Sunday, November 22, 2015

2015 DNA-OUT OF PRINT Short Fiction Finalist: Farah Ahamed

Life will be Better

Farah Ahamed

I rolled down my window and watched the street vendors stroll between the stationary cars, tankers, matatus and buses. I had a strange impulse to drive straight into the car in front, just for the satisfaction of knowing I’d made an impact for once. I gripped the steering wheel.    
Dilip and I were stuck on Mombasa Road driving to the city centre of Nairobi from our offices near the Jomo Kenyatta Airport. We’d just passed the golf course on our left and the old East African railway station on our right.
A street seller sidled up to the car carrying Kenyan flags of all sizes; the black, red and white fabric flapping around his face. ’Madam, you need flags, sunglasses or a photo of the President?’ he asked.
I shook my head, avoided his gaze and looked at the traffic ahead.
He stooped to look into the car. I moved in my seat to block his view.
‘What’s in the news?’ I asked Dilip.
‘Independence day celebrations, Mandela’s funeral.’ He turned the page. ’Women activists angry about something or the other.’
I looked at my watch. ‘I wish the traffic police would do their job, the shops will close soon.’
‘No point in getting irritated, Resh.’ He pulled off his shoes, loosened his tie, and covered his face with the paper.
The air was muggy and dense with diesel and petroleum vapours from the industrial neighbourhood beyond the railway station and the four wheelers around us. My seat belt pressed into my middle and cut into my shoulder. I unbuckled it and turned in my seat.
‘Be my customer,’ the seller said. He put on a pair of glasses and positioned the photograph of the president at arm’s length. ‘Life in Kenya will be better with glasses.’
Dilip uncovered his face, yawned, folded the newspaper and laughed. ‘Here, kijana, have a soda.’ He leaned across and handed him a note.
The man took the money through the window, ‘Asante, Mzee.’
Dilip adjusted his seat, leaned back and shut his eyes. ‘I need a nap.’
‘Madam, buy miwani.’  The seller held out a pair of dark glasses with a fake Armani logo. ’Life will be better. No problem. Hakuna matata.’
‘Oh fine, whatever.’ I paid him and stuffed the glasses in my handbag.
Sharp police whistles; the vendor swore, and weaving in and out of the cars he disappeared into the bushes. A tout, from the matatu with music blaring next to us, leered at me. I closed my window and turned on the air conditioning.
The lights changed from amber to green, nothing moved. I took the newspaper from Dilip’s lap. Activists were outraged, I read, at the amendments to the proposed Marriage Bill. I thought of the hire purchase loan Dilip had for the car and the mortgage on our house. I’d be responsible for both if he died or I ever left him.           
At the roundabout a few metres ahead a policeman walked over to a black Toyota and tapped on the window. He said something to the driver who handed him, what I assumed, was a licence. The policeman pocketed it and walked round the car, his fimbo under his arm, kicking each wheel. He stopped by the left front door, opened it and climbed in. 
‘Oh my God.’
‘What’s going on?’ Dilip sat up and rubbed his eyes.
The driver, a woman in a mustard burqa, jumped out. She stood by her car, hands on hips, her dress billowing around her. The lights changed, cars honked, and those ahead started to move. I turned on the ignition, changed lanes, and as we crawled up beside the black Toyota, I rolled down my window.  ‘Do you need help?’
‘He wants some small chai for Christmas. He said he’s charging me for wrongful overtaking.’
‘Let’s go,’ Dilip muttered.
‘He’s impounded my licence,’ the woman said.
‘Oh no. Good luck.’
‘Don’t get involved,’Dilip said. ‘Drive on.’
I moved the car forward and navigated the traffic in silence.
*
At the entrance to the boutique, I turned to Dilip. A shaft of sunlight shone on his clean-shaven head and on the green and blue snake tattoo that ran from his right ear to his shoulder. He patted his jacket pocket where he kept his wallet, phone and glasses.
‘I know the dress I want,’ I said.
‘Sure.’ He buttoned his tight fitting jacket and taking a tissue from his pocket, wiped the perspiration off his forehead and the back of his neck.
The boutique, designed like an African hut, had a thatched roof and small windows. On the walls were oddly shaped mirrors and watercolours of flamenco dancers. The clothing was displayed on wrought iron railings suspended from the ceiling with thick chains.
‘Is this it? It’s not what I expected.’
‘There’s something here that I like.’
He turned to the sales assistant, ‘My wife needs something appropriate for the Independence Ball.’ 
She looked me up and down. ‘I’ll bring you a selection.’
‘And the black dress that was in the window last week,’ I said.
She nodded.
Dilip yawned and looked at his watch. 
I went into the changing room and fumbled with the buttons on my blouse. The mirror accentuated the lines on my forehead and the touches of grey showing through my short, spiky dark hair. The assistant knocked on the door and handed me several gowns. At the top was the one I’d set my heart on. It was off the shoulder in black chiffon, with smatterings of tiny, sparkly diamantes. I put it on and the soft, thin material fell smoothly over my hips and caressed my ankles. I stepped out.
‘What do you think?’ I asked Dilip, with a self-conscious twirl.
He did a double take and gave a low whistle. ‘Wow. You look, well, different.’
I laughed, and swirled again.   
He shook his head. ‘No good.’
I stopped. ‘What? Why?’
‘This dress isn’t you.’ He folded his arms.  
‘It is. This is me.’
‘It’s definitely not.’
The assistant looked up from folding scarves. ‘Is there anything else in particular you’d like to try on?’ she asked me.
