,’ She said. 


He whimpered in humiliation and pain, as She cuddled Him, and encouraged Him to upchuck the contents of His stomach. At least, there were no witnesses to this embarrassment – a small perk of Their divinity.




Out of Print Workshop at MAP: 'Desert Cat and the Oasis' by Niveditha Prasad


Desert Cat and the Oasis


Niveditha Prasad


The dry, dry terrain unfolded for miles outside the window. There was much to take in from the view. There was the pond of a thousand lotuses that my husband had built, eastern-style domes made using techniques from the West and sculptures from the South. It all seemed so banal now. Beyond the pond, across the high walls, was the serpentine road. On cooler afternoons, there would be traffic. Carriages rolled by, carrying the dust of the world with them. That is why I began to sit by the window habitually: to see the carriages, count them one by one, to let a dust storm blow in through the windows and let it take me away with it, to let myself be dust that belongs to nothing, not even this fortress.


Sometimes at night, I could hear the faint sound of song from the road. I would lie awake, watching the palace lights dance on the walls, hoping, praying that some great shadow from far away would make pattern into my room. It never did. I would lie awake instead, catching some stray words from these road songs: a lover left behind, a lover turned traitor, anthems to strange gods, and long ballads about the countryside. Songs about the Some Other Place. 


I was bored of the view. I walked from one window to the next, peering out at the frangipani tree that was now within eyeshot. On happier days, the cat would disappear from the palace, only to be found napping on the tree she was named after. But Champa was not there today. She had gone missing five days ago. Longer than usual. The entire household had been ordered to search for Champa the Diamond-eyed. I had sent offerings to be made at all the temples in the city for her return. My pleadings to the gods had now turned into curses.


Just then, the young girl arrived bearing yet another package. Gifts from the husband: a ring of lapis lazuli, silk, and a gold girdle to go with it. I ran my hand over the fabric. It was soft, so soft that I could thread the ring with it. Champa would have liked to nap on it. But she wasn't there today and I had no use for the silk. I tossed it aside and gestured to the girl to take them away. She could have them. How did it matter, I had already given away so many of my gifts. As always, the girl bowed with gratitude. As she was leaving, she said, ‘Oh, the cat is back. The other women saw her sauntering into your room just now.’


Finally! I hurriedly made my way into the inner chamber. The hallway to the chamber was lined with large portraits of the forefathers and hard-won trophies. But the gallery also turned darker and darker with each step, the windows became progressively smaller, and the doors heavier. If it weren't for Champa's surprise arrival, I would not venture into the deeper parts of the apartment so early in the day.


How dare that wretched creature stay away for so long. Did I not love her, care for her, provide for her? Everything that a cat could possibly hope for in her life, this palace had it. And yet, she had begun to slip away regularly. Her clandestine comings and goings were entirely a mystery. One time, she returned with a gash across her pretty face. One of those urchin-cats near the temple must have challenged her to a combat and then cut her to size. Any sensible feline would have learnt about the dangers of the world beyond and surrendered absolutely to the pleasures of home. But not my Champa. A week later, she disappeared at night and only returned the next evening. 


As I entered the room, I saw the Diamond-eyed girl nestled against the foot of the bed. I picked her up gently even as I sharpened my voice to chide her saying, ‘Why have you chosen to return now, Your Highness?’ She purred, but not quite apologetically. Freeing herself from my hands, she strutted her way back to the bed, snuck in below, emerging from it moments later with something in her mouth. It was a coarse piece of cloth, yellow like her and frayed all around the edges. It was almost a rag but Champa had evidently taken a fancy to it. She placed it on my lap as if making an offering, curled into my body, and resumed lounging.

 

There was a thunderclap. The sound of rain filled the room. I closed my eyes and pressed the cloth tightly to my face – hoping, praying that it would take me into the world where my cat had been. 





Out of Print Workshop at MAP: 'Where We Learned to Belong' by Shubha Shastry


Where We Learned to Belong


Shubha Shastry


In an alleyway no wider than a breath, where sunlight arrived only as a thin ribbon cradled between leaning buildings, Vasudha and her cat, Lila, made a home out of almost nothing. The room they inhabited was hardly wider than a bedroll. The walls were stained with old paint, remnants of years of dirt, carried the faint memory of lives that had passed through before her. A small single window, not bigger than a book, opened not to the street or the sky, but to another wall, where moss grew diffidently in cracks. And yet, where space failed them, closeness filled in – quietly, completely.


Lila had come to Vasudha on a night of steady rain, a soft trembling sphere of downy warmth, 

making an impression like the breath of a whisper in her palm. The rain had fallen in relentless sheets, flooding the alley and making the stones slick and treacherous. Vasudha had been sitting just inside her doorway, watching the water gather in uneven pools, when she heard it – a small, sliver of sound, almost swallowed by the rain. At first, she thought she was imagining it. Loneliness had a way of turning everyday sounds into something palpably alive. But then it came again, sharper this time, insistent.


She followed the sound into the alley and found the kitten pressed against the wall, fully soaked, trembling but quietly unafraid. Its hazel eyes, wide and calm, met hers as though it had been waiting. 


Vasudha paused but for a moment before scooping up the lithe furry creature into her hands. It was lighter than she expected, all bones and wet fur, its heartbeat fluttering steadily against her palm.


‘You shouldn’t be here,’ she whispered, though she didn’t know if she meant the kitten or herself.


The kitten answered with a soft, shrill but resolute sound, something between a cry and a protest.


That was how Lila came into her life – not with ceremony, but with quiet certainty.


From that night on, they learned about each other in ways that needed no language. Vasudha got to know the rhythm of Lila’s breathing, a crest and a fall with every beat, and she felt safe. She noticed how Lila liked to curl beneath her chin, pressing close enough that their warmth turned indiscernible. She learned the peculiar tilt of Lila’s head when she was curious, the flick of her tail when she was annoyed, the slow, deliberate blink that meant trust.

 

And Lila, in her own way, learned about Vasudha.


