The first of a series of short fiction pieces
that we will run through the April-June quarter. The stories fit the current
Out of Print theme, sexual and gender violence.
This story by Janice Pariat captures the sense of oppression and helplessness of someone who is watched, and the same time throws at the reader the ambiguity of position of guardian and voyeur.
Fish Eye
Janice Pariat
Every night, the fish would lie above her, and wouldn't move.
It wasn't a small creature, not something out of a domestic
aquarium she could flick away with a finger. It covered the length of her,
perhaps more – she couldn't tell where the tail ended. In the dark, its eyes
glowed a dim silver. She caught it in a dream, one night, in which she found
herself on an island with a lake in the centre. And in the lake, the fish. Dull,
ugly mud brown. Round–nosed and heavy. With a pair of long prehistoric
antennae. It had, she supposed, followed her back. For here it was. Looming
above her, almost touching, slippery, shiny yet dry, fins rippling, its gills
quietly working the air. When she’d fall asleep, from exhaustion, and awake in
the smoggy Delhi dawn, it’d be gone. Dispersed by daylight.
Then, she could see the window at the foot of her bed. The
one everybody passed on their way up, or down, for her room was just off the
curving staircase of the paying guest accommodation she lived in. Hers was the
only single with a tiny attached bathroom. The others shared by young women working
mostly at call centres and advertising agencies. She could hear them, on their
way to the dining room or the terrace, in twos and threes, chatting in Hindi,
their slippers slapping hard against the marble steps.
The silent ones were the household help, three young men,
and her landlord.
She’d liked the place when she first saw it. Tucked away in
GK II, along a wide, reasonably leafy road. With a gate, she noticed, low
enough to jump over if required.
The owners occupied the ground floor: a middle-aged man named Sanjeev, his sari-clad wife, and their five-year-old son. Her dealings were with Sanjeev. The negotiation of rent, evening curfew, meal times, utility bills, laundry. ‘Welcome,’ he said, patting her shoulder, ‘I’m sure you’ll be very comfortable here. We are like your family.’
The owners occupied the ground floor: a middle-aged man named Sanjeev, his sari-clad wife, and their five-year-old son. Her dealings were with Sanjeev. The negotiation of rent, evening curfew, meal times, utility bills, laundry. ‘Welcome,’ he said, patting her shoulder, ‘I’m sure you’ll be very comfortable here. We are like your family.’
Her room was compact but airy; one window overlooked a
frangipani tree, which she knew would blossom in winter. A few more months of caustic
heat to bear. She’d filled the bookshelves, draped the table lamp with a scarf,
strung up a line of blue fairy lights, laid out her hair brush, a vase, a pot
of Pond’s face cream. It almost – for she’d come from far away – felt like
home.
In the evenings, after she returned from the publishing
house she worked at in Panchsheel, she’d leave only the fairy lights on, take a
cool shower, and walk out of the bathroom enjoying the feel of fan-spun air on
her naked skin. On a Friday, she’d usually get dressed, meet friends at a bar
in a nearby market, get dizzyingly tipsy, flirt with someone she’d just met, either
go home with him, or return to her own place, leveraging herself expertly over
the gate. On other nights, she’d drape a towel around her shoulders, lie in
bed, read. Often, she allowed her hand to slide lower, over the flat plane of
her stomach, the dip of her thigh, between her legs. The book would fall, unattended.
The towel torn astray. Against the low pull of her own breath, she would hear
distantly, as though the sound was travelling underwater, the clink of dishes,
a tv jingle or sudden laughter. After, she’d open the window and, even though
it was against house rules, smoke.
Once, or twice, she thought she heard a shuffling, a quick
movement outside her door, but, she told herself, it could be anyone rushing
past. It was the staircase, after all, accessible to the entire household.
She didn't discover the gap at the bottom left edge of the
window until over a month later. On one stiflingly hot Sunday afternoon, when
her room had turned into a small, fierce furnace. There was nothing else to do
but lie down, naked, with the fan swirling as fast as it could possibly go. Her
skin was perpetually damp. It was too warm to read. To smoke. To lean over and
pick up her Walkman. In boredom, she ran her fingers down her thigh, feeling
that faint travelling tingle, a familiar tightness. Her eyes stayed closed.
Until a sound, from the foot of her bed, no beyond that, the window, startled her.
A short scuffle, a flurry of whispers. She thought she saw a shadow. There for
a second, and then gone. She sat up, and noticed it because someone shifted, a
perceptible slit in the frame. Suddenly, the quick rush of footfall, fleeing
downstairs.
She rushed to the door, then realising her nakedness, leaned
against it in shame. She grabbed her jeans, a t-shirt, and yanked the door
open. The staircase was innocently empty, dull and musty in the heat. She
paced, covering her room in nine steps. Replaying with each, in sequence, the
vision of the shadow, the sound of fleeing, and the gash in the wood like a
wound. If it was warm before, her face was now burning. Her hands suddenly clammy.
