Showing posts with label Workshop. Show all posts
Showing posts with label Workshop. Show all posts

Wednesday, May 6, 2026

Out of Print Workshop at MAP | Cats


Out of Print Workshops


In collaboration with the Museum of Art & Photography


On the last weekend in March, a group of writers gathered at the Museum of Art and Photography as part of the Write from Art, Write from Story collaboration between Out of Print magazine and the Museum.


The writing workshop was conducted by Dr Indira Chandrasekhar, the founder of Out of Print. In these workshops conducted for MAP, Indira uses the visual from the exhibition around which the workshop centres as the inspiration for the writing that participants work on. 


This workshop focussed on the exhibition 'The Many Lives of the Cat' on its closing weekend. It was an exhibition that explored how the feline has been represented in art across the ages through different regions of the subcontinent. To fully engage with the visual the writers were treated to a walk-through of the exhibition conducted by one of the docents. Many small discussions, triggered by the docent’s own views and ways of exploring the exhibition were an interesting consequence. At the end of the walk-through, Indira suggested that the writers allow their own imaginations to inspire them, and not necessarily be guided by what they had heard. It turned out, there was really no need for her to have stated that – the range of ideas and narratives that emerged was fascinating and diverse. 


The participants spanned many ages – our youngest was about nine – and many different levels of engagement with writing and art. They responded to different works in the exhibition: from a detailed miniature of centuries past to vibrant pinks in contemporary depiction; from the definitive and pictorial in Patua art to the dark intensities in a charcoal drawing; from a cat centred in the green of tropical foliage to a cat positioned off-centre drawing viewers focus to the green of a capsicum on a kitchen table; from a multi-headed Gond representation to the ambiguous message in a large embroidered panel. The discussions before the writers started to put their thoughts down about what they had seen in the paintings was truly interesting, examining the psychology of the cat, of the human, and showing how the visual can trigger imagination and create story.


In most Out of Print writing engagements, writers are encouraged to finish the pieces they developed during the workshop and send them in to the magazine editors. Select pieces are then published. Below, we list five out of the many fine works developed at the workshop. 


JAYASHRI JAYARAMAN | THE CAT THAT KNEW TOO MUCH

SANCHARY GHOSH | NAVRATRI – THE 11TH MORNING

NIVEDITHA K PRASAD | DESERT CAT AND THE OASIS

SHUBHA SHASTRY | WHERE WE LEARNED TO BELONG

ASHWIN DEV BHAT | LOSS OF PHYSICS






Out of Print Workshop at MAP: 'The Cat that Knew Too Much' by Jayashri Jayaraman


Jayashri Jayaraman



Once upon a time, there lived a cat named ‘Cat’.


Cute

Cuddly

Ugly

Elusive

Ferocious

Hypnotic

Watchful

Untamed

Unknowable


Cat the cat, wanted to be everything.


A reasonable ambition

For a creature that has been

Worshipped as divine

Blamed for bad luck

Sometimes both, in the same lifetime


And so it began where all things begin…

With feeling!


Love

Longing

Fury

Fear

Bravery

Boredom

Dread

Delight

Wonderment


The cat wanted to feel everything.


A curious pursuit

For a creature that trusts instinct over emotion…

That reads the air before the room

That senses before it understands

That chooses before it knows why


And so, it learned quickly

What’s feeling, without knowing?


The keeper

The watcher

The chosen

The coveted

The show-off

The trickster

The beloved

The believer

The dreamer


The cat knew it had to be in the company of all.


A paradox, really

For cats are solitary beings

Yet masters of co-existence


Ignore you, it will

Insist on bringing you an offering, it must

Sitting where it shouldn’t, well, it can’t be helped

On plans. On pans. On laptops. On laps.


Skilfully walking the tight rope of contradictions

But is one life ever enough?

When so much of it slips by in sleep


Not for a creature

That must follow every flicker

Every sound

Every maybe


‘Curiosity killed the cat,’ they say

But satisfaction brought it back

And that’s probably why, the cat has nine lives


Or so the stories go…


Nine lives, none fully spent

Eight nights it watched you sleep

Seven secrets buried in its gaze

Six senses sharper than yours

Five shadows it leaves behind

Four corners it royally claims

Three things it will never forget or forgive

Two worlds it treads between

One moment before it decides


In all of them

Cat the cat, remains unowned, unknowable, unfinished


Because a cat is never just a cat

It wasn’t trying to be everything at all

It already was


And the nine lives?