She learned the weight of Vasudha’s silences – the difference between the quiet of peace and the quiet of sorrow. On days when Vasudha’s movements grew slower, when her gaze lingered too long on nothing at all, Lila would saunter into her lap without her beckoning and press herself against Vasudha’s chest. She would stay there, unmoving, a small, steady presence, until Vasudha’s breathing synced with her own.


Their days unfolded in a kind of calm choreography.


In the mornings, Vasudha would wake carefully so as not to disturb Lila, though it rarely worked. Lila always woke up, stretching luxuriously before following Vasudha in tight circles. When Vasudha prepared food, simple meals, often no more than rice and whatever vegetables she could afford, Lila circled her ankles with stark precision. She never tripped her, got in the way, as though she understood the importance of balance in such a small space.


When Vasudha sat down to write, which she did most evenings by candlelight, Lila took her place beside the page. Sometimes she curled into a tight circle; other times she stretched out, her tail drifting lazily across the paper. More than once, it brushed against wet ink, leaving soft, unintended smudges that Vasudha never could erase.


“They make it better,” she would say, as if Lila needed reassurance.


The alley outside was rarely quiet. Footsteps echoed at odd hours, voices rose and fell in fragments, and somewhere nearby, a pipe dripped endlessly, marking time. But inside their room, the world softened. The noise became distant, almost unreal, like something occurring in another life.


Here, there was warmth.


Vasudha spoke to Lila, filling the space with boundless stories. She told Lila about places she had never been to – wide fields where the wind moved like water, oceans that stretched beyond horizons, cities filled with light, hope and joy. Her voice would grow lighter as she spoke, her hands gesturing as though she could shape the images through air.


Lila listened. She would watch Vasudha intently, her eyes mid-lidded, occasionally offering a soft blink or a slow purr, as though meeting every word.


Sometimes, Vasudha wondered if Lila believed her.


And she wondered if she believed herself.


But it didn’t seem to matter. The stories were less about truth and more about possibility, and in that small room, possibility was a form of sustenance.


There were nights when the cold crept in more insistently than usual. The thin walls held little warmth, and the damp seemed to settle into everything – into the bedroll, into Vasudha’s bones, into the very air they breathed. On those nights, the darkness felt heavier, seeping in from all sides, as though the walls were closing in around them.


Vasudha would pull Lila closer then, wrapping her arms around the small, warm body.


“Stay,” she would whisper. And Lila always did.


She would lean closer, impossibly close, until there was no space left between them. Her purring would begin as a faint vibration and grow steadier, filling the silence with something alive, something constant.


It was in those moments that Vasudha felt it most clearly – not just companionship, but something deeper, something that composed her, calmed her spirit.


A sense of being held and understood, even as she was the one doing the holding.


Seasons shifted, though in the alley, the changes were subtle. The shape of light altered, the air grew heavy or lighter, the sounds beyond every wall changed rhythm. Time passed, marked not by dates but by small transitions: Lila growing from a fragile kitten into a sleek, confident cat; Vasudha’s writing filling page after page.


Their world remained small, but it was not blank, empty.


One afternoon, a shaft of sunlight found its way through the tiny window and stretched across the floor, a bright, golden ray.


Lila spotted it first.


She walked towards it cautiously, her body low, her eyes wide with fascination. Then, with a sudden burst of energy, she pounced. Her paws landed squarely in the light, scattering dust into tiny, shimmering clouds.


Vasudha laughed, a rare, unguarded sound.


For a moment, the room felt larger than it was, bright, light and the air easier to breathe.


Lila continued her game, chasing the shifting light as it moved inch by inch across the floor. And Vasudha watched, her chest full of lightness.


In that cramped, shadowed space, they had built a kind of home that lived in the space between them – in shared warmth, in quiet understanding, in the steady presence of one life beside another.

And so, when the light faded and the alley returned to its familiar dimness, nothing essential was lost.

That night, as always, Vasudha lay down with Lila tucked close beneath her chin, her hand resting gently on the rise and fall of her small body.


Outside, the alley carried on, footsteps, voices, the endless drip of water.


Inside, there was only the soft rhythm of breathing, the quiet hum of a purr, and the unspoken certainty that neither of them was alone.


They were, in every sense, home to each other.





Out of Print Workshop at MAP: 'Loss of Physics' by Ashwin Dev Bhatt


Loss of Physics


Ashwin Dev Bhat


‘I'm going to place a glass diamond on a garden space in the workshop,’ I announced. Before I did, Suresh, my neighbour to my left, who was holding on to the cards that I gave him to draft, stared, lost in thought. I had taken a liking to playing Mille Fiori and was grateful to know someone who owned a copy of it. They say it's easier to make friends around your hobbies than to introduce your hobbies to your friends. That's how I met Robin a few years ago. Over time, he had begun inviting us over to his place, which is where I was right now. 


I glanced over at Cherry the cat who was rubbing his head back and forth, over and over again on Suresh, liberally applying his scent all over the human forearm, even as Suresh continued to be thinking. It was nice to see Cherry and Suresh going back to being buddies only a week after Cherry scratched Suresh until he bled, because Suresh for picked him up.


‘Does going to the garden apply a negative multiplier from the outdoors?’ Suresh asked, still thinking about the game.


A bigger question mark lumbered over my head. Cherry had somehow emerged out of a kitchen that had its floor blanketed by flour as white as snow, without leaving any imprints. Now, I've heard that cats are liquid, but they are not airborne, are they?

‘Stop, we need to preserve the scene of crime!’ I had yelled at Robin, who seemed to be amused and intrigued. Maybe he was hoping that Cherry was special; don't all cat owners think that?


As the player sitting to the left of Robin, I was handed the choice of three cards.


‘This game works a lot better with four players,’ Robin said as he bobbed his head.


‘Where did your brother vanish?’ asked Suresh.


Robin and I struggled in unison, not wanting to ponder over another mystery. Presently, the house bell screamed over our conversation, and Robin went over to console it.


‘Did you get another bag of flour already?’ I asked.


