Showing posts with label BWW. Show all posts
Showing posts with label BWW. Show all posts

Friday, January 9, 2026

BWW RK Anand Short Story Prize 2025 - Shortlist: An Introduction by Bhumika Anand

The BWW Short Fiction Award 2025 Shortlisted Entries: An Introduction


Bhumika Anand



This, 2025, is the second year of the R K Anand Prize for the BWW Short Fiction Award.


I want to start this announcement post with thank yous. This award would not have been possible if Subodh Sankar from Atta Galatta didn't help by being a partner, if the Bangalore Literature Festival team had not encouraged it, and if Indira Chandrasekhar from Out of Print had not agreed to partner with us. We were lucky to get a really discerning jury that included renowned international author and professor Sonora Jha (author of Intemperance among others), and one of India's stellar young authors, editor, and writing coach Tanuj Solanki (author of Manjhi's Mayhem among others) headed, of course, by the inimitable Indira Chandrasekhar (author of Polymorphism among others) from Out of Print. 


As most of our readers might know, this is a memorial award launched last year for my father R K Anand who passed away in 2023 owing to dementia-related complications. 


Giving to others even when we don't have much ourselves, always choosing friendship and kindness even when it isn't the easiest choice, working hard and taking pride in one's own work, and fighting for one's rights – these are some of the values my parents instilled in me. I run Bangalore Writers Workshop (BWW) a first-of-its-kind writing and storytelling school established in 2012 in Bangalore with these tenets in mind. As you might imagine, it's not easy. But it is fulfilling. I have made working with authors, especially, aspiring authors my life's work.    

In our BWW community, we constantly discuss craft, sure, but we are preoccupied with the human condition. Why are we the way we are? How do we make sense of an ever-changing world? How can we write with empathy and humour because God knows you need a sense of humour to live in the world we do. And this is what we deem as having heart. We may or may not improve as people in this pursuit, but I have definitely seen aspiring writers become emerging writers. This award is to recognise more such writers not just from the BWW community but others across the globe.   


And twice now, thanks to all our readers, partners, and participants, I can say we have succeeded.


This year we received 174 entries from places as far as Pakistan and Lesotho in Africa, and a couple from the US. So, a big thank you to everyone who participated. 


Our process for this award is quite simple. We longlisted 25 stories after two blind reads. Atta Galatta and team then came up with the ten shortlisted entries. Our jury then scored the winners on a scale of 1 to 10 with 10 being the highest.   


As always, BWWers dominated the list – five this time. 


During the prize distribution ceremony at the Bangalore Literature Festival 2025, Tanuj Solanki talked about the kinds of stories that are getting published these days. He said that most of the stories seem to deal with navigating ageing parents and/or grief, that many were speculative in nature, especially stories from authors in Bangalore, who, he felt, gravitated more easily and effectively from realism to fantasy or the fantastical. 


As a writing mentor myself, I think I can vouch that this is true. Bangalore, like most cities, demands that we escape the chaotic, loud, irreparable real world and embrace newness that allows for pause, reflection, questioning, and doubt. And with age and adulting, young aspiring writers are navigating situations involving senior family members, familial dynamics, estranged spouses and children, office politics – and there is a keen thread of loss and grief in the stories I have read this year for the award. We've picked the best of the lot (though it was by no means an easy task). I hope you enjoy our shortlisted entries. Congratulations to all our short-listed authors. 


In Aditi Chandrashekar's ‘Cycle’, we see a young girl navigate office politics, sexual relationships fairly deftly and powerfully in a Bangalore start-up. 


Amit Prabhakar in ‘The Night Stories Ended’, takes on a mythical retelling of Arabian Nights making us examine the very art and nuance of storytelling. 


Krishan Shetty in ‘The Thread Remembers’, quietly and tenderly shows us how the act of connecting with a stranger and learning a new craft can unlock sorrow and lead to shared grieving, healing, and reconciliation. 


Malcolm Carvalho in ‘Amphibians by Night’, tells a fantastical tale of a Mumbai slum gripped by a flood during a stormy night and makes us ponder about the ramifications of an inequal society. 


Pallavi Chelluri in ‘The Purse’, also talks about poverty and the great divide especially in urban landscapes between the haves and the have-nots with the inventive use of surrealism. 


Ritika Bali in ‘The Things we Leave Unsaid’, grapples with sibling rivalry and familial misunderstandings at the same time that she focusses on familial connection and reconciliation in the background of shared loss and grief. 


In ‘A Place Lost in Time’, Sonu Sabir explores a feminist coming-of-age inter-caste and inter-faith romance in Kerala and its repercussions. 


In ‘Death Reimagined’, Sonu Sabbir captures the way religious organisations reclaim power over dissenters of even in and after their death, and how inescapable a knot religion is in society, necessitating the narrator to plan his own epitaph and funeral.  


As you will see, all these stories are sharp, powerful, and extremely well-written. 


We hope you enjoy them and they spark something creative in you as well. 


When Sonora announced our special mention, ‘House of Witches’ by Archana Nair, this is what she said, ‘Archana Nair wrote this incredible story called ‘The House of Witches’ which became this very difficult thing for us to decide between the top two contestants, so congratulations. It's such a moving, powerful story about the three generations of women in this house and it has got this metaphysical element that Tanuj was mentioning earlier, has the grief element to it as well, and is a beautiful story about women's relationships across generations, the difficulty of that – the mother-daughter tensions, the aunts – but also the celebration of that. The women live fulfilling, magical, and witchy lives without men and sort of away from them – self-actualised women but also carrying grief and carrying generational stories between them. It was a beautiful, beautiful story to read.’ 


But, of course, we could have only one winner and that was ‘Shiuli’ by Ratul Ghosh. 

When I first read the story, I had a feeling that this would be the winning entry because Ratul uses craft, emotion, pathos, and pain to great effect to render an unforgettable story. Personally too, as a daughter of a parent who suffered from dementia, it resonated deeply. For years, I lived with the constant fear of someday losing my father and having to file a missing person's report. I imagined that fear so often and lived it so keenly that Ratul's story made me tearful and grateful that I didn't have to go through that angst at least. Indira mentioned the theme of severance in her read of the story and that was absolutely mot juste! 


‘Shiuli’ won because of the way it managed to capture the irreconcilable loss that comes from severance. 


Congratulations, Ratul.


Thank you for reading this, readers. I hope to post again next year with the list of 2026 winners of the R K Anand Prize for BWW Short Fiction Award. 


So, please keep writing, keep reading, and keep exploring. 


Thank you for your time. 


Warm regards, 


Bhumika Anand 

Founder and Director

Bangalore Writers Workshop

(www.bangalorewriters.com)  


BWW RK Anand Short Story Prize 2025 - Special Mention: Archana Nair

House of Witches

Archana Nair


As Amma and I shared a berth in the Jan Shatabdi express from Kochi to Trivandrum, we tried our best to look normal and avoid each other’s eyes. 

Growing up, summer meant sucking happy mangoes in Meema’s house. But I had skipped this tradition for a few years. I took up hobby classes during summer vacations and stayed at home with my father, while Amma went to Meema’s house and spent a few weeks out of formality. 

But this year, my mother and I packed our bags on the very first day of our summer vacations and took the train to see Meema. 

Amma was nervous beside me, biting her nails and scrolling through her phone. She taught Maths at the same school where I was in my final year. One more year, and we won’t share the same bus ride to school. I was fully prepared to move out next year, albeit a tiny hiccup. 

When we reached my grandmother’s house, she hugged me and lifted me off my feet. She stood six feet tall, with no wrinkles or signs of aging other than her grey hair. 

Meema lived with her best friend Cheriyamma in a small village, tucked away from the main town of Trivandrum. Though Cheriyamma lived a few houses away, she was always found at Meema’s house. 

‘You have grown so tall!’ Meema put me back on my feet and scanned me. I cowered under her scrutiny. Meema always smelled of turmeric that she rubbed into her skin every night to lighten her skin colour. She wore a blouse and mundu around the house that I found too revealing to my taste. 

‘You are as tall as me, Bhadra?’ Meema asked me. 

‘And she will grow more,’ Cheriyamma said. She was a small woman with her hair in a grey bob and dimples on both cheeks that seemed to grow deeper with her age. She also wore a mundu and a blouse, but she covered her chest with another mundu and looked dressed up to receive us, with tiny gold earrings and a thin chain around her neck, that sparkled in the sun. 