After a while, she quietened. Brushed her hair. Put on a bra. A less revealing t-shirt.
And walked downstairs.
The family were in the living room. When she rang the
doorbell, Sanjeev’s wife was clearing away tea things, while father and son played
with a cycle.
‘Please, please come in…’ he said, gesturing to the sofa. ‘Have
some tea?’
She declined.
‘Is there some problem?’ He sat next to her.
‘Yes. I want to leave.’
‘Oh.’ His eyebrows almost touched his hairline.
He asked his wife to take the child away. ‘Did anything
happen? Do you need something?’
She shook her head. ‘I have to leave.’
‘But beti … why? I thought you were happy and comfortable
here.’
To her horror, she could feel the tiny hot prickle of tears.
‘Tell me…” he said, ‘we are like family only.’ Lightly, his
hand grazed her knee.
She looked up, into his face, and knew he’d watched her too.
The smell in the room sharpened, of stale food, incense, and
onions.
She repeated that she wanted to leave.
His face rearranged itself slightly. ‘If you want, beti, but
you know I keep the deposit.’
The afternoon swung around her, or perhaps it was just her
stomach. A sudden nausea. Three months worth. She couldn't afford it. ‘Please.’
Her voice was barely audible.
‘What can I do?’ He shrugged helplessly. ‘It’s in the contract…’
She patched it up as best she could. With cello tape and paper.
But returned to her room the next evening to find that someone had pierced it,
a pinprick of a hole. She stuffed it with cotton wool. Then later found it on
the floor. If she passed any of the young men who worked in the house, serving
food, mopping floors, cooking, she’d keep her eyes lowered to the ground. She
stopped eating in the dining room, bringing in cheap Chinese take-out, or watery
Thai curries. Her laundry piled in the corner of the bathroom. She couldn't
bear to take it upstairs, hang it out to dry. The girls who’d tried to talk to
her when she’d just moved in gave up, passing her with a nod, a brief smile. She’d
make it through to the end of the month. And then where would she go? She
couldn't move in with someone from her work place. Her friends, since she was
still so new to the city, were few. She took to sticking a cardboard square over
the gap in the window; inevitably it would be pierced.
So she stopped stripping in the room, and dressed in the
bathroom after a shower. If she lay on the bed, she covered herself with a
sheet, pulled up tight to her chin, regardless of the weather, the heat. But at
night. What would she do at night? When her body moved of its own accord. And her
arms and legs might arrange themselves in provocative positions. When a t-shirt
might slide up, the sheet slide down. When a strap may slip off her shoulder.
I mustn’t sleep, she chanted silently.
What would they see in
the dark?
Everything.
She dreamed of the island the first night, after many, that she
finally drifted off. It was small, everywhere around it, the sea. And she
walked through an overgrown woodland path, the sunshine bright, glinting off
trees and leaves. The lake was in the centre. The water so clear she could see all
the way to the sandy stone bottom. And the fish unmoving, except for the light
tangle of its antennae in the current. Only when she moved closer, did it heave
forward, and she darted back in fright. But it stopped, at the edge. And they
watched each other, silently, before she awoke.
Now, every night, the fish would lie above her, and wouldn't
move.
*
Janice Pariat is the author of Boats on Land: A Collection of Short Stories, 2012 and a
novel Seahorse, 2014 both published by Random House, India.
She was awarded the Young Writer Award from the Sahitya Akademi and the
Crossword Book Award for Fiction in 2013. She is
a literary columnist for The Hindu BL Ink and lives and works in Delhi.
this is a beautifully told story, full of restraint and elegance and with a real sense of place, and loneliness weaves through it like a refrain. Thank you Janet.
ReplyDeleteBeautiful story, I love the restrain. How the dream sequence never corroborates and yet does, in the mind- not in the story. Extremely well written.
ReplyDeleteNice story. The dream sequence idea is wonderful. It candidly shows her inner world.
ReplyDeleteBut I feel she is too fragile. The problem with the current situation with women in India is that we are still using the vocabulary of the patriarchy, the language of respect. Why should she put on a less revealing tee shirt after she had discovered someone watching her? Why does she not want to show her body which is beautiful I presume. Why should she be so bothered with some people watching her masturbate? I am a boy but still frankly i will show my dick publicly any day, any fine morning. Is the preferentially different disposition of the woman in Indian society because of the fact that women are taught to expect different things than a man? Taught by the patriarchy itself? Why should she expect respect from the house hold help? Is it not because they are low income people and we are taught to expect respect from them? Is that not a structural violence upon the people?
I feel women need to give up, rather forcefully destroy the vocabulary of the patriarchy and look at the world with a new language. The idea of respect is a tool of the patriarch. We need to kill it along with the patriarch. Let us all create a new language, a language of emancipation.