Perhaps, not for the cat

But for everyone trying to understand it.




Out of Print Workshop at MAP: 'Navratri: The 11th Morning' by Sanchary Ghosh

Navratri: The 11th Morning

Sanchary Ghosh


Inspired by the Kalighat Patua of Jagdamba



The day after Durga slew Mahishasur, Her mount, the Lion Somnandi, woke to a startlingly bright morning. As His senses slowly arrived in the land of the waking, He felt disoriented – ten dark, gloomy days of the sun that felt like a distant memory had been replaced by a riot of colours and textures. 


Was this softly glowing, faintly golden-green carpet of grass the same murky one He had fallen asleep on? These shrubs looked fuller somehow, the forest shimmering alive with contrasting light and shadow plays. The events of yesterday slowly came back to Him. 

Somnandi recalled the volume of asura underling necks He’d snapped, all the blood and chunks of meat ingested. The memory brought satisfaction; the pride of knowing that He was instrumental in the downfall of the enemy plaguing the human pets of the Devas. Unfortunately, that also explained the hangover-like grogginess He was experiencing – He had not eaten whole carcasses, but the innumerable bites from the hordes slain probably constituted overeating. 


He got up and stretched, thinking of drinking some water. 


The very next second, He was assailed by a horrible churning in His stomach. He dropped down shaking, His entire focus hijacked by the pressure building up in His chest. It felt awfully like the contents of the last ten days were still inside and wanted to come out. He willed the churning sensation away – as a divine being, such things as odd and sickening feelings did not dare bother Him. 


But it did not work! Now, Somnandi started panicking because He had never failed to exercise His will, thus far. He decided to summon His Caretaker; She would fix him right away. 


Somnandi roared, a sound that shook the entire forest and made the animals hide. Durga heard His call, appearing instantly. 


‘What’s wrong, dear?’ She said, an amused smile playing on Her lovely face. 


He was irritated and roared again, but more softly this time. Couldn’t She sense His State? Why was She smiling and not making the dreadfulness go away? His insides cramped in another wave of rebellion against Him, but all She did was bend to stroke His mane and back. He liked it, but it wasn’t fixing Him. 


‘Aww, you’ve gotten sick. I told you not to nibble on the demons, didn’t I? But you just had to sample!’ She chastened. Somnandi narrowed His eyes at Her; now was not the time for a scolding. 


‘Darling, their flesh is poisonous. Not much even I can do right now. Best let it all come out; the sooner it leaves your system, the better you’ll feel,’ She said. 


He whimpered in humiliation and pain, as She cuddled Him, and encouraged Him to upchuck the contents of His stomach. At least, there were no witnesses to this embarrassment – a small perk of Their divinity.




Out of Print Workshop at MAP: 'Where We Learned to Belong' by Shubha Shastry


Where We Learned to Belong


Shubha Shastry


In an alleyway no wider than a breath, where sunlight arrived only as a thin ribbon cradled between leaning buildings, Vasudha and her cat, Lila, made a home out of almost nothing. The room they inhabited was hardly wider than a bedroll. The walls were stained with old paint, remnants of years of dirt, carried the faint memory of lives that had passed through before her. A small single window, not bigger than a book, opened not to the street or the sky, but to another wall, where moss grew diffidently in cracks. And yet, where space failed them, closeness filled in – quietly, completely.


Lila had come to Vasudha on a night of steady rain, a soft trembling sphere of downy warmth, 

making an impression like the breath of a whisper in her palm. The rain had fallen in relentless sheets, flooding the alley and making the stones slick and treacherous. Vasudha had been sitting just inside her doorway, watching the water gather in uneven pools, when she heard it – a small, sliver of sound, almost swallowed by the rain. At first, she thought she was imagining it. Loneliness had a way of turning everyday sounds into something palpably alive. But then it came again, sharper this time, insistent.


She followed the sound into the alley and found the kitten pressed against the wall, fully soaked, trembling but quietly unafraid. Its hazel eyes, wide and calm, met hers as though it had been waiting. 


Vasudha paused but for a moment before scooping up the lithe furry creature into her hands. It was lighter than she expected, all bones and wet fur, its heartbeat fluttering steadily against her palm.


‘You shouldn’t be here,’ she whispered, though she didn’t know if she meant the kitten or herself.


The kitten answered with a soft, shrill but resolute sound, something between a cry and a protest.