Amma looked around the house, taking everything in. 

‘Your jasmines are dying,’ Amma said. 

‘And you have grown so thin,’ Meema replied. She hugged Amma and I saw an exchange of tenderness that made me look away. 

‘Durga, let them in first, then you start the interrogation.’ Cheriyamma said, taking the luggage from Amma’s hands. 

Meema held my hands, and kept touching my hair and shoulder. I wished she would look away. All my anxiety to see her was boiling further under her direct glare. She had that power to read me with a single glance. The last I saw her was when I was ten, when she visited us in Kochi. 

‘She is all shy,’ Meema muttered to Cheriyamma, like I couldn’t hear it. 

Cheriyamma went to the kitchen and brought four glasses of mango juice. After I gulped down mine, she refilled mine. 

‘I will take some rest, just tired from the journey.’ Amma said and left for the bedroom, leaving me alone with the sharks. 

‘Her breasts are tiny, at seventeen, mine were bigger.’ Meema said. 

‘Give it time, she has your genes,’ Cheriyamma said. 

Both of them stared at my chest. Shocked, I collected my breasts and ran out of the room. It was true that I looked like my grandmother. My mother and I were like old photographs of her. We three were dark skinned, tall, broad, with round eyes and thick curly black hair. While Meema’s hair was greying, Amma’s was jet black and reached her bum. Mine were short and always in a pixie cut. 

It was uncanny that the genes of men in our lives hadn’t touched us in any way. 

*

By evening the heat of the summer drew us all outside to the verandah. I was struggling to set up a table fan while Amma cut long yellow slices of mangoes into a steel plate. I wore my oversized t-shirt over long pyjamas, Amma was in a see-through cotton nightie, and both Meema and Cheriyamma had their mundus up and folded till their knees. 

My father was very particular about dressing up decently, I wasn’t allowed shorts in the house. I eyed the half-naked women with jealousy. 

‘When your grandfather was alive, he wouldn’t let me step out. There were chores in the house from dusk to dawn. Anytime he saw me stretch my legs to relax, he would order me to do new things. Durga, that is not done, Durga this is not done! Durga, how dare you sit down!’ Meema began talking to me, like we had left off this conversation some years ago. 

‘Mean old coot!’ Cheriyamma muttered. She was sucking on a whole mango in one hand and fanning herself with a newspaper from another. Some juice dribbled down her hand and I fought the urge to ask her to wipe it. 

It was a ritual for Meema to fill me in on my grandfather’s life, who had passed away the year I was born. Some of this I already remembered from childhood.

Meema and Cheriyamma grew up together in the same neighbourhood. They were both seventh-class dropouts and married off when they were thirteen. Cheriyamma was married to a businessman from Dubai and Meema settled with her husband in her ancestral house. 

‘He had no penny, everything was my father’s. All the land, all the crops, he took it all.’ Meema said. 

‘The devil,’ Cheriyamma said. 

After Cheriyamma’s husband had a stroke that made him invalid, they put him in a hospital and she settled back in her hometown. Of the two, Cheriyamma had landed a softer husband who had left her in peace. 

‘One night when I returned home, it was way past dinner, he took a cane and beat me right there in the living room.’ Meema said. ‘Your mother tried to stop him but he grew madder. Poor child, she was twelve, what could she have done? He dragged her to the bedroom and locked her in the room door and then continued beating me black and blue.’ 

The mangoes turned icky in my mouth. I remembered this story, particularly one summer, when my father asked Meema to stop telling me these horrific tales of abuse. Meema went on, not leaving any details out. 

‘Why didn’t you leave him?’ I asked Meema, my first conversation with her since our arrival. She looked excited to hear my voice. 

‘Oh, he wasn’t that bad. He did some good things. May he rest in peace,’ she said. 

‘Night night.’ Cheriyamma got up to leave. 

‘You could stay,’ Amma said. 

‘No no, you kids, catch up.’

The three of us stared at Cheriyamma disappear into the night. I was weary from the travel, my eyes were drooping and I started softly dreaming of my grandfather with his cane. 

‘What happened, Shyama?’ Meema said very quietly. 

At the sound of her voice, sleep left me mid dream. I felt my stomach drop. I kept my eyes closed, but I was sure that both of them could hear my loud heartbeat. 

‘I am … pregnant.’ Amma said. 

I imagined my grandmother getting up angry and picking up an axe, ready to murder my father. But what I heard was a child-like excited voice. 

‘What are you saying?’ 

‘Don’t ask me, what, how ... I didn’t notice. It was a hectic school year and periods were always irregular and it just happened. I fainted once in school, and now the teachers know and it’s just…. O god, why me?’ She put her face in her hands and started rocking back and forth. 

‘Shyama, I don’t understand!’ 

‘All my colleagues are laughing at me or talking behind my back.’ 

This was one thing that broke my mother’s heart. She hated being gossiped about. Unlike Meema, who was the talk of the town, Amma always liked to be under the radar. 

‘Shyama, have you seen a doctor?’ 

‘It’s a perfectly healthy baby.’ 

‘At fifty?’ 

‘Forty-nine, Amma.’ 

Meema let out a loud laugh and I couldn’t keep my eyes shut anymore. I pretended to wake up and sat between them, looking from one to another. 

‘Mahesh … doesn’t want to … keep the child … he…’ Amma trailed off. 

‘We have never been lucky with men in our lives.’ Meema said. This was her answer to every problem related to my father. 

‘He wants me to abort.’ Amma said. 

‘Who is he to say that?’ Meema turned to me, ‘You are going to have a baby sister?’ ‘It’s a girl?’ I asked. 

‘Well look at the ruckus, of course it’s a girl.’ 

*

My father was not like my grandfather. My father was a soft-spoken man who wore ironed, neatly tucked full sleeved blue shirts and taught Physics at Cochin University. Every time we took a walk around the expansive campus, students and teachers stopped to chat with him. 

I was barely one when my grandfather passed away. Amma told me it was a sudden heart attack but Meema said he took to bed the day I was born and it was thanks to me that she could get rid of him. It was said that the morning he died he was shouting at Meema, while a nurse tended to him. His throat gave away mid-scream, and the body lay still, cutting short his abuses. 

In Meema’s neighbourhood, a household is supposed to mourn for sixteen days after the head of the house dies, and the wife is supposed to mourn the longest. But Meema and Cheriyamma went shopping the week after his death. Whenever someone visited to give condolences, she would go silent and act sad, but other times she spent time with Cheriyamma silently celebrating. 

I was sure Amma disapproved of this. She liked rules and traditions. She found the world of numbers very comforting where there were less surprises and everything on the left equated to things on right, unlike the differences between her and Meema. 

Meema stopped visiting us in Kochi, because my father found her obscene and loud. Amma agreed that it was better for me to stop visiting Trivandrum during the summer vacations. They occupied me with swimming and writing classes while Meema slowly faded away from my life. But it was difficult to forget her large presence. Every time my father brought up issues of Meema over the dining table, I remembered being held by her as a baby and the scent of turmeric washed over me. 

Now, we had a new problem to discuss over dinner. My father didn’t want a baby at fifty-five. I couldn’t imagine him tending to a toddler. My father was too important and intellectual to waste time at home. He was a busy lecturer with conferences and travel lined up six months in advance. 

I heard them fighting in the bedroom. 

‘I am surprised you want this, you are in line to become Head of Staff!’ He asked Amma. 

‘I can’t explain the feeling, I am unable to think of termination.’ Amma said. 

‘You are acting like your mother. People will laugh, Shyama.’

‘I can’t, Mahesh.’ 

‘Let’s act before it’s too late.’ 

She didn’t act on it. She kept fighting with him. They slept separately now. They stopped going to movies and office parties. The house was silent as if someone was sick. 

I wasn’t sure what they were fighting about till the day she fainted at school. I found out with the rest of the school. 

‘I should have told you,’ She apologised at night. 

‘Will you be okay?’ 

‘We will go to Meema’s, it will be fine.’ 

I didn’t understand my mother then. How would going to Meema fix having a baby in the house? The whole situation was ridiculous. I wondered if this was my mother’s tactic to keep me in the house after school. My father had planned my future studies abroad. I had everything prepared and lined up to move out. 

On top of everything, my classmates had started to tease me at school. 

‘Are they loud in the bedroom? Do they disturb you at night?’ 

‘How did it even happen?’ My English [teacher] asked me so seriously that I wondered if she wasn’t aware of the process. 