‘Don’t ask her,’ he said. ‘I’ll decide, that’s why I’m here.’
I retreated into the fitting room and unzipped the black dress. I pulled on a red satin bubble one with long sleeves, a high neck, a belted waist and an elaborate bow on the left shoulder.       
‘I need a dress,’ said a female voice.
I peered through the keyhole and saw a woman in a mustard burqa. I emerged from the changing room.
Dilip nodded. ‘That’s more like it.’
‘This is annoying,’ I said, pulling at the bow.
‘You’ll get used to it,’ he said.
‘Hello there! Fancy meeting again, Nairobi is a small world,’ the woman in the burqa said.
I turned to face her. ‘Hello. Did you sort out the policeman?’  I patted the bow, trying to smooth it down.
‘He refused to leave my car until I showed him my wallet, then he took everything from it.’
‘Oh no! How terrible.’
She took off her sunglasses and scrutinised me. ‘That’s a nice dress,’ she said. ‘It suits you.’
‘I think so too,’ Dilip said, glancing at her. ‘Doesn’t she look perfect?’
‘I don’t like it,’ I said.
The woman looked at me. ‘Well then, get what you like.’
‘I like this one. It’s just the dress for you,’ Dilip said, staring straight at me.
I went back to the changing room and took off the red dress. The assistant tapped on the door. ‘I’ll take whatever you’ve tried on,’ she said.
I handed her the black and red dresses and put on a minty green one with a cowl neck and butterfly sleeves.
‘Well, what about this one?’ I walked towards Dilip.  
He stroked his chin. ‘Nope, never. That’s not for us.’
‘What’s wrong with it? Surely it’s more flattering than the red one?’
His gaze shifted and I followed it. I wouldn’t have recognised her without her burqa. She was as petite and slim as me, but in her early thirties. Her complexion was clear and her hair, which was curly and long, had auburn highlights.
 ‘That’s my black dress,’ I said. ‘I’ve just tried it on.’
‘Have you? Isn’t it beautiful? I love the diamantes.’
‘That’s my dress, that’s the dress I want,’ I said to Dilip. But he was staring at her and did not respond. I waited for a moment and then rushed to the changing room and slammed the door. I sat on the small stool and covered my face, tears stung my eyes, I brushed them away. This time I wouldn’t cry.  
I heard voices. I peered through the keyhole; the woman was adjusting the black dress under her arms, looking at her reflection in the mirror. She pouted, and twisted to look at her behind. Dilip was watching her. I went down on my knees to see more clearly, but she moved and only Dilip was in my view.
‘That dress looks very nice on you,’ he said.
She gave a throaty laugh. ‘Why, thank you. I think so too.’
Dilip loosened his tie and ran a finger around the back of his collar. The woman was near him again, still preening. She tossed back her hair and smiled at Dilip, he smiled back.
‘Do you think I should get it?’ she asked.
A man entered the shop and walked over to her. He was wearing a white baseball cap, faded blue jogging pants and a baggy red t-shirt. Clapped to his ear was a mobile phone. Without interrupting his conversation, he pointed at her, then at his watch and went to the far side of the shop. She looked at Dilip and smoothed the dress over her hips. I got up and changed back into my jeans and blouse. When I exited the fitting room, Dilip was paying the assistant. The woman was standing by the till, still wearing my dress. ‘Are you going to buy it?’ I said to her.
‘I haven’t decided.’ She headed to the changing room.  
The assistant handed Dilip the red dress wrapped in tissue. ‘Enjoy the ball,’ she said.
Dilip’s mobile rang and he answered it, nodding at me to follow. The changing room opened and the woman came out in her mustard burqa. She placed the black dress on the counter, pulled her veil over her head, and tucked away her straying curls.
‘I’ve decided,’ she said to the assistant. ‘I’ll go and speak to my husband.’ She walked over to the man in the cap, tapped him on the shoulder and held out an empty palm. Without breaking his conversation, he pulled out his wallet and gave it to her. She brought it to the till.
‘Excuse me,’ I said. ‘If you wouldn’t mind, could I please have that dress?’ 
‘I don’t understand?’ she said. ‘You already have the one your husband likes.’
‘I know, but I want this one. I tried it on first, before you.’
The woman was quiet for a moment. ‘No. I’m sorry, I’m taking it.’
I looked at the assistant who was concentrating on wrapping the dress.  The man in the cap came over. ‘Did you get what you wanted?’ he asked the woman.    
‘I did.’ She tilted her head in my direction. ‘But she didn’t.’ 
In the parking lot, I noticed a black Toyota parked right behind us. Dilip was leaning against our car, chatting on the phone. I rummaged in my handbag for the keys and noticed the sunglasses from the vendor on Mombasa Road. I put them on and looked around to check for the couple. They were still inside the boutique.
We got in the car and I turned on the ignition. Dilip was laughing at something his caller said. I began to reverse and the car beeped. In the rear view mirror I could see the front bumper of the Toyota. I pressed my foot on the accelerator. There was a resounding crunch and splintering of headlights. Dilip dropped his phone and yanked the hand brake. ‘What the hell are you doing?’ 
‘Serves her right,’ I said. ‘She was badly parked.’
Farah Ahamed is a Kenyan lawyer now living in the UK. She is a graduate in creative writing from the University of East Anglia. She has been published by Kwani?, Bridge House, Fey, New Lit Salon Press, The Missing Slate, Out of Print and Two Serious Ladies. She was nominated for the Caine Prize for African writing in 2014 and 2015 and shortlisted for the Leeds Literary Prize for a collection of stories. Recently she was nominated for the Pushcart Prize.