‘It's some special purpose, high-protein flour thingy. It's on sale now.’


‘It's quite expensive. I guess he had to get a replacement sooner or later.’


Coming back to the issue at hand, I considered the possibilities. Did Cherry somehow trigger the bag spilling over and causing a mess? I did see that it was placed on the far side of the kitchen, on the shelf perhaps. Cats love knocking things off shelves. I played my turn, got up, and walked over to observe the scene once again. 


‘That's quite a big bag that I had; is all of it on the floor?’ Robin joined me, and he was right. There seemed to be a discrepancy somewhere.


‘What, you don't think the cat ate it, do you?’ I joked. Even if all or some of it was on the floor, did Cherry just leap over it all like an Olympian? That would definitely beat the world record for long jump. I turned back to see Cherry walking all over Suresh. Yeah, for some reason, I don't think this cat would care too much about some stuff on the floor.


‘I am done, we can clean this all up,’ I said, resigned, and walked over to pick up the bag of flour fallen beneath the kitchen sink, that was filled to the brim with dirty dishes, and a fastened window above, big enough for a person to go through. The kitchen was shaped like a periscope, so the sink out of sight while looking in from the hallway. I noticed several pieces of lumps of dough, looking like a bit of dried baking debris from an experiment gone wrong. Most curious.


Presently, the doorbell rang once again, and Robin's vanished brother made an appearance.


‘Where were you, Ravi?’ Robin questioned.


‘Don't worry about it, I'm not feeling too well.’ Ravi rushed over to his room.


I could see him trying to cover a part of his forearm peppered with hints of scratches. That was definitely new. Robin seemed to have noticed it, too.


I paused for a long while before I was woken up with a shake.


‘What happened there?’ Robin had his hands on my shoulder.


‘I think I figured it out. You see how the kitchen window opens outward into the hallway and is secured from the inside by a simple, well-oiled horizontal slide bolt? The culprit needed a mixture of flour and water, that he turned into dough as if to make chapati, but instead, he turned it into a thin, long rope. The culprit took the middle of this rope and looped it over the sliding bolt lock. They then went outside, taking the two ends through the gap under the window, and pulled it shut. This dragged the bolt across the window, locking it from the inside, unspooled from the lock, and slithered out.’


‘And you got all of that from...?’ Robin wore a puzzled expression.


‘I don't think you've been doing any cooking, have you?’ I retorted. ‘Looks like Cherry scratched your brother, possibly when he tried to frame him for the mess. Startled, Ravi must have simply chucked him over everything, making it seem as if Cherry had floated over. I guess we'll find out once Ravi decides to come out.’


‘Go easy on him.’


‘Yeah. He must have truly regretted it if he hatched a master plan like this.’ ‘We never bothered to check indoors.


Robin knelt over and scratched Cherry's chin. ‘I guess cats can't defy the laws of physics after all.’



Tuesday, April 7, 2026

Fifteen Years of Out of Print - Responses from our Readers: ISSUE 58, DECEMBER 2025

Out of Print 58 is the second edition published in our fifteenth year.

We asked our readers to tell us how they responded to any of the stories that appeared in December 2025.



- The Rain by Rajalakshmi N Rao

The world of 'The Rain' is intimate and oppressive: a couple who got married two years ago and have been, ever since, housebound by ceaseless rain. It's the rain that sets the mood, dominates the couple's thoughts and daily lives, and dictates their relationship. The wife personifies the rain as many different kinds of lover, male and female, naive and wily. She's wary of sharing these fanciful thoughts with her husband, who already calls her a 'stupid little girl' for filling up the time with reading.


Even in so short a story, the writer perfectly captures the setting. 'Invisible gray feathers' is a wonderful metaphor for the white noise of rain. 'Fierce downward thrust' aptly describes the oppression of loud and relentless rain. 


We who have lived through Covid will immediately recognise this world: like Covid, the rain forces proximity and deters intimacy. And, long before Covid, I recognised a parallel paradox, something we've all surely also experienced: sometimes, it's with distant acquaintances, or even with strangers we'll never meet again, that intimate self-revelations seem easiest. Why? Maybe because intimacy is a gift we'd like to bestow on our own terms. The forced co-cloistering of endless rain, of a pandemic, or of long cohabitation seems to strip us of the choice that characterises the gift of intimacy.


So, when the rain in the story ends at last, the couple pretend to make light of it. But surely they, like the reader, are breathing a sigh of relief.

- Amita Basu



The Rain is a quiet, evocative story that uses rainfall as more than atmosphere, it becomes an emotional language. Beneath the gentle prose runs a deep sadness, rooted in the wife’s unspoken unhappiness within her marriage. Her discontent is subdued, almost habitual, making it feel inescapable rather than dramatic. The rain mirrors love in all its contradictions: tender yet intrusive, nourishing yet suffocating. It seeps into silences and routines, much like a marriage sustained without joy. What lingers is the ache of emotional distance. The sense that both rain and love arrive, persist, and leave their mark, whether welcome or not.

- Ashwini Shenoy




- Shiuli by Ratul Ghosh

It is sheer coincidence and Ratul's and my story in Issue 58 dealt with the same theme: Disappearence of the mother. What I wsa especially drawn to, was the mother-son dynamic, which felt deeply relatable to me: a son who believes he is already doing enough, and a mother who is quietly lost, doing nothing. By the end, their roles reverse—but perhaps a little too late. 

- Vrinda Varma



An elderly woman vanishes from her home. Her grown son, the narrator, is berated by police and neighbours for not making more vigorous efforts to find her. He's perplexed by his own paralysis: 'I was a fly buzzing against glass, willing it to be air. I needed to escape to breathe.'


Was the woman demented, or was she overwhelmed by the various uprootings she'd recently experienced? The narrator's mother has been widowed; the ancestral house in Calcutta -- called Parijat, another name for shiuli or night-flowering jasmine -- has been sold; she has been forcibly transplanted to the dystopia of Bangalore during Covid. In this nuclear family, with her love for incense sticks, talcum powder, and deep-frying foods, she quickly becomes persona non grata. Confused and ineffectual, desperate to talk and to be useful -- she instead gets on everyone's nerves. 