As we packed our bags for the summer vacation, I was aware that by the end of it, she would have a big belly filled with a baby. 

*

The next day, Cheriyamma came home with the head of a goat. Amma and I screamed at the sight of it. Cheriyamma hid it behind her and smuggled it to the kitchen. She then washed her hands and hugged Amma. 

‘You need mutton soup for strength.’ She whispered. 

We were a family of vegetarians. 

‘Your father would turn in his grave looking at all this meat in the kitchen. Oh he never let me eat any, that brute. May he rest in peace.’ Meema said. I was sure this wasn’t the first time she was cooking meat in the house. 

It was when Meema threw the whole kitchen upside down in the coming weeks that I realised that Amma did indeed look weak. They filled the shelves with greens, fruits, meat, nuts and everything they could think of to fatten Amma up.

‘She needs strength,’ they kept repeating like a mantra. 

The network was poor in Meema’s house, so the days crept really slowly. I uninstalled social media for a detox, so that I could study and work on my applications. My father texted me about colleges and I replied, pretending like there was no pregnant woman in our life. 

Amma grew tired often, but she came more alive here compared to home. She and Meema fought about small things. I had never heard Amma’s raised voice at our house. In the evening, they sat together and watched Malayalam tv Soaps. This too was a new revelation, I didn’t know Amma liked tv. I wondered if Amma actually liked it here, even though she pretended to be otherwise in front of my father and me. 

Cheriyamma had moved back in, calling it the need of the moment. 

The heat in the house made my brain melt. 

‘Amma, I need AC, I can’t think in this heat!’ I complained to Amma one day out of frustration. 

‘It will start raining soon,’ Amma said, but Meema overheard us. 

‘She is right, we need AC in Shyama’s room.’ Meema declared. 

‘Really? ACs cause cancers, I read on WhatsApp.’ Cheriyamma said. 

‘Rubbish!’ 

I was happy. I waited for them to come to me to call my father and arrange for it. To my surprise, the AC arrived the same evening and was installed in the next hour. Meema tipped the guy a crisp five hundred rupee note. 

*

One day, they put Amma in the backseat of Cheriyamma’s old Mercedes and left me with a bunch of instructions. 

‘Your lunch is in the kitchen, be careful with the stove when you heat it, water the plants, clean your room and start packing.’ Cheriyamma said. 

‘Your mother’s friend, Lalitha is a gynaecologist in Trivandrum City Hospital, we have an appointment today. It’s only a thirty-minute drive.’ Meema said. 

It looked weird that we were doing all this without my father. Amma and I ran everything by him before deciding on anything. Rather than thinking of my college applications, I was now worried about Cheriyamma’s reckless driving as she manoeuvred through a tiny lane. 

*

Their first appointment brought in many problems. The news about pregnancy spread through the small town, and people poured into our house to see Amma. 

Some thought it was finally time for a boy to arrive in this house of witches. 

‘Like Shyama’s husband, fair and brown eyes. It’s high time!’ 

‘Is this an age to give birth? I asked you to plan the second child right after the first one, and now!’ 

This was my grandfather’s sister, who was probably the only one who had the power to silence Meema. She lectured Amma for hours and then packed tons of mangoes and left. 

‘When will you stand up to her?’ Cheryiamma muttered. 

‘She looks like him.’ Meema replied. 

Others laughed and asked what the doctors were saying about this wonder. Meema closed the door to Amma’s room and told everyone to get lost. 

‘I just want to see her once,’ an old, wrinkled woman slid past Meema and opened the door. Amma was changing, she stood naked in front of the old women in shock. She had a small belly protruding out now. 

‘Durga! Devi!’ The old woman joined her palms and prayed. Meema was so angry that she called the woman many unholy things. 

*

‘Don’t you want to go back?’ I asked Amma the night before I was leaving. 

The curve of her belly had grown significantly since we arrived. My sibling had eyes, ears, and a heartbeat now, as per the internet. 

‘I need her.’ 

I had never heard Amma say something like this. I thought we had a great life in Kochi. It hurt that Meema was the only one she needed now. 

I went home the next day and resumed school the day after. 

I missed my pregnant mother more than I expected. Her absence at the dining table was unsettling. My father’s lack of questions about her health made me furious. 

‘Did you finish the applications?’ He tried to chat with me. 

I left the table and paused all my applications. I lost the will to write how-I-would-be-great-fit for the colleges. All I kept thinking about was the baby. I tried video calling my mother, but the network was bad. Even two days of silence from my mother’s end filled me with such anxiety that I woke up in the middle of the night, feeling the baby kick inside me. 

‘Can you get broadband, Meema?’ I complained to Meema on the phone. Meema was on my speed dial for three months now, a number that I had never called before. 

‘Cheriyamma says the internet causes cancer.’

‘Rubbish!’ 

‘Pooja holidays are a month away, you come then, everything is fine here.’ 

I stopped speaking at school. I could hear everyone talk behind my back. I barely scraped through my mid-term exams. 

When the news reached the campus of my father’s college, he was met with thumps and cheer. I learnt that some students and teachers got together and gave my father a party. I stopped eating with him. 

One day I heard him call Amma. It was Meema who picked up the phone. 

‘If you need anything…’ My father began to say. 

‘She will always be taken good care of, I always said that to you, didn’t I?’ Meema’s voice came from the loudspeaker. 

‘Can I send some money?’ 

‘Money that we don’t need?’ 

*

As the Pooja holidays neared, my anxiety hit the roof. The due date was in six days and I lost my ability to think straight. 

‘Bhadra, be careful on the train,’ Meema said on the phone. 

‘I think I know how to travel!’ I screamed at her. 

‘The anger on this one, Bhadra Kali herself.’ I heard Cheriyamma mutter from behind. 

My father offered to drop me to the station. 

‘I can also come with you, I don’t mind,’ he said. 

‘No, thank you.’

I never spoke to him this way. The past nine months had created a big distance between us. What was before tiny holes in the fabric of our relationship, had now torn open and relieved itself fully void. 

I reached Meema’s house after a train ride, an auto ride and two instances of heavy rain. 

When I saw Amma after three months, my breath left my body. 

She was a bag of bones with a pregnant belly that she couldn’t stand straight with. All the anger inside me melted to a stream of tears down my cheeks. 

‘Do you want to feel it kick?’ She said and her face broke into a grin. 

I touched her stomach and felt the baby. It was unreal. In the afternoon, she fell asleep in my lap holding her belly. 

I kept an eye on Amma like a hawk for the next few days. I prepared myself for a boy because everyone was so sure it’s a girl. Meema had picked a name as well – Bhargavi. 

Amma was on painkillers. The child kept hurting her back, she could barely walk around the room. Amma was wearing the same clothes as Meema now. She wore a blouse and mundu which was hiked up till above her knees, while Meema sat on the floor gently massaging her swollen feet with hot oil. Amma’s stretched belly was in the centre of the room, round, veiny and naked. 

I looked at Meema, whose blouse had few open buttons. I had a full view of her big breasts that she was waiting on me to grow. 

Cheriyamma sat in the corner cutting vegetables in a similar half naked state. She didn’t wear a bra under her blouse and her thighs were exposed. 

Without men in our lives, it’s like there was no need to dress. I didn’t feel the need to avert my eyes, I looked at them whole, flesh and all, amidst potions and concoctions, preparing for a baby to arrive.


*

The evening before Vijayadashami, Amma cried with so much pain that we were out of the door in fifteen minutes. Cheriyamma drove us to the hospital. 

The city hospital was big, clean and white. Amma was taken straight to the ICU. Meema and Cheriyamma stood awkwardly in the corner, slightly shaken and out of place. 

I took charge. I found them seats and gave them both a bottle of water. 

Cheriyamma held Meema’s hands and I saw them close their eyes and pray. I paced back and forth in the corridor. My father was on his way, it would take him five more hours to reach the hospital, but I wasn’t waiting for him. 

My mother’s friend who often visited us in Kochi with her family, Lalitha aunty, came out and hugged me. 

‘She is okay, everything is okay, the baby is coming soon.’ She told me. She then turned to Meema and Cheriyamma and talked about the complications with the birth, they blinked at her and looked at me. 

‘But she will be fine, right?’ I asked her. 

‘Yeah, yeah … where is your father?’ 

‘Do you want something from him?’ 