That was how Lila came into her life – not with ceremony, but with quiet certainty.


From that night on, they learned about each other in ways that needed no language. Vasudha got to know the rhythm of Lila’s breathing, a crest and a fall with every beat, and she felt safe. She noticed how Lila liked to curl beneath her chin, pressing close enough that their warmth turned indiscernible. She learned the peculiar tilt of Lila’s head when she was curious, the flick of her tail when she was annoyed, the slow, deliberate blink that meant trust.

 

And Lila, in her own way, learned about Vasudha.


She learned the weight of Vasudha’s silences – the difference between the quiet of peace and the quiet of sorrow. On days when Vasudha’s movements grew slower, when her gaze lingered too long on nothing at all, Lila would saunter into her lap without her beckoning and press herself against Vasudha’s chest. She would stay there, unmoving, a small, steady presence, until Vasudha’s breathing synced with her own.


Their days unfolded in a kind of calm choreography.


In the mornings, Vasudha would wake carefully so as not to disturb Lila, though it rarely worked. Lila always woke up, stretching luxuriously before following Vasudha in tight circles. When Vasudha prepared food, simple meals, often no more than rice and whatever vegetables she could afford, Lila circled her ankles with stark precision. She never tripped her, got in the way, as though she understood the importance of balance in such a small space.


When Vasudha sat down to write, which she did most evenings by candlelight, Lila took her place beside the page. Sometimes she curled into a tight circle; other times she stretched out, her tail drifting lazily across the paper. More than once, it brushed against wet ink, leaving soft, unintended smudges that Vasudha never could erase.


“They make it better,” she would say, as if Lila needed reassurance.


The alley outside was rarely quiet. Footsteps echoed at odd hours, voices rose and fell in fragments, and somewhere nearby, a pipe dripped endlessly, marking time. But inside their room, the world softened. The noise became distant, almost unreal, like something occurring in another life.


Here, there was warmth.


Vasudha spoke to Lila, filling the space with boundless stories. She told Lila about places she had never been to – wide fields where the wind moved like water, oceans that stretched beyond horizons, cities filled with light, hope and joy. Her voice would grow lighter as she spoke, her hands gesturing as though she could shape the images through air.


Lila listened. She would watch Vasudha intently, her eyes mid-lidded, occasionally offering a soft blink or a slow purr, as though meeting every word.


Sometimes, Vasudha wondered if Lila believed her.


And she wondered if she believed herself.


But it didn’t seem to matter. The stories were less about truth and more about possibility, and in that small room, possibility was a form of sustenance.


There were nights when the cold crept in more insistently than usual. The thin walls held little warmth, and the damp seemed to settle into everything – into the bedroll, into Vasudha’s bones, into the very air they breathed. On those nights, the darkness felt heavier, seeping in from all sides, as though the walls were closing in around them.


Vasudha would pull Lila closer then, wrapping her arms around the small, warm body.


“Stay,” she would whisper. And Lila always did.


She would lean closer, impossibly close, until there was no space left between them. Her purring would begin as a faint vibration and grow steadier, filling the silence with something alive, something constant.


It was in those moments that Vasudha felt it most clearly – not just companionship, but something deeper, something that composed her, calmed her spirit.


A sense of being held and understood, even as she was the one doing the holding.


Seasons shifted, though in the alley, the changes were subtle. The shape of light altered, the air grew heavy or lighter, the sounds beyond every wall changed rhythm. Time passed, marked not by dates but by small transitions: Lila growing from a fragile kitten into a sleek, confident cat; Vasudha’s writing filling page after page.


Their world remained small, but it was not blank, empty.


One afternoon, a shaft of sunlight found its way through the tiny window and stretched across the floor, a bright, golden ray.


Lila spotted it first.


She walked towards it cautiously, her body low, her eyes wide with fascination. Then, with a sudden burst of energy, she pounced. Her paws landed squarely in the light, scattering dust into tiny, shimmering clouds.


Vasudha laughed, a rare, unguarded sound.


For a moment, the room felt larger than it was, bright, light and the air easier to breathe.


Lila continued her game, chasing the shifting light as it moved inch by inch across the floor. And Vasudha watched, her chest full of lightness.


In that cramped, shadowed space, they had built a kind of home that lived in the space between them – in shared warmth, in quiet understanding, in the steady presence of one life beside another.

And so, when the light faded and the alley returned to its familiar dimness, nothing essential was lost.