This portrait is instantly recognisable, evoking both pathos and irritation: an elderly person who feels useless, who longs for something to do, and whose desperate desire to be involved paradoxically repels her closest kin and thus deepens her own isolation. Like every good story, this one forces the reader to look with a closer and kinder eye at the people in our own lives.


Shiuli is my favourite flower: for the fragrance, and for the contrast between the cream-coloured petals and the vivid orange stalks. Shiuli serves as a metaphor for emotion at various stages of the story and backstory of this piece: among other things, it comes to symbolise ownership, loss, and resilience.

- Amita Basu


Select responses to stories in ISSUE 57 may be read here.

Friday, January 9, 2026

BWW RK Anand Prize 2025

We at Out of Print are very pleased to be hosting the special mention and shortlisted stories of the second Bangalore Writers Workshop R K Anand Short Story Competition on our blog. The winning story has been published in Out of Print 58, the December 2025 issue of the magazine. 

We are hugely encouraged by the efforts of the Bangalore Writers Workshop (BWW) in supporting short fiction. Our founder and principal editor, Indira Chandrasekhar was on the jury for the prize along with noted writers Sonora Jha and Tanuj Solanki. Our gratitude to the Atta Galatta team for reading through the submissions and creating the shortlist. It made the task of the jury that much easier.

An introductory text to the prize by Bhumika Anand, director of BWW follows. It includes a response by Sonora Jha to Archana Nair's powerful story 'House of Witches' that received a special mention in the competition. Comments by Tanuj Solanki on the shortlisted entries are included too. 

The winning story is 'Shiuli' by Ratul Ghosh that explores the complexities of transplanting an aging parent from their home into the alien world of life in an apartment in the city, and to caring for them. 

In discussion with Bhumika, except for formatting them to be consistent with the Out of Print style, the stories being published on the blog will appear unedited, while the winning story went through a round of textual refinement as is the usual practice with Out of Print.



Winning Story

SHIULI by Ratul Ghosh



Special Mention

HOUSE OF WITCHES by Archana Nair



Shortlist

CYCLE by Aditi Chandrasekar

THE NIGHT STORIES ENDED by Amit Prabhakar


THE PURSE by Pallavi Chelluri

DEATH REIMAGINED by Sonu Sabir

AMPHIBIANS BY NIGHT by Malcolm Carvalho

THE THREAD REMEMBERS by Krishan Shetty

A PLACE LOST IN TIME by Sonu Sabir







BWW RK Anand Short Story Prize 2025 - Shortlist: An Introduction by Bhumika Anand

The BWW Short Fiction Award 2025 Shortlisted Entries: An Introduction


Bhumika Anand



This, 2025, is the second year of the R K Anand Prize for the BWW Short Fiction Award.


I want to start this announcement post with thank yous. This award would not have been possible if Subodh Sankar from Atta Galatta didn't help by being a partner, if the Bangalore Literature Festival team had not encouraged it, and if Indira Chandrasekhar from Out of Print had not agreed to partner with us. We were lucky to get a really discerning jury that included renowned international author and professor Sonora Jha (author of Intemperance among others), and one of India's stellar young authors, editor, and writing coach Tanuj Solanki (author of Manjhi's Mayhem among others) headed, of course, by the inimitable Indira Chandrasekhar (author of Polymorphism among others) from Out of Print. 


As most of our readers might know, this is a memorial award launched last year for my father R K Anand who passed away in 2023 owing to dementia-related complications. 


Giving to others even when we don't have much ourselves, always choosing friendship and kindness even when it isn't the easiest choice, working hard and taking pride in one's own work, and fighting for one's rights – these are some of the values my parents instilled in me. I run Bangalore Writers Workshop (BWW) a first-of-its-kind writing and storytelling school established in 2012 in Bangalore with these tenets in mind. As you might imagine, it's not easy. But it is fulfilling. I have made working with authors, especially, aspiring authors my life's work.    

In our BWW community, we constantly discuss craft, sure, but we are preoccupied with the human condition. Why are we the way we are? How do we make sense of an ever-changing world? How can we write with empathy and humour because God knows you need a sense of humour to live in the world we do. And this is what we deem as having heart. We may or may not improve as people in this pursuit, but I have definitely seen aspiring writers become emerging writers. This award is to recognise more such writers not just from the BWW community but others across the globe.   


And twice now, thanks to all our readers, partners, and participants, I can say we have succeeded.


This year we received 174 entries from places as far as Pakistan and Lesotho in Africa, and a couple from the US. So, a big thank you to everyone who participated. 


Our process for this award is quite simple. We longlisted 25 stories after two blind reads. Atta Galatta and team then came up with the ten shortlisted entries. Our jury then scored the winners on a scale of 1 to 10 with 10 being the highest.   


As always, BWWers dominated the list – five this time. 


During the prize distribution ceremony at the Bangalore Literature Festival 2025, Tanuj Solanki talked about the kinds of stories that are getting published these days. He said that most of the stories seem to deal with navigating ageing parents and/or grief, that many were speculative in nature, especially stories from authors in Bangalore, who, he felt, gravitated more easily and effectively from realism to fantasy or the fantastical. 


As a writing mentor myself, I think I can vouch that this is true. Bangalore, like most cities, demands that we escape the chaotic, loud, irreparable real world and embrace newness that allows for pause, reflection, questioning, and doubt. And with age and adulting, young aspiring writers are navigating situations involving senior family members, familial dynamics, estranged spouses and children, office politics – and there is a keen thread of loss and grief in the stories I have read this year for the award. We've picked the best of the lot (though it was by no means an easy task). I hope you enjoy our shortlisted entries. Congratulations to all our short-listed authors. 


In Aditi Chandrashekar's ‘Cycle’, we see a young girl navigate office politics, sexual relationships fairly deftly and powerfully in a Bangalore start-up. 