‘No. I mean, yeah, no, I guess. Aunty has signed, and everything is okay. Okay, so I am going in. But are you all…’ Lalitha aunty said, unsure of whom to address. 

‘Yeah, we will stay here, don’t worry,’ I said. 

After four hours, my mother delivered Bhargavi like she promised. Meema kissed Cheriyamma on her lips and then she kissed me. All three of our faces were wet. 

But then Amma was taken into an emergency operation because of a third-degree vaginal tear.

Meema broke down. 

She started sobbing and losing breath. A nurse put her on an oxygen cylinder and we had to scuffle to find a bed for her. I kept running between two rooms in my house slippers. 

‘I think I should be near the ICU with Shyama, and you watch Meema. They may need an adult there.’ Cheriyamma said. 

‘You are better here. I will manage that?’ I asked her. Cheriyamma looked relieved and took a chair next to Meema. 

I kissed Meema’s head and remembered how my birth had sent her husband to the bed. A fear rose in me that I tried to shake off by pacing more aggressively outside the ICU. 

The night passed. At the break of dawn, Lalitha aunty came out and said that the surgery went well and my mother was okay now. 

‘She has to be admitted for a few days and needs to be monitored up close, but I am here. It will be okay. Her vitals are picking back up.’ 

I rushed to tell Meema the news and she started crying again. They hooked her back on the oxygen cylinder and gave her an injection to calm her down. 

‘She is dramatic, don’t mind her,’ Cheriyamma said. 

When my father arrived, I saw that his hair wasn’t combed well. He had left in his night suit. It made me feel better that he didn’t take time to dress. He exchanged a long conversation with Lalitha Aunty and then he took the seat next to me. 

‘I tried my best to be early, just too many hurdles on the way.’ 

‘We were doing fine actually,’ I said, which pained him. 

Lalitha Aunty put Bhargavi in his arms and for the first time I looked at her. 

‘Born on Vijayadashami like Durga! Fighting and kicking!’ Lalitha Aunty said.’ ‘Like Meema,’ I said. 

Bhargavi was dark skinned like the three of us, with a head full of black curls. She opened her eyes a tiny bit to look at me and broke into a loud cry.

BWW RK Anand Short Story Prize 2025 - Shortlist: Sonu Sabir

A Place Lost in Time

Sonu Sabir


I was already dreading the motorbike ride back home. The narrow roads leading to my apartment complex would bathe me in dust and stench from garbage dumps on the sides. Topping it would be the sea of vehicles jamming the roads almost round the clock, the horns blaring leaving my head numb. I keep living there because it’s cheap, and my indecisiveness as to when I would leave this job or the city. The area is one of those neighbourhoods near IT hubs, in the outskirts of Bangalore.


‘Where are you going so early, it’s just 4pm. Friday night party, huh?,’ Santosh asked from the next desk. 


‘I have to meet a friend,’ I said, as if meeting this friend was a matter of life and death. The truth was I just wanted to go somewhere different from my routine. Rohan lived in Kalyannagar, a nice and neater part of Bangalore. I feel good when I visit such parts of Bangalore where there is less dust and more glitz. I was thinking ‘maybe a beer with Rohan’ later in the evening. I rode my motorbike eight kilometres from my office, to reach Kalyan Nagar. I saw a nice tea-shop-bakery, quite near Rohan’s apartment. I parked my bike in front of the shop, and turned back to see that it is not blocking the road in any manner. There was a woman coming on a scooter staring at me. I thought I must have done something wrong or she wanted to ask me something. I made a face gesturing ‘What is it?.’ She just continued staring while her scooter slowed down until it stopped just near where I stood. She took off the helmet.


‘Whoa, is that really you?,’ I said, surprised.


‘Is it really you, is what I’m thinking,’ she said.


‘What are the odds? This is.. I don’t know.. I didn’t know you were in Bangalore’


‘Hmmm ... I knew you were in this city, not exactly where.’


‘Are you not on any socials?’


‘Why do you want to know?’


‘Good question, do you want to have a cup of tea here?’


‘Not today, I can’t.’


‘When then?’


‘I don’t know Jason.. We’ll see. I have to go now, I’m in a hurry.’


‘What? How can you just leave? Give me your number.’


‘I know how to find you, in case.. bye,’ saying this, she left, her face nonchalant, yet there was a glistening melancholy in her eyes perhaps, I wasn’t sure.


Seeing Shifana brought a deluge of memories up from the skies. That Sunday, 16 years ago, when I was in college. Vinod and I stood near the Caravan ice cream parlour on MG road, Ernakulam. It was about 11 o’clock on a Sunday morning. I looked constantly at my watch and then at the street, examining the passersby.


‘Are you nervous?,’ Vinod said.


‘No no. They should have been here by now. Why would I be nervous, dude? It’s cool’

Vinod guffawed, ‘You don’t look cool, I’ve been watching you. Don’t worry, bro. I’ll handle the situation, I know you’re not experienced in these situations.’


‘Yeah that’s why I brought you along - you frickin ladies’ man. By the way, the friend she is bringing along is Sandra Dcoutho, from Mattancherry.’ I looked up at the sky, ‘It’s a bit cloudy, I’m sweating, should we go in?.’


‘Oh, an Anglo-Indian friend. Interesting.’


‘Portuguese Indian right?’


‘I like that name. Sandra, here I come. Here begins our journey from India to Portugal’


‘Bruh, she’s from Mattancherry.’


‘That’s not the point. Forget it. So, you met this Shifana on Orkut huh? Nice shirt by the way, you look great, she’ll be swept off her feet’


‘Thanks, but you have proved that looks have nothing to do with impressing … you know.’


‘I’m a talker, I talk my way up. What to do, not good looking like you, no?’


I bowed my head and said with folded hands, ‘Make me your disciple, Mr Casanova.’


At that moment, two young women walked past us, walking up the stairs to the entrance door of the Caravan. I recognised them as I had seen their photos online. It was Shifana and Sandra. Shifana was wearing a sky blue churidar set with a white shawl, Sandra was in blue jeans and a purple top. Shifana had no make-up on, Sandra’s face was a bit glossed up. I followed them up the steps.


‘Shifana, right? I’m Jason,’ I stuttered.


‘I don’t believe you,’ she said, looking terrified.


Then she looked away. Her pallid face looked like she'd just seen a ghost. She took Sandra by hand and moved a bit far from me, huddling for a little scrum. I went back to Vinod and told him what just happened.


‘I could practically hear you from here,’ Vinod said.


He looked at the girls and then looked back at the street calmly as if he had a plan to sort things out.


‘Say something you idiot, you said you’ll handle everything.’


‘Dude, the girl doesn’t know you. My skill has limits, do you want to get me arrested or something?’


‘She’s confused or something, bruh. I know it’s her, from the photos. I don’t know why is she acting weird


‘Just relax, it’s not the end of the frickin world, give them some time.’


After a few minutes I went back to the girls


‘You have seen my photos online I guess, it’s me Jason.’


‘Okay, let’s go in. You look different from the photos.,’ Shifana said.


‘She’s meeting someone for the first time. She’s stressed…’ Sandra said with a grin. 


Shifana scowled at her which made her stop her sentence in the middle.


Now we sat at a table inside the cafe. Vinod and Sandra hit off very well, started joking, teasing and laughing, the patter of their voices incessant. While the two of us sat there awkwardly, watching them, faking laughter and nodding our heads.


A year later, in a computer engineering fifth semester classroom, a female teacher was lecturing students on how compilers work for programming languages. It was a big classroom, about fifty students sitting on benches with desks in front of them. Windows were open on either side of the hall and there was a low murmur of chatter. The teacher's voice was audible only to three or four benches at the front. There were around ten rows in total I suppose. On the second bench from the last row, sat Vinod and me chatting with each other in whispers.


‘I went to Sandra’s house last weekend, you know what, nobody was home,’ Vinod said smiling widely. ‘Thanks to you, for your little date.’


‘Oh, I hate you more and more day by day,’ I became rueful. ‘My life is sooo uneventful.’


‘How’s it going for you?,’ Vinod said.


‘Look at this class, so full of guys who don’t show up for other classes,’ I said, taking a look at the teacher. ‘Look at her, she is so beautiful.’


‘Dude, stop. Respect your teacher. How’s it going with Shifana?’


‘She asks me to prove that my love is real. She looks at me as if I’m a dacoit in the middle of a highway, trying to loot her or something. I'm not sure what she really wants. I love her, she’s so sweet. I would marry her’


When I met Shifana in the evening, she told me about what happened at her house that day.