That night, as always, Vasudha lay down with Lila tucked close beneath her chin, her hand resting gently on the rise and fall of her small body.


Outside, the alley carried on, footsteps, voices, the endless drip of water.


Inside, there was only the soft rhythm of breathing, the quiet hum of a purr, and the unspoken certainty that neither of them was alone.


They were, in every sense, home to each other.





Sunday, October 26, 2025

Out of Print Workshop at MAP | Ram Kumar


Out of Print Workshops

In collaboration with the Museum of Art & Photography


Over the first weekend in October, Out of Print partnered with the Museum of Art & Photography (MAP) to conduct a creative writing workshop with a focus on fiction. 

Indira Chandrasekhar, founder and principal editor of the magazine led the workshop 

Titled ‘Write from Art, Write from Story’ the workshop centred around the works of artist and writer, Ram Kumar whose exhibition ‘Shape of a Thought: Letters from Ram Kumar’ was on at MAP. The exhibition featured two aspects of Ram Kumar’s creative work: 
- the visual which included vibrant to dark abstracts and monochrome cityscapes 
- the written where excerpts from his letters and rare collections of his short stories in translation were on display

Both days of the workshop began with an exceptional walk through the exhibition by the curator of the exhibition, Priya Chauhan followed by a brief discourse in the workshop space by Indira before moving into the work of the session.




The Stories
Out of Print offered to publish select completed works by the participants on their blog. Four stories by three authors were selected and are being published today, October 26th as this extraordinary exhibition by Ram Kumar closes its doors.

Below the list of published authors and their stories:

Untitled, Red by Suchi Govindarajan
Kaleidoscope by Prachi Uchil
Maramalli by Aiswarya APV


Workshop Day 1
The writing focus on first day of the workshop, was inspiration and imagination, allowing the writers to think about how visual triggers can open the mind in interesting and unexpected ways. The paintings in the Ram Kumar exhibition were to be those visual triggers. 

It was a crisp Saturday morning. Participants went from the brightly light lobby of the museum, down the corridor, into the softly darkened exhibition gallery on the first floor, a rather magical transition. After giving the writers a few minutes to quietly absorb the visual works, Priya introduced them to Ram Kumar’s oeuvre, the wide range of his experiments with painting and drawing, his artistic journey, contextualised his work in terms of the artistic movements of the time, and gently guided the writers into seeing the works. 

Indira’s discussion on visual inspirations followed in the workshop space, with readings from her own work from her collection Polymorphism, and Vanamala Viswanatha’s translation of Kuvempu’s novel, bearing the English title Bride in the Hills,. She referenced the synchronicity of mood and narrative in Ram Kumar’s short stories that were to be discussed in greater depth the following day. 

The writers produced a range of extraordinary pieces in their individual styles, taking inspiration from Ram Kumar’s paintings in fascinating and diverse ways, thus embodying the words that headline the exhibition: 

“It is a beautiful painting, but I am not able to understand it”
“There is nothing to understand, it is only to be felt from within”
Excerpted from The Artist and the Collector


Day 2
On the second day of the workshop, the focus was on craft. Indira made use the stories of Ram Kumar and some from Out of Print to illustrate specific points of craft.

Priya’s initial walk-through opened up the extraordinary world of Ram Kumar’s correspondence – with Abhishek Poddar, founder of MAP, with friends and with fellow artists. The letters are personal and revealing, and sometimes quite stark in their critique of the world and its impact on his art and creativity. To be exposed to the inner world of a creative individual was both revelatory and sobering and many of the writers were taken to different space from where they were the previous day.

The specific aspect of craft that was addressed by Indira were the following:
- the psychology of character in a piece
- back story – tips to avoid paragraphs of ‘tell’ that could drag down the pace and energy of a story
- the mood of a narrative and how landscape and setting can impact mood

The workshop led writers to dig deep. Many continued to explore what they had been invested in for some time, inspired by Ram Kumar’s words to extend their work. Others wrote pieces that were inspired by the story of the artist himself. A travel essay emerged. It was an altogether intensely surprising response and the workshop experience was rich.





Monday, October 16, 2023

Out of Print Workshop at Infinite Souls Farm: FEEDBACK

What the Participants felt after the workshop

Bharath

Had a wonderful time at the Out of Print Magazine writer's workshop at Infinite Souls Farm. Between the beautiful view of Savandurga ... delicious home-cooked food, the birds..., we read amazing stories and saw them come to life in other people's words. Thank you Indira Chandrasekhar for making this possible and being there and encouraging us. Thank you Zui for providing extensive feedback, for being as equally invested in our stories as we are.