Amit Prabhakar in ‘The Night Stories Ended’, takes on a mythical retelling of Arabian Nights making us examine the very art and nuance of storytelling. 


Krishan Shetty in ‘The Thread Remembers’, quietly and tenderly shows us how the act of connecting with a stranger and learning a new craft can unlock sorrow and lead to shared grieving, healing, and reconciliation. 


Malcolm Carvalho in ‘Amphibians by Night’, tells a fantastical tale of a Mumbai slum gripped by a flood during a stormy night and makes us ponder about the ramifications of an inequal society. 


Pallavi Chelluri in ‘The Purse’, also talks about poverty and the great divide especially in urban landscapes between the haves and the have-nots with the inventive use of surrealism. 


Ritika Bali in ‘The Things we Leave Unsaid’, grapples with sibling rivalry and familial misunderstandings at the same time that she focusses on familial connection and reconciliation in the background of shared loss and grief. 


In ‘A Place Lost in Time’, Sonu Sabir explores a feminist coming-of-age inter-caste and inter-faith romance in Kerala and its repercussions. 


In ‘Death Reimagined’, Sonu Sabbir captures the way religious organisations reclaim power over dissenters of even in and after their death, and how inescapable a knot religion is in society, necessitating the narrator to plan his own epitaph and funeral.  


As you will see, all these stories are sharp, powerful, and extremely well-written. 


We hope you enjoy them and they spark something creative in you as well. 


When Sonora announced our special mention, ‘House of Witches’ by Archana Nair, this is what she said, ‘Archana Nair wrote this incredible story called ‘The House of Witches’ which became this very difficult thing for us to decide between the top two contestants, so congratulations. It's such a moving, powerful story about the three generations of women in this house and it has got this metaphysical element that Tanuj was mentioning earlier, has the grief element to it as well, and is a beautiful story about women's relationships across generations, the difficulty of that – the mother-daughter tensions, the aunts – but also the celebration of that. The women live fulfilling, magical, and witchy lives without men and sort of away from them – self-actualised women but also carrying grief and carrying generational stories between them. It was a beautiful, beautiful story to read.’ 


But, of course, we could have only one winner and that was ‘Shiuli’ by Ratul Ghosh. 

When I first read the story, I had a feeling that this would be the winning entry because Ratul uses craft, emotion, pathos, and pain to great effect to render an unforgettable story. Personally too, as a daughter of a parent who suffered from dementia, it resonated deeply. For years, I lived with the constant fear of someday losing my father and having to file a missing person's report. I imagined that fear so often and lived it so keenly that Ratul's story made me tearful and grateful that I didn't have to go through that angst at least. Indira mentioned the theme of severance in her read of the story and that was absolutely mot juste! 


‘Shiuli’ won because of the way it managed to capture the irreconcilable loss that comes from severance. 


Congratulations, Ratul.


Thank you for reading this, readers. I hope to post again next year with the list of 2026 winners of the R K Anand Prize for BWW Short Fiction Award. 


So, please keep writing, keep reading, and keep exploring. 


Thank you for your time. 


Warm regards, 


Bhumika Anand 

Founder and Director

Bangalore Writers Workshop

(www.bangalorewriters.com)  


BWW RK Anand Short Story Prize 2025 - Special Mention: Archana Nair

House of Witches

Archana Nair


As Amma and I shared a berth in the Jan Shatabdi express from Kochi to Trivandrum, we tried our best to look normal and avoid each other’s eyes. 

Growing up, summer meant sucking happy mangoes in Meema’s house. But I had skipped this tradition for a few years. I took up hobby classes during summer vacations and stayed at home with my father, while Amma went to Meema’s house and spent a few weeks out of formality. 

But this year, my mother and I packed our bags on the very first day of our summer vacations and took the train to see Meema. 

Amma was nervous beside me, biting her nails and scrolling through her phone. She taught Maths at the same school where I was in my final year. One more year, and we won’t share the same bus ride to school. I was fully prepared to move out next year, albeit a tiny hiccup. 

When we reached my grandmother’s house, she hugged me and lifted me off my feet. She stood six feet tall, with no wrinkles or signs of aging other than her grey hair. 

Meema lived with her best friend Cheriyamma in a small village, tucked away from the main town of Trivandrum. Though Cheriyamma lived a few houses away, she was always found at Meema’s house. 

‘You have grown so tall!’ Meema put me back on my feet and scanned me. I cowered under her scrutiny. Meema always smelled of turmeric that she rubbed into her skin every night to lighten her skin colour. She wore a blouse and mundu around the house that I found too revealing to my taste. 

‘You are as tall as me, Bhadra?’ Meema asked me. 

‘And she will grow more,’ Cheriyamma said. She was a small woman with her hair in a grey bob and dimples on both cheeks that seemed to grow deeper with her age. She also wore a mundu and a blouse, but she covered her chest with another mundu and looked dressed up to receive us, with tiny gold earrings and a thin chain around her neck, that sparkled in the sun. 

Amma looked around the house, taking everything in. 

‘Your jasmines are dying,’ Amma said. 

‘And you have grown so thin,’ Meema replied. She hugged Amma and I saw an exchange of tenderness that made me look away. 

‘Durga, let them in first, then you start the interrogation.’ Cheriyamma said, taking the luggage from Amma’s hands. 

Meema held my hands, and kept touching my hair and shoulder. I wished she would look away. All my anxiety to see her was boiling further under her direct glare. She had that power to read me with a single glance. The last I saw her was when I was ten, when she visited us in Kochi. 

‘She is all shy,’ Meema muttered to Cheriyamma, like I couldn’t hear it. 

Cheriyamma went to the kitchen and brought four glasses of mango juice. After I gulped down mine, she refilled mine. 

‘I will take some rest, just tired from the journey.’ Amma said and left for the bedroom, leaving me alone with the sharks. 

‘Her breasts are tiny, at seventeen, mine were bigger.’ Meema said. 

‘Give it time, she has your genes,’ Cheriyamma said. 