‘Family friend huh, what did you say his name was?,’ I said.


‘Safeer.’


‘Did you talk with him privately, did you tell him about us?’


‘Yes, I took him to the porch. At first, I didn’t tell him about you. I just told him, to tell his parents that he didn’t like me’


‘Un-huh, what did he say?’


‘He said, he can’t do that because he had already told them that he likes me. He was surprised that my parents hadn’t asked me my opinion.’


‘What did your father exactly tell you about this?’


‘Papa said he is a great guy and they all will be very happy if this happens. He said to agree to this marriage in the name of Allah. He said that Allah will bless us with all the happiness. Can you believe that?’


‘Actually, I can. That’s very common.’


‘Is it so?,’ she looked annoyed. Her anger glowed yellow, under the sodium street lights. We stood in that college campus street, staring at each other for a moment.


‘By the way, you’re so famous,’ she said.


‘How so?’


‘Safeer knows you. He said that his house is somewhat near to yours. He said that you're a drunk and your friends are womanisers and thugs. That you are possibly not serious about me as you’re just two years older than me. And, by the way, I didn’t know that your name ‘Jason Diego’ comes from Diego Maradona whom your father is a big fan of.’


‘Did you think that my father’s name was Diego?’


‘Maybe, I don’t know much about Christian names.’


‘Did he say anything good about me?’


‘Yes, that you’re good at cricket and football,’ she sighed. ‘I really don’t want to get married before completing college.’


‘That’s not far away, you’ll graduate next year, right?’


A month later, I was called to the police station near her house. I was questioned about her whereabouts, which I didn’t know. I had talked to her a week before. I was drinking in a bar late evening with my friends, she had called continuously. I didn’t answer a couple of calls, but the third time I picked up and pretended that I didn’t see her earlier calls as I was riding my motorbike. She told me that we have to elope, that her father is forcing her to get engaged to Safeer. I was quite drunk and didn’t know what to say. All I said was ‘Relax, nothing is gonna happen. You just don’t agree to it.’ The police officer, in front of her father, told me to never meet her again. That I am causing a social and communal issue. I nodded to everything and got out of the station. I tried calling her many times, but her phone was switched off. She called me about ten days later, asking to meet. So, we met near marine drive, Ernakulam,


‘Why did you come back?,’ I said.


‘Ran out of money, ran out of shamelessness. They’re friends, not saints, right?’


‘What did you do in Bangalore?’


‘Nothing much, spent most of the time in their hostel. Some evenings went out. To cafes and bars’


‘What? You … and bar? You always swore at me for drinking.’


‘Hmm, I guess…’


‘Look. Let’s be serious about us. You don't have to marry that family friend guy. Just give me a couple of years. You know I’ll graduate this year. Then I will have a good enough job. We will get married then, run away if needed. We can live in Bangalore, you liked it I guess’


‘You have flunked so many semester exams and you think you can do all that in two years. You're delusional.’


‘Oh, come on.’


‘You think it's about being pragmatic about things. But it’s not, I would marry you even if you didn’t have a job. But you don’t love me truly. I’m just a good option for you. It’s not like you’ll die without me. Then, why not at least make my parents happy.’

*

We didn’t meet much in the following days. The circumstances weren’t favourable for us to meet. She got married to Safeer within a year after we last met. I didn’t see her afterwards, not even on social media. I kept going to Kalyannagar once every three or four weeks, to meet Rohan, typically after a gloomy work week. Three months had passed since I saw her on that scooter that day. One Friday late evening, I was in a pub in Kalyannagar with Rohan, when I noticed her sitting at a table, a bit far from where we were. There was a man with her whom I certainly felt was not Safeer. Being tipsy, I couldn’t resist my curiosity to find out who it was. I went to her table and asked if we could have a word. She was irked at my request but still walked with me to a corner.


‘Sorry to barge in like that. But who is it?,’ I said.


‘None of your business.’


‘Are you on a … date?’


‘Yes, I’m on a date.’


‘What about Safeer?’


‘Why are you asking all this?’


‘I thought you were still married to him.’


‘Yes, I am.’


‘Hmm.... Sorry to pry,’ I began to walk away slowly, when she said, ‘Jason, when I see you, I remember my miserable past. I don’t want to see you or talk to you. Hope you understand. And yes, I’m not happy in my marriage. I can’t leave because of the two kids. He was never there. With the kids I suffered a lot. He was always gone, for work or whatever.’ She took a pause, with a stern face continued, 


‘So, that’s it, I hope you’re satisfied now. Please do me a favour, ignore me if you see me anywhere, by chance, like this.’


I went back to our table to Rohan’s questioning eyes, ‘What happened bruh, you look like you need another beer. Who was that?’


‘Just an old friend,’ I said, trying to sound normal.


*










Wednesday, January 8, 2025

BWW RK Anand Short Story Prize 2024

We at Out of Print are very pleased to be hosting the special mention and shortlisted stories of the inaugural Bangalore Writers Workshop R K Anand Short Story Competition on our blog. The winning story has been published in Out of Print 55, the December 2024 issue of the magazine. 


We are encouraged by the efforts of BWW in supporting short fiction. Our principal editor, Indira Chandrasekhar was on the jury for the prize along with noted writers Jahnavi Barua and Saikat Majumdar. Our gratitude to the Atta Galatta team for reading through the submissions and creating the shortlist. It made the task of the jury that much easier.

An introductory text to the prize by Bhumika Anand, director of BWW follows. It includes a response by Jahnavi Barua to Salini Vineeth’s special mention story, and to the shortlisted entries by Saikat Majumdar. The winning story by Vrinda Baliga about which more is said in the Out of Print Editor’s Note and in the post below, is a tale of subversive resistance that plays with ideas of AI control and tropes and symbols from mythology.

We were gratified to find that both Vrinda Baliga and Salini Vineeth, have been published earlier in Out of Print. Vrinda’s 'The Closed Door' appeared in the special issue on sexual and gender violence brought out with guest editors Meena Kandasamy and Samhita Arni and dealt with the complexities of a sexual perpetrator in the family. Salini Vineeth's 'Nest' addressed the ugliness of othering that is brought to the fore when a young woman goes house hunting in Delhi.

In discussion with Bhumika, the stories being published on the blog will appear unedited, while the winning story went through a round of textual refinement as is the usual practice with Out of Print.


Links to the Stories:

Winning Entry
'Breakout' by Vrinda Baliga

Special Mention
'The Diamond Needle' by Salini Vineeth

Shortlist
'Cold to Touch' by Sumanya Velamur
'Repast' by Nayana Ravishankar
'Fall of Icarus' by Anannya Nath
'Mat' by Anjani Raj
'Reflection' by Aditi Chandrasekar
'Of Bala and Me' by Bashari Chakraborti




BWW RK Anand Short Story Prize 2024 - Jury Comments on the Winning Story

Response to the Winning Story

Indira Chandrasekhar


Excerpted and adapted from the comments made at the Prize Announcement at the Bangalore Literature Festival, 2024


There is a difference between recounting a story, and writing a story, that is creating a literary rendition of a tale. For the latter exercise demands refinement of text, an ability to evoke an emotional immersion, a crafting that transforms the story into art.

In one of her last public addresses, sections of which have been reproduced and made accessible in Marginalia, Susan Sontag, the American writer and feminist said: ‘A great writer (may I interject – those of us who strive to be great) of fiction both creates — through acts of imagination, through language that feels inevitable, through vivid forms — a new world, a world that is unique, individual; and responds to a world, the world the writer shares with other people…’

In my opinion, Vrinda Baliga’s ‘Breakout’ does all of that – creates a world, responds to our world and crafts a fine piece of literature.

The story responds to the immense pressure that our educational system imposes on children, on students, a system that emphasises rote reproduction of learnt material over the development of imagination, critical thinking, and a celebration of the joy of learning and knowledge.

The story imagines a world, directed by the new creature in our midst – AI – Artificial Intelligence. Is AI a thinking being or a rote reproducer of information? Is it a saviour or a monster? Is it a new manifestation of the patriarchy?

The story is imbued with an underlying disquiet, an anxiety, a scary hopelessness that its very plausible characters must deal with.

But then, the plot reveals an underground resistance to mute acceptance and hints at the power of quiet sustained rebellion, and the story cleverly lifts its readers into a space of possibility.