2015 DNA-OUT OF PRINT Short Fiction Finalist: Tanuj Solanki

Reasonable Limits
Tanuj Solanki

I had that chronic neck pain that you get from working too much on the computer, but all else was fine, in the sense that I was doing okay financially and had a stable job and was fairly settled location-wise and all, yet all these things as a composite felt like a lumpy contradiction, feeding a kind of unwellness that was close to boredom while being defined in its difference from boredom, so it wasn’t a great time for me and I felt life wasn’t really giving me what I wanted from it, so yes it was probably a bad time, yes, and I had some nomad-type friends who used to come to my house to spend a night or two, you know the smart You-Only-Live-Once people who do not hold a job for too long and who do not worry about a house and an insurance and other such things, such friends, and those friends of mine would urge me, over drinks that were bought exclusively with my money, to do things like they did things, to let go and basically discover my physicality or whatever, be Rimbaud or whatever, to see the world as much as I could: But please don’t do it from the balconies of good hotels, okay? : et cetera et cetera, and after hearing my friends I would feel compelled to outline the advantages of my position, the merits of obeying the order despite criticising it, I would defend my place in the world, the unique coordinates of my independence, my committed cultivation of a life of the mind, and in my excitement I would sometimes posit that a life of the mind could only be cultivated around creature comforts, at which my friends would start their giggling; they would giggle because my AC would be running and my refrigerator would be humming and my mutual funds would be ticking, yet I would be the one with the dead eyes in those nights, I would be the soul in stasis, I would be the weakest bulb on the tree, so to say, the gist of the system, if you may, and so I guess it is not much to reveal that whatever I said to those fuckers only made me little in their eyes, and instead of giving me the solaces of what was, only led me back to the bleakness of what really was, which is not to say that I saw the bleakness as bleakness, as cent per cent bleakness, for that couldn’t be possible, I mean I had a routine, I had work, I had to go to office five days in a week, I worked in a life insurance company, I wasn’t doing badly there either, and the company was doing well, in fact, so the bleakness was not really as absolute as I make it sound, but some things had led to dark sentiments, for example there was that gnawing story, always, that horrible story I had heard at work, the story of blood on paper, the story that I’d been told by the guy from Operations, about the frequent blood stains on the document scans received by Ops, the story that this guy had told me one day just in passing, which he started by informing me how any life insurance application needs to be appended with a slew of customer documents which are all collected and stapled together by the salesman, which are all excessively stapled in multiple places by the salesman because that man doesn’t want anything to be lost in transit and then have to ask the customer for it again, which seems only logical, and so the documents come excessively stapled and then have to be digitised because it would just be unwieldy and unwise to rely on paper throughout the processing of any life insurance proposal, so the documents have to be sent to an outlet that can scan them all, a scanning vendor, an enterprise that hires people to de-staple the excessively stapled documents, an enterprise that gets paid depending on the number of sheets it scans per month, an enterprise that therefore incentivises its own people on the number of sheets they can scan per hour, an enterprise whose employees soon figure out that using any tool other than their own fingers to de-staple a thick sheaf of documents is a loss of time and money, the employees who therefore start using their own fingers for de-stapling as standard operating procedure, whose hurried fingers thus bleed as standard operating procedure, whose blood stains the sheets to be scanned as standard operating procedure, and so on it goes day after day after day after day after day after day after day after day and then again, and at this point of the story’s telling the Ops guy got a gleam in his eyes and a shine on his balding pate, he was happy that he had scandalised me, and that was not a mistake, for I was scandalised, I was in fact hurt and scandalised, and he surely saw something in my eyes for he then tried to calm me by reminding me of the good work that I was doing, reminding me that my project – of giving each salesperson a mobile application to capture customer documents as images – would mean that there would be no scanning required, that if my project succeeded there would be no blood on paper because there would be no paper necessary, and I was surprised because I hadn’t thought that that was the real importance of my work, and for a few seconds I allowed myself to be happy, till I understood that with my success, not only would there be no paper, there would be no scanning vendors, which was the real logical reason why the company wanted me to succeed, to not have to pay those vendors, because stapling was anyway easy to avoid, the sales guys just had to be instructed to use easily removable clips for each file that they made, but when I succeeded there would be no scanning vendors and there would be no employees whose job it would be to de-staple paper, and all those people with their