Both of them stared at my chest. Shocked, I collected my breasts and ran out of the room. It was true that I looked like my grandmother. My mother and I were like old photographs of her. We three were dark skinned, tall, broad, with round eyes and thick curly black hair. While Meema’s hair was greying, Amma’s was jet black and reached her bum. Mine were short and always in a pixie cut. 

It was uncanny that the genes of men in our lives hadn’t touched us in any way. 

*

By evening the heat of the summer drew us all outside to the verandah. I was struggling to set up a table fan while Amma cut long yellow slices of mangoes into a steel plate. I wore my oversized t-shirt over long pyjamas, Amma was in a see-through cotton nightie, and both Meema and Cheriyamma had their mundus up and folded till their knees. 

My father was very particular about dressing up decently, I wasn’t allowed shorts in the house. I eyed the half-naked women with jealousy. 

‘When your grandfather was alive, he wouldn’t let me step out. There were chores in the house from dusk to dawn. Anytime he saw me stretch my legs to relax, he would order me to do new things. Durga, that is not done, Durga this is not done! Durga, how dare you sit down!’ Meema began talking to me, like we had left off this conversation some years ago. 

‘Mean old coot!’ Cheriyamma muttered. She was sucking on a whole mango in one hand and fanning herself with a newspaper from another. Some juice dribbled down her hand and I fought the urge to ask her to wipe it. 

It was a ritual for Meema to fill me in on my grandfather’s life, who had passed away the year I was born. Some of this I already remembered from childhood.

Meema and Cheriyamma grew up together in the same neighbourhood. They were both seventh-class dropouts and married off when they were thirteen. Cheriyamma was married to a businessman from Dubai and Meema settled with her husband in her ancestral house. 

‘He had no penny, everything was my father’s. All the land, all the crops, he took it all.’ Meema said. 

‘The devil,’ Cheriyamma said. 

After Cheriyamma’s husband had a stroke that made him invalid, they put him in a hospital and she settled back in her hometown. Of the two, Cheriyamma had landed a softer husband who had left her in peace. 

‘One night when I returned home, it was way past dinner, he took a cane and beat me right there in the living room.’ Meema said. ‘Your mother tried to stop him but he grew madder. Poor child, she was twelve, what could she have done? He dragged her to the bedroom and locked her in the room door and then continued beating me black and blue.’ 

The mangoes turned icky in my mouth. I remembered this story, particularly one summer, when my father asked Meema to stop telling me these horrific tales of abuse. Meema went on, not leaving any details out. 

‘Why didn’t you leave him?’ I asked Meema, my first conversation with her since our arrival. She looked excited to hear my voice. 

‘Oh, he wasn’t that bad. He did some good things. May he rest in peace,’ she said. 

‘Night night.’ Cheriyamma got up to leave. 

‘You could stay,’ Amma said. 

‘No no, you kids, catch up.’

The three of us stared at Cheriyamma disappear into the night. I was weary from the travel, my eyes were drooping and I started softly dreaming of my grandfather with his cane. 

‘What happened, Shyama?’ Meema said very quietly. 

At the sound of her voice, sleep left me mid dream. I felt my stomach drop. I kept my eyes closed, but I was sure that both of them could hear my loud heartbeat. 

‘I am … pregnant.’ Amma said. 

I imagined my grandmother getting up angry and picking up an axe, ready to murder my father. But what I heard was a child-like excited voice. 

‘What are you saying?’ 

‘Don’t ask me, what, how ... I didn’t notice. It was a hectic school year and periods were always irregular and it just happened. I fainted once in school, and now the teachers know and it’s just…. O god, why me?’ She put her face in her hands and started rocking back and forth. 

‘Shyama, I don’t understand!’ 

‘All my colleagues are laughing at me or talking behind my back.’ 

This was one thing that broke my mother’s heart. She hated being gossiped about. Unlike Meema, who was the talk of the town, Amma always liked to be under the radar. 

‘Shyama, have you seen a doctor?’ 

‘It’s a perfectly healthy baby.’ 

‘At fifty?’ 

‘Forty-nine, Amma.’ 

Meema let out a loud laugh and I couldn’t keep my eyes shut anymore. I pretended to wake up and sat between them, looking from one to another. 

‘Mahesh … doesn’t want to … keep the child … he…’ Amma trailed off. 

‘We have never been lucky with men in our lives.’ Meema said. This was her answer to every problem related to my father. 

‘He wants me to abort.’ Amma said. 

‘Who is he to say that?’ Meema turned to me, ‘You are going to have a baby sister?’ ‘It’s a girl?’ I asked. 

‘Well look at the ruckus, of course it’s a girl.’ 

*

My father was not like my grandfather. My father was a soft-spoken man who wore ironed, neatly tucked full sleeved blue shirts and taught Physics at Cochin University. Every time we took a walk around the expansive campus, students and teachers stopped to chat with him. 

I was barely one when my grandfather passed away. Amma told me it was a sudden heart attack but Meema said he took to bed the day I was born and it was thanks to me that she could get rid of him. It was said that the morning he died he was shouting at Meema, while a nurse tended to him. His throat gave away mid-scream, and the body lay still, cutting short his abuses. 

In Meema’s neighbourhood, a household is supposed to mourn for sixteen days after the head of the house dies, and the wife is supposed to mourn the longest. But Meema and Cheriyamma went shopping the week after his death. Whenever someone visited to give condolences, she would go silent and act sad, but other times she spent time with Cheriyamma silently celebrating. 

I was sure Amma disapproved of this. She liked rules and traditions. She found the world of numbers very comforting where there were less surprises and everything on the left equated to things on right, unlike the differences between her and Meema. 

Meema stopped visiting us in Kochi, because my father found her obscene and loud. Amma agreed that it was better for me to stop visiting Trivandrum during the summer vacations. They occupied me with swimming and writing classes while Meema slowly faded away from my life. But it was difficult to forget her large presence. Every time my father brought up issues of Meema over the dining table, I remembered being held by her as a baby and the scent of turmeric washed over me. 