BWW RK Anand Short Story Prize 2024 - Shortlist: An Introduction by Bhumika Anand

The BWW Short Story Award Shortlisted Entries: An Introduction

Bhumika Anand


The best short stories offer a unique insight of the world and its people, while also capturing the cultural and societal concerns of a particular time and place. This is what we want to celebrate through the BWW Short Story Award. The award is also our attempt to nurture new writing voices, particularly in short fiction, and in English. 

The plaque, called the R K Anand Prize, is a memorial tribute to a simple, artistic man whose worldview was always tinged with kindness, empathy, and joy. We are using his only surviving artwork for the plaque.

In 2024, our first year, we received 174 entries. Our process to pick the winner included two blind reads (reading without knowing who the author was). Once the longlist was created, the team at Atta Galatta picked the shortlist. The jury members then read the eight shortlisted entries and picked a winner. 

We are delighted to post the seven shortlisted entries here on the Out of Print blog, because all these stories are so well-written and deal with important topics. It’s an unexpected delight that all our shortlisted authors ended up being women writers, and four of them are BWW alumni. 

As Saikat Majumdar, Professor of English and Creative Writing at Ashoka University, the author of five novels, most recently, The Remains of the Body, and our jury member said, ‘The women writers in the list wrote about everyday life, and they had interesting takes on life. These stories resonated with me. I loved the story, ‘Cold to Touch’ by Sumanya Velamur, with this abiding question, ‘Are white people cold to touch?’ It seems nonsensical but it’s very interesting and explained wonderfully in the story.’

The next story was a nod at the Grecian myth – ‘The Fall of Icarus’ by Anannya Nath, that deals with teaching, a professor, and the possibilities around rank and privilege. 

‘Mat’ by Anjani Raj, is a story of rebel feminism of a young girl. What’s interesting about this is that the feminism seems to be equally directly against women. It brings about how patriarchy is not necessarily about men and women; it’s an ideology, and women can be just as much agents of patriarchy, as men. It shows how miserable this equation can be. 

‘Of Bala and Me’ by Bashari Chakraborti, is a striking story of a woman in a marriage that the husband’s family does not acknowledge, and gets him married to a young girl of a different social class, and the relationship of the woman with the second wife, who is almost like a servant to her. It’s very erotically tense and also very profound at the same time.

‘Reflection’ by Aditi Chandrasekar, is a story about quotidian life, something very personal, and two roommates and how their lives mirror each other. One of them has a boyfriend and the intimacy shared in close quarters. I really enjoyed this story. 

‘Repast’ by Nayana Ravishankar, is the story about community, cooking, and women. It’s a very sensory story around Mysore Pak, teasing even our olfactory senses as we read it. I really enjoyed this story.’

Salini Vineeth’s, ‘The Diamond Needle’, is our special mention story of the competition. 

Jahnavi Barua, an Indian writer based in Bangalore, author of Next Door, Rebirth, Undertow, and short fiction that has been widely anthologised and our jury member, said, ‘When I read a short story what makes it for me is if I am moved at the end of reading it. It’s a deep emotional connection through fiction. And beyond that it’s about structure and craft. It’s hard to get a short story right. You arrive at a short story not just with knowledge of craft; you have to live life to write it. What’s hard to get right in a short story is authenticity. 

I must say I enjoyed ‘The Diamond Needle’ the most. It was emotionally satisfying, and at the craft level, it felt very authentic. It was set in Kerala and had a distinct flavour of Kerala. As Indian writers writing in English, we have a big task. We are already in the place of translators because we are writing characters who are speaking in Gujrati or Malayalam and we don’t want the readers to find it awkward. So Salini has got this right. It’s not done to make it exotic, but the Malayalam inflection is needed. The old man, and the way the migrant walks into his life, and the shocking ending written in the assured manner that it was, I really enjoyed that.’

And we hope, you, our readers, enjoy these stories too. If they make you glimpse a new world, or reaffirm or question existing worldviews, then all our writers have indeed won. It’s a gratifying honour for us to be able to bring this to you. 

Happy reading!

Warmly, 

Bhumika Anand

Founder and Director, 
Bangalore Writers Workshop (BWW)

BWW RK Anand Short Story Prize 2024 - Special Mention: Salini Vineeth

The Diamond Needle

Salini Vineeth


When he first appeared in the market on a stifling afternoon, he had no name. The morning show had just been over, and the crowd gushed out of the Sagar Theatre carrying the smell of popcorn and cigarettes. The newcomer stood in the middle of the market square, grunting as if asking for help. The crowd flowed around him like a river around an islet. They didn’t offer him anything more than curious glances. 


Appachan, who was scoring a sheet of glass with his diamond needle, looked up when he heard the grunt. He rested the diamond needle on the glass, wiped the sweat off his forehead with his thorthu and stepped outside his coffin-cum-cooldrink shop.


‘Chetta, oru soda.’ Suddenly, a worker from the sawmill across the street appeared before him. 


Appachan went back in, opened the refrigerator, and handed his customer a soda. He then stepped into the scorching sun, with the white thorthu over his head. He waded through the crowd to find the source of that grunt. At first, Appachan couldn’t figure out if the newcomer was a boy or an old man. The man’s face was furrowed, but his limbs were short and tender, just like a child’s. He was all white: white skin, white hair, white eyebrows and even white eyelashes. His skin had red patches that looked like sunburns. When he moved, his oversized clothes waved about him like limp flags.


The newcomer seemed to be watching the sawmill worker at the cooldrink shop. His eyes followed the worker’s Adam’s apple, which moved in sync with the marble inside the soda bottle. He put his scarlet tongue out and wetted his lips. The lines around his lips made his mouth look like a drawstring purse, small and puckered.


Appachan went closer.


‘What’s your name?’ ‘Where are you from?’ ‘Have we met before?’ Appachan asked none of these questions. He knew it wasn’t the time to ask them. He didn’t need those answers to understand the newcomer was hungry. 


‘Hello.’ Appachan tapped the man’s shoulder. He shuddered and looked around. ‘Come, I will give you a soda,’ Appachan said, gesturing at his shop. The newcomer followed. 


‘Here, sit.’ Appachan dusted a wooden stool with his thorthu. The newcomer’s eyes wandered around the coffin shop and finally landed on the open refrigerator: rows and rows of soda bottles, each with an alluring marble inside them. Appachan pulled out a bottle, pressed his thumb into the mouth of the codd-neck bottle, and pushed the marble down. The glass marble fell into its slot with a delightful clink, and soda fizzed out. The newcomer grunted and flashed his pan-stained teeth. He almost snatched the soda bottle from Appachan’s hands. 


‘Appachan Chetta, where did you get this Pottan Sayipp?’ asked the sawmill worker.


‘Don’t call him Pottan. He has a name.’


‘Oh, what is it?’


‘What’s your name?’ Appachan asked the newcomer. The newcomer had finished drinking his soda. He grunted and looked at the refrigerator again.


‘See, I told you, he can’t speak. He is a Pottan, and he’s all white, like a Sayipp,’ the sawmill worker said.  


‘Don’t call him Pottan. I will call him … hmm … Kunjimon,’ Appachan said. ‘Kunjimone, do you need another soda?’ Appachan asked, and the newcomer nodded. 


‘See, he understood.’


‘Why do you always bring in such people and feed them, Chetta? Vayyaveli!’ the worker warned Appachan.


‘You don’t worry about it. Can you do one help? Ask the teashop to send three sukhiyans. Ok?’ 


‘Oh, the soda wasn’t enough, eh? Now you want to feed him sukhiyan, too? Like the Vetalam, he will sit on your neck and never come down,’ the worker said, spitting onto the drain in front of the shop. 


‘It’s my problem. Now, will you ask them to send the sukhiyans or not?’ 


‘Shari, shari … I will tell them. It’s your money. You can waste it feeding tramps like him. Who am I to ask?’ The worker slammed a ten rupee note on the candy jar and left. 


That’s how the newcomer got a name: Kunjimon. However, no one in the market would call him by that name. They would prefer Pottan Sayyip, the sawmill worker’s invention. They thought it was the perfect name for someone who looked like a foreigner and conversed through grunts and snorts.


Soon, three crispy sukhians, sweet green gram fritters, arrived wrapped in a sheet of newspaper. Kunjimon ate the sukhians and drank one more soda. His grunts softened, and its cadence conveyed satisfaction. He looked around, his mouth slightly open. He examined the unfinished coffins on the floor and the finished ones neatly stacked on the side racks. Then he smiled. 