horrible fingers, who had done nothing in the big city but pushed their nails against sharp metal, would be out on the street with nothing to do and nothing to learn, nothing to do other than showing their fingers to the sun and peeling the scabs off them, and it was thinking of those people whose fingers knew only piercing and bleeding that I would be disturbed at my workplace, and this disturbance added to the bleakness that I’ve talked of, a bleakness that was also being contributed to, in part, by the fact that the story was after all a clichéd story – the well-worn, age-old story of how an advancement in technology must mean that some people fall into irrelevance – a story whose persistence was a bigger problem than the contents of any single version of it, and I did not feel guilty of my own participation in it as much I felt frustrated in the face of the hard truth that even if I were to extricate myself from this particular narrative, the elsewhere I would go to would in turn bind me in a new way, impose on me another damning mode of participation, where essentially the same story would tap me on my shoulder and hand me my specific role in it, and on nights with YOLO friends it was this inextricability that I wished to impress upon everyone, my buttoned down inextricability and their happy-go-lucky inextricability, for there was never a doubt in me that they too were participating, their versions of youth also had a price, they too consumed and produced, they too had no escape from eating the things and wearing the things and drinking the things that someone somewhere was scraping their nails to get made, just as mine was making the things that would put that nail scraper out of his job, which meant that all in all there was no cosmically correct way to be on this earth and all you could do was be aware of what you were really doing, acknowledge its painful by-products, and keep at it, and keeping at it was what I would be doing, for I wasn’t a revolutionary either, I knew that living in the Yellow Pages was better than living in the crispy pages of History tomes, so I kept at it and looked at possible absolutions, I looked for inspiration online and I started reading Wikipedia articles at work, only to realise that the denudation of my soul played its role here too, veering me away from what may be called general inspirational stuff and leading me to historical articles, articles detailing the cruelties of the past century, articles that described the magnitude of pain humanity had delivered and endured, and needless to say the Holocaust cast the biggest shadow among twentieth century catastrophes, which is to say that I read a lot about it, pondering grand theories about State-sanctioned torture and death, and I thought about small silly things as well, such as whether Holocaust studies today could cover a peculiar tenwty-first century phenomena which may be titled ‘How extensive reading about the Holocaust impacts one’s evaluation of the Contemporary Arts’, which means that one can’t really watch a well-made movie about the complications of romantic love after reading this sentence: The Nazis took in a batch of Jews, had them stripped, had them stand in adjacent rows, shot down the front ones from such proximity that a single machine gun bullet killed the entire row, then pushed the bodies in the ravine, covered them up with mud, stepped down to shoot at anyone still squirming, and then called the next batch in : so such miseries hounded me, to the extent that the faculties that help us differentiate between one thing and the other began to be filed away in my case, things began to lump into each other, such that the workers with the leprous fingers seemed to me no different from the murdered Jews, one suffering dissolved into another suffering, contemporary became historical and vice versa, and I starting having weird dreams, such as the one in which I found myself in a huge field of corn or wheat, in a desolate field of corn or wheat, where a silent UFO cleaved the sky, a restful UFO, well-lit phallus of the extraordinary, and ki-ki-ki went my heart; I still kept my chin up though, I drank with friends, found critical paths of critical projects at work, played my own powerlessness day in day out, while there remained pockets of my life that I liked, even enjoyed, but the heaviness would always return, I would always think of those bleeding fingers, or would end up reading a sentence like: The disposal of corpses was hard work and required managerial acumen : and there were no lasting distractions for me even in any dull love that I tried fostering with a couple of ladies, and I followed the war in Syria, I paid attention to all reports of sexual crimes in India, I watched Youtube videos of American mass shootings, I read the bigotry of reader comments on Op-Ed pieces, I ate a lot of pizza, and I shrank and shrank on some incomprehensible dimension, realizing that the world was an inferno with only a few cool mirages, that there was only pure danger in ‘getting out there’, that my friends were wrong, that my friends’ favorite writer Kerouac was wrong too, that great Roman candles that burn magnificently actually just burn away, and we all need to find a bed, and for as much as possible we all need to follow the injunction of waking up tomorrow in our own bed, in our cocoons of peace and laziness; we can and should continue our hiding, if it is that.
Tanuj Solanki lives and works in Mumbai. His stories have been published in The Caravan, Out of Print, One Throne Magazine, and numerous others. His first novel will be published in 2016 by Harper Collins India.