Now, we had a new problem to discuss over dinner. My father didn’t want a baby at fifty-five. I couldn’t imagine him tending to a toddler. My father was too important and intellectual to waste time at home. He was a busy lecturer with conferences and travel lined up six months in advance. 

I heard them fighting in the bedroom. 

‘I am surprised you want this, you are in line to become Head of Staff!’ He asked Amma. 

‘I can’t explain the feeling, I am unable to think of termination.’ Amma said. 

‘You are acting like your mother. People will laugh, Shyama.’

‘I can’t, Mahesh.’ 

‘Let’s act before it’s too late.’ 

She didn’t act on it. She kept fighting with him. They slept separately now. They stopped going to movies and office parties. The house was silent as if someone was sick. 

I wasn’t sure what they were fighting about till the day she fainted at school. I found out with the rest of the school. 

‘I should have told you,’ She apologised at night. 

‘Will you be okay?’ 

‘We will go to Meema’s, it will be fine.’ 

I didn’t understand my mother then. How would going to Meema fix having a baby in the house? The whole situation was ridiculous. I wondered if this was my mother’s tactic to keep me in the house after school. My father had planned my future studies abroad. I had everything prepared and lined up to move out. 

On top of everything, my classmates had started to tease me at school. 

‘Are they loud in the bedroom? Do they disturb you at night?’ 

‘How did it even happen?’ My English [teacher] asked me so seriously that I wondered if she wasn’t aware of the process. 

As we packed our bags for the summer vacation, I was aware that by the end of it, she would have a big belly filled with a baby. 

*

The next day, Cheriyamma came home with the head of a goat. Amma and I screamed at the sight of it. Cheriyamma hid it behind her and smuggled it to the kitchen. She then washed her hands and hugged Amma. 

‘You need mutton soup for strength.’ She whispered. 

We were a family of vegetarians. 

‘Your father would turn in his grave looking at all this meat in the kitchen. Oh he never let me eat any, that brute. May he rest in peace.’ Meema said. I was sure this wasn’t the first time she was cooking meat in the house. 

It was when Meema threw the whole kitchen upside down in the coming weeks that I realised that Amma did indeed look weak. They filled the shelves with greens, fruits, meat, nuts and everything they could think of to fatten Amma up.

‘She needs strength,’ they kept repeating like a mantra. 

The network was poor in Meema’s house, so the days crept really slowly. I uninstalled social media for a detox, so that I could study and work on my applications. My father texted me about colleges and I replied, pretending like there was no pregnant woman in our life. 

Amma grew tired often, but she came more alive here compared to home. She and Meema fought about small things. I had never heard Amma’s raised voice at our house. In the evening, they sat together and watched Malayalam tv Soaps. This too was a new revelation, I didn’t know Amma liked tv. I wondered if Amma actually liked it here, even though she pretended to be otherwise in front of my father and me. 

Cheriyamma had moved back in, calling it the need of the moment. 

The heat in the house made my brain melt. 

‘Amma, I need AC, I can’t think in this heat!’ I complained to Amma one day out of frustration. 

‘It will start raining soon,’ Amma said, but Meema overheard us. 

‘She is right, we need AC in Shyama’s room.’ Meema declared. 

‘Really? ACs cause cancers, I read on WhatsApp.’ Cheriyamma said. 

‘Rubbish!’ 

I was happy. I waited for them to come to me to call my father and arrange for it. To my surprise, the AC arrived the same evening and was installed in the next hour. Meema tipped the guy a crisp five hundred rupee note. 

*

One day, they put Amma in the backseat of Cheriyamma’s old Mercedes and left me with a bunch of instructions. 

‘Your lunch is in the kitchen, be careful with the stove when you heat it, water the plants, clean your room and start packing.’ Cheriyamma said. 

‘Your mother’s friend, Lalitha is a gynaecologist in Trivandrum City Hospital, we have an appointment today. It’s only a thirty-minute drive.’ Meema said. 

It looked weird that we were doing all this without my father. Amma and I ran everything by him before deciding on anything. Rather than thinking of my college applications, I was now worried about Cheriyamma’s reckless driving as she manoeuvred through a tiny lane. 

*

Their first appointment brought in many problems. The news about pregnancy spread through the small town, and people poured into our house to see Amma. 

Some thought it was finally time for a boy to arrive in this house of witches. 

‘Like Shyama’s husband, fair and brown eyes. It’s high time!’ 

‘Is this an age to give birth? I asked you to plan the second child right after the first one, and now!’ 

This was my grandfather’s sister, who was probably the only one who had the power to silence Meema. She lectured Amma for hours and then packed tons of mangoes and left. 

‘When will you stand up to her?’ Cheryiamma muttered. 

‘She looks like him.’ Meema replied. 

Others laughed and asked what the doctors were saying about this wonder. Meema closed the door to Amma’s room and told everyone to get lost. 

‘I just want to see her once,’ an old, wrinkled woman slid past Meema and opened the door. Amma was changing, she stood naked in front of the old women in shock. She had a small belly protruding out now. 

‘Durga! Devi!’ The old woman joined her palms and prayed. Meema was so angry that she called the woman many unholy things. 

*

‘Don’t you want to go back?’ I asked Amma the night before I was leaving. 

The curve of her belly had grown significantly since we arrived. My sibling had eyes, ears, and a heartbeat now, as per the internet. 

‘I need her.’ 

I had never heard Amma say something like this. I thought we had a great life in Kochi. It hurt that Meema was the only one she needed now. 

I went home the next day and resumed school the day after. 

I missed my pregnant mother more than I expected. Her absence at the dining table was unsettling. My father’s lack of questions about her health made me furious. 

‘Did you finish the applications?’ He tried to chat with me. 

I left the table and paused all my applications. I lost the will to write how-I-would-be-great-fit for the colleges. All I kept thinking about was the baby. I tried video calling my mother, but the network was bad. Even two days of silence from my mother’s end filled me with such anxiety that I woke up in the middle of the night, feeling the baby kick inside me. 