‘Do you like them?’ Appachan asked. Kunjimon smiled again. 


Kunjimon was the first person to show any admiration towards Appachan’s coffins. None except Appachan considered them works of art. Earlier, people stayed away from his shop. Only when there was a death in the family did they step inside the shop. Even then, they would quickly choose a coffin, pay up and exit. People considered coffins inauspicious, a reminder of the inevitable death. Appachan started a cooldrink outlet when the new theatre opened, hoping it would draw more people in. However, people were reluctant to buy drinks from a coffin shop at first. Once Appachan started selling cigarettes and provided a tin of smouldering coal to light them, people started pouring in. A place that was desecrated by coffins was sanctified by tobacco. 


The evening grew older, and the crowd flowed in to watch their favourite Mohanlal movie. Meanwhile, Appachan worked on a piece of glass, and Kunjimon sat on his wooden stool, observing the diamond needle gliding through the glass. He didn’t seem to have any intention to leave, and that didn’t bother Appachan. He calmly fixed the hexagon-shaped glass pane onto a coffin’s lid. Appachan imagined how the glass window would give people one last glimpse of their loved ones. He sighed and smiled at Kunjimon. When the crowd erupted from the theatre after the evening show, Kunjimon got up to leave. 


‘Where do you stay?’ Appachan asked, but Kunjimon had already vanished among the crowd.

*

The next day, Kunjimon appeared at the coffin-cum-cooldrink shop around lunchtime. Appachan had just opened his lunch wrapped in a banana leaf. He opened a plastic dabba, and the smell of fish cooked in red chilli and kokum spread through the shop. 


‘Vaa, vaa. Come inside. I thought I would never see you again. We’ll share the lunch today. I will bring another pothi for you tomorrow, ok?’ Appachan said. He scooped half a portion of the red rice onto a steel plate and poured the fish curry over it.


‘How’s the maththi curry? It’s my speciality,’ Appachan said, licking his fingers after lunch. Kunjimon smacked his lips. Later, Appachan ordered sukhians, and they ate to their fill.


Kunjimon came at the same time the next day and the next. Appachan never failed to bring a second packet of food. They would eat together, and then Kunjimon would settle on the wooden stool, observing Appachan as he cut plywood, stuck the laminate, and hammered together plywood boards. Every evening, Kunjimon left after the first show.


‘Mone, where are you from? Do you have a place to stay?’ Appachan once asked. Kunjimon hung his head low and walked away. 


After Kunjimon left, Appachan followed him. He saw Kunjimon walking towards the river and disappearing into the bushes under the bridge. Appachan waited on the riverbank till nightfall, wondering if he should go and check under the bridge. What if he is doing something nasty under the bridge? Appachan hesitated. He was a respectable, church-going Christian who had no business in shady places. But he couldn’t leave Kunjimon under the bridge alone. So, he climbed down to the pebbled path and walked towards the bridge. When he parted the communist pacha shrubs, a small clearing under the bridge came into his view. There was Kunjimon, blissfully asleep under the bridge, on a piece of cardboard, snuggled up in a torn lungi. The angry river gushed three feet away from him. During high tide, the river could wash him away in a blink of an eye.


‘Da, mone, get up, get up. Come with me. Take all your things.’ Appachan poked Kunjimon. He sat up and rubbed his eyes. Seeing Appachan, he smiled. Holding his cloth bundle, he followed Appachan.


‘You can sleep in the shop if you want. Is it ok?’ Appachan said, not sure if Kunjimon would like the idea. Sleeping with a bunch of coffins wasn’t exactly a pleasant experience. But Kunjimon laughed, which sounded more like a hiccup.  

*

‘How can you trust your shop with a tramp like him?’ the sawmill owner asked Appachan when he came down for a cigarette the next evening. 


‘Sare, he is a poor homeless fellow. He sleeps under the bridge. During the high tide, the river would take him along with her. Where else will he go?’ Appachan asked while Kunjimon watched them from his wooden stool. 


‘What if he robs you? You are a good man, and you trust everyone. But, not everyone is trustworthy.’ The sawmill owner flicked his cigarette and eyed Kunjimon with suspicion.


‘Oh, what is there in my shop that’s worth stealing? If he drowns in the river, I won’t be able to sleep properly. He’s a poor thing. He won’t do any harm,’ Appachan said, glancing at Kunjimon, who sat like a stone on the wooden stool. 


‘Athe, athe. Don’t be fooled by his innocent looks. Pottan! Look at his face. There is something weird about him, and I am warning you.’ 


‘Sare, why are you saying things like that in front of him? He will feel bad.’ 


‘Oh, as if he understands Malayalam. I think he’s not even from India. Maybe an illegal immigrant from Nepal or Bangladesh. You find many of that lot roaming around here these days. If police get the wind of it, you’ll be in prison for sheltering him. Just remember that.’ The sawmill owner threw his cigarette away and left. Kunjimon looked at Appachan, pain in his eyes.


‘Da, mone. Don’t worry about that. Some people can’t trust anyone. But it’s their problem, not ours,’ Appachan said, shrugging. Kunjimon smiled.

*

For the next few days, Kunjimon spent most of his time in the coffin shop. He would perch on the wooden stool and observe Appachan cutting plywood, fitting beadings, and scoring glass panes. A child-like glee would bloom on Kunjimon’s face whenever he saw the diamond needle at work. Once or twice, he expressed his wish to touch the diamond needle. But Appachan never let Kunjimon touch any of the sharp tools. Every evening, before leaving, he locked them up in the cupboard. 


At first, people who came to get a soda or a smoke eyed Kunjimon with disgust. The coffins were enough to repel them, but they found his white skin and constant grunts more annoying. Kunjimon smiled at the children who came to get ginger candies, and they ran away, terrified. Their parents soon came searching for Appachan and advised him to get rid of Kunjimon. 


‘He’s not a dog or a cat to get rid of,’ Appachan would say. As if I would get rid of a cat or dog! He would then mutter under his breath. While Appachan didn’t bother about the complaints, such comments made Kunjimon’s face lose its glow.

*

The next morning, Appachan visited his friend, the theatre’s supervisor. 


‘Satheesaa, I need you to do me a favour. Kunjimon can’t sit in my shop all day long. People won’t give him peace. Will you give him a small job? Maybe as a ticket collector?’


‘Who is Kunjimon?’


‘You have seen that guy in my shop, right?’ Appachan asked.


‘Oh, you mean Pottan. You’re the only one who calls him Kunjimon.’ The supervisor laughed, and his potbelly jingled like jelly. ‘Ok, Whatever. Now tell me, how did you even assume I would give him a job? People will be terrified to go near him. The owner will kill me if he finds out.’


‘Oh, people will get used to him. And your owner, how will he know about this sitting in Dubai? Haven’t he given you all the freedom with the theatre?’ Appachan asked.


The supervisor sat straight and considered it for a moment. ‘If you are so worried about him, why don’t you give him a job in your shop? Anyway, he’s sitting on that stool like a crane from morning to evening.’ The supervisor laughed at his joke, but Appachan didn’t. 


‘His arms aren’t strong or steady enough to do the work I do. He will hurt himself. He can only do some light tasks, like collecting tickets. Please give him one chance, just as an apprentice. If he’s bad, send him away. Please, I am begging you,’ Appachan said. The supervisor stared at Appachan from behind his gold-rimmed spectacles. 


‘Edo, I can give him a job. But is he even eligible to work? People say he’s not even from India.’


‘Then how does he know Malayalam? He understands everything I say. If you trust me, you can trust him. Please?’


‘Ok, fine. Just for a week. But, Appachaa, I don’t understand you sometimes. I think you have a screw loose somewhere.’ The supervisor laughed, and Appachan laughed along. 

*

Sagar Theatre had three doors, and the movies often ran houseful. Miscreants usually tried to tailgate to watch their favourite movies. Each door needed a ticket collector who watched the crowd like a hawk. People would push and shove in the excitement to catch the film. The ticket collectors didn’t get much time to examine each ticket and let people in. Being a doorman at the Sagar Theatre wasn’t a job for the fainthearted. 