2015 DNA-OUT OF PRINT Short Fiction Finalist: Suresh S

Pardesi
Suresh S

Jamal came into the kitchen with this young boy and told us, ‘He will be the kitchen help.’ I looked at our cook, Salimullah, and raised my eyebrows. He jutted his lower lip out to indicate he had no idea either. Jamal, our owner, rarely believed in anyone; he operated under the impression that everyone was out to rob him of his hard earned money. Who was this young person and how did Jamal know him?
Nagulu – that was the boy’s name – was good with words. He quickly understood the fears and aspirations of people and tailored his speech accordingly. We all worked in an Irani chai restaurant named ‘Al-fatha Café’ in Boiguda. A couple of days after he joined us, Nagulu convinced the notorious moneylender, Srinivas Gowd, to lend money to our server, Yadgiri. He seemed to know more about Yadgiri’s finances than Yadgiri himself. Srinivas Gowd, who had not yielded to Yadgiri’s pleading earlier, now gave him the money. A grateful Yadgiri told Nagulu, ‘If only you had a degree, you would have earned lakhs as a salesman in some company. Your tongue will carry you far.’
Experience had taught me to be wary of smooth talkers for they can hide a lot behind a wall of words. I had the same nagging feeling about Nagulu – that we did not know the whole truth about him. An incident confirmed my fears.
Some days, late at night, after we pulled down the shutter, we would all sit together to drink gudumba, the local liquor. Yadgiri got it from the ‘kallu compound’. Along with the liquor there would be mutton biryani from Alpha Hotel. Sometimes Jamal’s younger brother would join us but Jamal himself was against alcohol and these parties happened without his knowledge. On one such occasion we had a friend of Yadgiri’s as our guest. I forget his name but he was a salesman and he had got some rum from the military canteen that day. While drinking someone mentioned that Nagulu was known as ‘Nizambad Nagulu’ since he hailed from Nizambad. Yadgiri’s friend was excited.
‘Where in Nizambad do you come from?’ he asked Nagulu.
Nagulu was diffident, ‘Why Anna? What will you do knowing which is my place?’
‘Arre. Tell me. I know the whole of Nizambad. I have roamed extensively there.’
Nagulu laughed and smoothly said, ‘Nizambad means I am not exactly from Nizambad. I am from a small village which is near Nizambad.’
‘Which village? I have been selling submersible pumps in almost all villages. I know the Panchayat chief in every village. Tell me which village you are from and I will tell you everything about that village,’ he challenged.
‘Anna, there are no pump sets in my village. It is perennially in drought. It is to escape such conditions that I came to Secunderabad. Anyway, why talk about drought and famine now when we are enjoying ourselves? Let me fill your glass.’ So saying, he deftly diverted the topic away from Nizambad.
The next day I asked Nagulu, ‘Are you from Nizambad? You seemed to be hiding something from that man.’
‘Arre bhai. Why will I lie to you people? I am from Nizambad and we are low caste. My family is very poor and no one respects us there. So I was afraid that if this man knew about my family and my caste, he may say some bad things about me and my family. That’s why I did not want to reveal any details. He was also quite drunk and you can never predict how a drunkard will behave. By the way, I must say that even though you drink you are always steady, bhai.’
It was after this incident that I started observing that Nagulu was a cautious person. He rarely, if ever, ventured out of the kitchen. Jamal had allowed him to sleep in the kitchen and when he went out it was generally very late in the night. And when he went out, he kept looking all around him as if he was searching for someone. I once asked him, ‘Are you afraid someone will see you?’ As usual he laughed at the question and said, ‘Why should I be afraid, bhai? No one knows me here.’
Another strange aspect of Nagulu was his reluctance to talk about girls. You would expect a boy like Nagulu, twenty years of age, to talk about girls incessantly but he never spoke about girls. Jamal’s brother, Rashid, who was almost the same age as Nagulu, had only girls in his thoughts. When he was drunk, he would speak continuously about girls: sometimes cursing them, sometimes praising them but mostly talking dirty about them.
During one of our late night parties a half drunk Rashid asked Nagulu, ‘No girl ever seems to fall for me. Nagulu, I am sure girls will fall all over you hearing you talk. Tell me, how many girls have you cheated with? Tell me now.’
For the first time I saw the smile vanish from Nagulu’s face. It was replaced with anger but Rashid did not notice it. He was busy drinking. After the next peg, he asked again, ‘You haven’t yet told me how many times you have cheated.’
Nagulu was tense and I was scared he would hit Rashid. At the same time Yadgiri loudly shouted, ‘If you have cheated a girl may it be a high caste girl’ and started laughing. Rashid joined him. Nagulu was extremely angry, but there were tears in his eyes. To save the situation, I exclaimed, ‘Hey, doesn’t that scooter sound like Jamal’s?’ Instantly Rashid got up from his chair, ‘Abe maaki. Don’t tell bhai that I was here,’ and ran out the back door.