Anusha M

The Out of Print short story workshop was an immersive and indelible experience. I went in like a sponge and absorbed every single word, debating the motivation while learning to observe my stories from different viewpoints. The nuanced structure of the workshops is a great platform to examine your perspective as a storyteller, and one would benefit immensely from workshopping your stories with other writers.


Bodhi Ray

I’d attended writing classes before but Zui’s class at Infinity farms was something very special. Set amidst rolling green woods, the farm animals, the deep discussions and feedback and the various perspectives from which to look at our stories opened up the rusty hinges to creativity. I was amazed how deeply Zui critiqued my writing. I connected with the pre-reading materials which were carefully curated and gave me the much needed sense of why I write and to see the shimmers. Strongly recommend this workshop to serious writers.


Anushka Chatterjee

Having attended OofP's residential workshop, my mind is brimming with feedback, afterthoughts, and most importantly, boundless love and warmth. I'll forever be grateful to OofP for the much-needed surgery done to my fiction, and for the community we've built thereafter. Of course, one can't not mention the gorgeous backdrop of Savandurga, and farm-fresh food to top off the entire experience.


Amritha M Berger

The Out of Print Workshop on the Infinite Soul's farm and retreat was a truly magical experience. Being surrounded by nature and getting to immerse myself in sharing and critiquing work for an uninterrupted period of time in that beautiful and serene space was a unique and rare gift. 

Indira and Zui were the kindest and most welcoming, as were her family, who treated everyone like family, and treated us to the most delicious, homemade food. By the end of it, even though it was only a couple of days, strong bonds had been formed and friendships made.  

After the workshop was over, I was able to get the ongoing support of Zui in the editing process of my submitted piece, which helped my writing so much and brought me closer to crystalising the vision I had for the piece.


Friday, October 6, 2023

Out of Print Workshop at Infinite Souls Farm: THE STORIES

On the 19th of August, five wonderful writer’s arrived at Infinite Souls Farm and Artist’s Retreat for an Out of Print Writer’s Workshop where they would be workshopping each other’s short fiction. They spent a day and a half delving into aspects of character, voice, structure, motive and above all that, pin pointing the ‘shimmer around the edges’ – as Joan Didion puts it in her essay ‘Why I Write’ – in one’s own writing. The writers were incredibly sincere in their giving of feedback and receptive in their accepting of it and we are so pleased to share with you the final results here on the Out of Print blog, so in no particular order, here are the stories from the first Out of Print Writer’s Workshop at Infinite Souls Farm.



Stuck In a Loop  by Bharath Kumar

Outhouse  by Anusha M  

Not a Love Story by Bodhi Ray

I Can’t Complain Jaan by Anushka Chatterjee

On the Yard by Amritha M Berger








Writers' Feedback:
The writers were kind enough to send their response to the workshop and what they got out of being part of a community that supports their writing.
Read their responses here.

Tuesday, August 22, 2023

Out of Print Writing Workshops

The Out of Print Short Story Workshops


A
nnouncements of forthcoming workshops on social media


August 19 and 20, 2023

Residential Workshop at Infinite Souls Farm

First day -- discussed everything from that elusive 'shimmer' Joan Didion speaks of in her essay – after Orwells of the same name, 'Why I Write' to how each of us navigate translating our varied cerebral landscapes into the English language and written word.

After a meal of sambar, breadfruit pallya, mango cheesecake somewhere in there – the intense experience of workshopping the short stories of five wonderful writers
@bharathk6 @snaps_sketches_n_scribbles @haathikumari @anushka_with_stories
@theactual1percent with Out of Print editor @zui.666. From exploring intergenerational trauma to divine communications with the natural world, delving into these stories was absolutely thrilling.

The evening was spent unwinding in discussion with @kirtanakumar about her collection of short stories Bangalore Blues, and discussing voice, the city and the stories of characters that often times remain on the fringes.

Next morning was a special treat with @Indira_Chandrasekhar and @James Brunner speaking about the history of Out of Print, the nature of the short story, ways in which the participants could think about and develop their writing, and the possibilities for the future.

The writers shared what they each got from the workshop.

Here's to the next and the next, thank you all for trusting us with your work.




#oofp10y #BangaloreBlues #polymorphism #pangea


The stories by these five writers were published on the Out of Print blog.