Kunjimon not only survived but thrived in his job. Every morning, after cleaning the coffin shop and handing the keys to Appachan, Kunjimon reported to the theatre for duty. Grunting, he stood guard at his assigned door as if it were the door to heaven. He was not like the other doormen who were distracted with their mobile phones. Initially, people were taken aback when Kunjimon demanded their tickets. But just like the supervisor, the crowd got used to him.


Ticket collectors didn’t need to be on the premises while there was no show. After the morning show, Kunjimon would return to the coffin shop and sit on his wooden chair. He would have lunch with Appachan, and they would crack jokes and laugh. It was Appachan who cracked jokes. Kunjimon just laughed, a hiccup-laughter. 


At night, Kunjimon slept on a Palmyra mat in the corner of the coffin shop. But Appachan noticed that Kunjimon sometimes slept in an almost-finished coffin. Appachan was taken aback when he saw it first. 


‘Don’t sleep in a coffin; it’s an inauspicious thing to do. Are you in a rush to go to heaven?’ Appachan warned him many times. However, Kunjimon seemed to like the coffin’s cotton padding and cosy silk lining. His small frame perfectly fitted inside it. Whenever Appachan came early, he often found Kunjimon blissfully asleep inside that coffin, so still, as if he weren’t breathing. 


Then, one day, he stopped breathing. 

*

‘Who saw the body first? How did it end up in the coffin?’ the constable asked. The theatre supervisor looked at Appachan.


‘I saw him first. He sleeps in my shop at night, and he likes to sleep in that coffin sometimes,’ Appachan said, his voice trembling. Voices echoed inside his head. People crowded outside to get a glimpse of Kunjimon’s body. 


‘Edo! I asked you how you two are related.’


‘Umm … Not related. I met him in the market a few months ago. He used to work in the theatre as a ticket collector.’ 


The theatre supervisor glared at Appachan. ‘Sare, I gave him the job on Appachan’s recommendation,’ he declared. 


‘Ok. So, what is his name? Have you informed his relatives?’ the constable asked.


‘His name … Umm … We call him Kunjimon,’ Appachan said,


‘Kunjimon? But I heard another name outside … What was that? Ah … Pottan! Does anyone know his real name?’ 


‘He couldn’t speak, so we didn’t … We couldn’t … Umm…’ Appachan looked down at the half-built coffins on the floor.


‘What are you blabbering? I think there is something fishy here. Will someone willingly get into the coffin and die?’ The constable twirled his moustache. ‘Sare, I think he’s lying,’ he then turned to the head constable and said.


‘So, you mean to say you don’t even know his name? Still, you let him sleep in your shop and got him a job in the theatre. No, I don’t find it believable. Tell me, how do you know him? Wasn’t he your illegitimate son?’ the head constable asked. 


‘Sare, this old fellow is a gentleman. He gives refuge to many such people. He is not a fraud or anything,’ the theatre supervisor cut in.


‘Who are you? His lawyer? Don’t be over-smart, ok? I will grab both of you, put you behind bars and charge murder. Then let’s see if you still want to play the lawyer,’ the head constable said. The supervisor covered his mouth with his palm.


Appachan feared that the constable would knock him down with the lathi. But the policeman got a call and moved away.


‘Yes sir, yes. Yes sir…’ the head-constables voice turned mellow. 


‘Ok, we are moving the body to the mortuary. We will try to find the relatives, and if no one is found, we will cremate the body,’ he turned to Appachan and said. 


‘Sare, that’s not possible. He shouldn’t be cremated like an orphan,’ Appachan sniffled.


‘Oh, yeah, I will make all the arrangements for the funeral and invite you! If you try to play the guardian angel anymore, I will charge you with sheltering illegal immigrants and maybe even with murder. Manassilayo?’ 


Appachan didn’t understand. When Kunjimon was alive, no one wanted him. Neither the government nor the police came inquiring about his welfare. After his death, everybody seemed to be interested in his dead body. 

*

A day passed after the police took away Kunjimon’s body. Appachan couldn’t do any work, and he couldn’t sit idle. He begged the theatre supervisor to go with him to the police station. 


‘Oh, so you’re the saint who shelters the illegal ones, huh? Don’t you know you have to report them to the police station?’ the sub-inspector asked. 


‘Please don’t call him an illegal person! How can any human be illegal, sare? He was a poor, honest fellow,’ Appachan said.


‘How can you say confidently that he’s not an illegal immigrant? Does he have an Aadhaar card? Or ration card? Any identification?’ 


‘Sare, what are you saying? He understands Malayalam.’


‘Has he ever talked to you?’


Appachan shook his head. He had never exchanged a word with Kunjimon. But it didn’t mean they didn’t communicate. Was language always necessary to understand another person? But Appachan didn’t say anything. He just stood there, his head hanging low. 


‘Sare, will you let us know if you find his relatives or when you plan to cremate him? Appachan and I would like to attend the funeral,’ the theatre supervisor asked. 


‘You know what I should do? Throw both of you in jail for sheltering an illegal person! Only because you are an oldie that I am not doing it. Now, scram before I change my mind. I already have so many problems above my head. Now, I should also invite guests to a vermin’s funeral,’ the inspector barked. 


Appachan tugged at the supervisor’s sleeve. He knew there was no point in arguing with the inspector. After all, everything depended on papers and identification. Every relationship needed proof. 

*

A few days passed by. Every day, Appachan went to the police station, hoping to get some information. But no one bothered to listen to him. 


‘Hey, you! Old man, are you doing satygraham here? There’s no point in you coming here. The post mortem of the corpse is done. That fellow had a heart condition. That’s why he died. So, the police have closed the case for now. I think you’ll be safe if you don’t poke your nose in this case. The inspector is suspicious about your interest in this dead body,’ a constable informed Appachan. 


‘What, sare? I don’t have any bad intentions. I just want to be present during his funeral. How do I know the time and date?’ Appachan asked, almost in tears. 


‘Edo, you better forget about this person, ok? You’re not related to him. So, you have no right to ask about his body. If the relatives come with proper proof, we will hand it over. Do you understand?’ the constable asked.


‘Sare, he has no relatives. If he had, he would’ve told me. So, now what will happen?’


‘They’ll preserve this body for ninety days and then cremate it in the public cemetery. I don’t know exactly when. If you want to know anything more, go to the mortuary and check. Ayyo, I have seen so many kinds of crazy people. But I have never seen anyone like you.’ The constable shook his head.


‘Sare, I knew Kunjimon for only a few months. But when he was alive, no one respected him. I don’t want him to go to the otherworld like an orphan. I want him to give him a proper send-off,’ Appachan said. 


‘There is no point in crying here. If you’re so worried, go to the mortuary every day and do your satyagraha there, ok?’ the constable said, almost pushing Appachan out of the station.

*

The very next day, Appachan visited the mortuary. He stood in the cold corridor, suffocating on the smell of formaldehyde. He had no idea what to do or whom to talk to.


‘Appachan Chettan! What are you doing here?’ the young mortuary attendant asked Appachan. 


‘Mone, I don’t seem to know you. Who are you?’ 


‘Chetta, I used to work in the sawmill before passing the PSC exam. You have given me many free sodas. You have even bought me sukhians. Do you remember me? I wish I could say I am glad to see you here. But … Anyway, what’s the case?’ 


So, Appachan told him everything  events from the day he first met Kunjimon and how everything turned out. 


‘Chetta, it’s not easy to know when an unidentified body will be cremated. But give me the details, and I will keep an eye on your case. I don’t want you to take the trouble and come here daily. I will call the theatre if there is any news.’ 


‘Ok. You know, I just want to send him off in the coffin he loved and tell him goodbye,’ Appachan sniffled. 

*

After a few weeks, the mortuary attendant called Appachan. As they couldn’t find Kunjimon’s relatives, they were about to cremate his body. The mortuary superintendent had given the task of acquiring a coffin to the attendant. As he received the news, Appachan rushed to the mortuary with Kunjimon’s coffin. 


The funeral was held in the electric crematorium. Before closing the coffin’s lid, Appachan placed his diamond needle next to Kunjimon’s body. Before they pushed the body into the combustion chamber, Appachan had one last look at Kunjimon’s face through the hexagonal glass pane on the coffin’s lid. He was glad that he had placed it there.

***

Shortlisted for the inaugural (2024) Bangalore Writers Workshop R K Anand Prize
Jury: Indira Chandrasekhar, Jahnavi Barua, Saikat Majumdar
Conducted with Bangalore Writers Workshop, Atta Gallatta Bookshop and Out of Print Magazine