The next night we had a liquor party again. During such parties, I would sing old Hindi songs. Yadgiri sometimes sang Telangana folk songs with Nagulu providing rhythmic support using the table as a tabla. Salimullah would also start singing off key in his unbearable voice. I started singing an old Mahendra Kapoor song written by Sahir Ludhyanvi, ‘chalo ik baar phir se ajnabi ban jaaye ham dono.’
‘What is the meaning of the song, bhai?’ asked Nagulu.
‘The shayar says ‘Let us become strangers again’ so that he can fall in love with the girl all over again,’ I said.
‘Is it possible to forget the past, bhai?’ asked Nagulu. ‘Can we restart our lives? Can we erase who we are?’ Nagulu’s voice quivered.
Before I could answer, Yadgiri, who was fully drunk, said loudly, ‘No. Your past will always haunt you.’
Salimullah said, ‘Abe jaa re. Past does not affect everyone. See your local dada, Sataiah. He has one wife, one setup. He is involved in so many dark deeds and yet he lives a happy life. His past does not affect him at all.’
‘No. The past is like the Betaal on Vikram’s shoulder. It will never leave you. If it doesn’t catch up with you in this birth, it will do so in your next,’ said Yadgiri.
‘Oh, he has started talking philosophy, which means he is fully drunk now,’ said Salimullah and laughed out loud. I could see that Nagulu was feeling sad. When Nagulu noticed I was observing him, he smiled at me and started being his normal self.
A few months passed. One night, as we were about to close the shutters, Nagulu went out to get himself a paan. He came back in a hurry. He looked very nervous and kept glancing at the road. He turned to me and said, ‘Bhai, can you pull down the shutter and lock it from outside. You can open it again in the morning.’ I thought I heard panic in his voice. ‘What is the problem?’ I asked him. ‘Nothing bhai,’ he replied, ‘please do this for me today.’ I pulled down the shutter, locked the hotel and took the key with me.
Next morning I came early to open the shutter. Nagulu was missing and the door of the kitchen was open. Thinking he would have gone somewhere nearby I started boiling the milk and brewing tea. Nagulu did not appear and when Jamal came in I told him of Nagulu’s disappearance. Jamal was unconcerned. ‘He will come. Where will he go?’ was his answer but Nagulu did not return and I started getting concerned. I asked the shopkeepers near my hotel if they had seen Nagulu in the morning. I also checked with the milkman who delivered milk. No one had seen him. No one had any idea where he could have gone.
Yadgiri was very agitated. I consoled him by saying, ‘He is a young fellow. My feeling is that he ran away from his house due to some fight. Maybe he got homesick and is back with his parents now.’ Yadigiri was not very convinced. ‘I am scared, bhai.’
It must have been more than two months after Nagulu’s disappearance. On Sunday morning someone knocked on my door. I opened it to see Yadgiri standing there. ‘Bhai, dress up. I want you to come with me,’ he said. ‘Why?’ I asked. ‘I will tell you as we are going. Come immediately.’
I put on my shirt and trousers quickly and came out. Yadgiri was on one scooter and a friend of his was on another. I sat behind Yadgiri. He was agitated and spoke very fast as he drove. ‘Bhai. Please don’t panic. My friend delivers milk in the Sankar Matt area. While delivering milk he said he saw a dead body which resembled Nagulu. So he came to me. I cannot face this alone if it is Nagulu. That is why I called you’
My heart started beating faster and I could not believe what I heard. ‘I don’t think it will be Nagulu, Yadgiri. Your friend is probably mistaken,’ I said.
Yadgiri could not control himself. Between sobs he said, ‘I also think so, but if it is Nagulu...’ He did not finish the sentence.
I kept praying that it should not be Nagulu. Yadgiri was silent for the rest of the way. We arrived in a gully in the Sankar Matt area. Yadgiri’s friend stopped in front of a small hotel called, SV Tiffin Stall. A line of lorries stood in front the hotel and people had been using the area behind the lorries as a urinal. It was stinking and yet a small crowd had gathered. We pushed aside a few people and went forward.
Nagulu lay in a pool of urine. Someone had hit him on his head with a stone. The blood, which had oozed from his head had dried. A knife was struck into his stomach and the assailant had smashed his face too, maybe with the stone. The face was swollen and the nose was broken. It was a grotesque sight.
A police jeep arrived. The constables who were guarding the body saluted the Inspector who got down from the jeep. ‘Where is the owner of this hotel?’ A man came forward.
‘Who is this person?’ asked the Inspector.
‘I don’t know much about him. He said his name was Prasad and that he came from Kurnool. He had a way with words. I gave him a job. Never thought he had any enemies.’
Yadgiri started sobbing uncontrollably.