‘Can you get broadband, Meema?’ I complained to Meema on the phone. Meema was on my speed dial for three months now, a number that I had never called before. 

‘Cheriyamma says the internet causes cancer.’

‘Rubbish!’ 

‘Pooja holidays are a month away, you come then, everything is fine here.’ 

I stopped speaking at school. I could hear everyone talk behind my back. I barely scraped through my mid-term exams. 

When the news reached the campus of my father’s college, he was met with thumps and cheer. I learnt that some students and teachers got together and gave my father a party. I stopped eating with him. 

One day I heard him call Amma. It was Meema who picked up the phone. 

‘If you need anything…’ My father began to say. 

‘She will always be taken good care of, I always said that to you, didn’t I?’ Meema’s voice came from the loudspeaker. 

‘Can I send some money?’ 

‘Money that we don’t need?’ 

*

As the Pooja holidays neared, my anxiety hit the roof. The due date was in six days and I lost my ability to think straight. 

‘Bhadra, be careful on the train,’ Meema said on the phone. 

‘I think I know how to travel!’ I screamed at her. 

‘The anger on this one, Bhadra Kali herself.’ I heard Cheriyamma mutter from behind. 

My father offered to drop me to the station. 

‘I can also come with you, I don’t mind,’ he said. 

‘No, thank you.’

I never spoke to him this way. The past nine months had created a big distance between us. What was before tiny holes in the fabric of our relationship, had now torn open and relieved itself fully void. 

I reached Meema’s house after a train ride, an auto ride and two instances of heavy rain. 

When I saw Amma after three months, my breath left my body. 

She was a bag of bones with a pregnant belly that she couldn’t stand straight with. All the anger inside me melted to a stream of tears down my cheeks. 

‘Do you want to feel it kick?’ She said and her face broke into a grin. 

I touched her stomach and felt the baby. It was unreal. In the afternoon, she fell asleep in my lap holding her belly. 

I kept an eye on Amma like a hawk for the next few days. I prepared myself for a boy because everyone was so sure it’s a girl. Meema had picked a name as well – Bhargavi. 

Amma was on painkillers. The child kept hurting her back, she could barely walk around the room. Amma was wearing the same clothes as Meema now. She wore a blouse and mundu which was hiked up till above her knees, while Meema sat on the floor gently massaging her swollen feet with hot oil. Amma’s stretched belly was in the centre of the room, round, veiny and naked. 

I looked at Meema, whose blouse had few open buttons. I had a full view of her big breasts that she was waiting on me to grow. 

Cheriyamma sat in the corner cutting vegetables in a similar half naked state. She didn’t wear a bra under her blouse and her thighs were exposed. 

Without men in our lives, it’s like there was no need to dress. I didn’t feel the need to avert my eyes, I looked at them whole, flesh and all, amidst potions and concoctions, preparing for a baby to arrive.


*

The evening before Vijayadashami, Amma cried with so much pain that we were out of the door in fifteen minutes. Cheriyamma drove us to the hospital. 

The city hospital was big, clean and white. Amma was taken straight to the ICU. Meema and Cheriyamma stood awkwardly in the corner, slightly shaken and out of place. 

I took charge. I found them seats and gave them both a bottle of water. 

Cheriyamma held Meema’s hands and I saw them close their eyes and pray. I paced back and forth in the corridor. My father was on his way, it would take him five more hours to reach the hospital, but I wasn’t waiting for him. 

My mother’s friend who often visited us in Kochi with her family, Lalitha aunty, came out and hugged me. 

‘She is okay, everything is okay, the baby is coming soon.’ She told me. She then turned to Meema and Cheriyamma and talked about the complications with the birth, they blinked at her and looked at me. 

‘But she will be fine, right?’ I asked her. 

‘Yeah, yeah … where is your father?’ 

‘Do you want something from him?’ 

‘No. I mean, yeah, no, I guess. Aunty has signed, and everything is okay. Okay, so I am going in. But are you all…’ Lalitha aunty said, unsure of whom to address. 

‘Yeah, we will stay here, don’t worry,’ I said. 

After four hours, my mother delivered Bhargavi like she promised. Meema kissed Cheriyamma on her lips and then she kissed me. All three of our faces were wet. 

But then Amma was taken into an emergency operation because of a third-degree vaginal tear.

Meema broke down. 

She started sobbing and losing breath. A nurse put her on an oxygen cylinder and we had to scuffle to find a bed for her. I kept running between two rooms in my house slippers. 

‘I think I should be near the ICU with Shyama, and you watch Meema. They may need an adult there.’ Cheriyamma said. 

‘You are better here. I will manage that?’ I asked her. Cheriyamma looked relieved and took a chair next to Meema. 

I kissed Meema’s head and remembered how my birth had sent her husband to the bed. A fear rose in me that I tried to shake off by pacing more aggressively outside the ICU. 

The night passed. At the break of dawn, Lalitha aunty came out and said that the surgery went well and my mother was okay now. 

‘She has to be admitted for a few days and needs to be monitored up close, but I am here. It will be okay. Her vitals are picking back up.’ 

I rushed to tell Meema the news and she started crying again. They hooked her back on the oxygen cylinder and gave her an injection to calm her down. 

‘She is dramatic, don’t mind her,’ Cheriyamma said. 

When my father arrived, I saw that his hair wasn’t combed well. He had left in his night suit. It made me feel better that he didn’t take time to dress. He exchanged a long conversation with Lalitha Aunty and then he took the seat next to me. 

‘I tried my best to be early, just too many hurdles on the way.’ 

‘We were doing fine actually,’ I said, which pained him. 

Lalitha Aunty put Bhargavi in his arms and for the first time I looked at her. 

‘Born on Vijayadashami like Durga! Fighting and kicking!’ Lalitha Aunty said.’ ‘Like Meema,’ I said. 

Bhargavi was dark skinned like the three of us, with a head full of black curls. She opened her eyes a tiny bit to look at me and broke into a loud cry.