Suresh S writes in English and Tamizh. His areas of interest include fiction, literary criticism, essays on music, and poetry. He has been published by the Sahithya Academy journal, Indian Literature, Solvanam - the leading literary e-magazine in Tamil, and by the experimental Tamil e-zine, Padhakai.

2015 DNA-OUT OF PRINT Short Fiction: Winner and 4 Finalists

We are immensely pleased to announce the winner and 4 finalists of the DNA-OUT OF PRINT Short Fiction Special.

These stories have stood out for the nuance and complexity with which they examine the theme of Erosion. They each stem intimately from the personal, and yet range in their scope from the closer to the wider. Memories ripped away so they cannot layer controlled realities; birth and death and old age, balance and imbalance; civility destroyed by the oppressiveness of entrapment and jealousy; a recognition of the inevitable, pointless and circular nature of existence; the shroud of societal prejudice and the violence it engenders – these are what the stories are about.

We are honoured to present them and hope the readers will enjoy reading them.

Out of Print editors: Indira Chandrasekhar, Leela Levitt, Ram Sadasiv


Winner and finalists of the 2015 DNA-OUT OF PRINT Short Fiction Special

Zui Kumar-Reddy
Indu Suryanarayan
Farah Ahamed
Tanuj Solanki
Suresh S




Links to the remaining stories on the shortlist may be found here.