Petroleum Venus
Garima Goel
Dec 15,
2010
We are out in red, yellow and green, celebrating under
the clear, dry sky of December. The four months of rains are behind us, except
on the coasts, where you never know. It's not March the sixth, when we turned into
the first African nation to slide out of British rule. I was born almost four
decades after independence and in my young country, where very few live to
recount the stories of the freedom struggle, today is a bigger day. An English
company uncovered oil off the coast of Ghana last night. The British are back
and this time nobody seems to mind.
The sleepy news channels are
confused, excited, and upset; their reporters did not get a whiff of the
drilling activity in the Atlantic backyard. Everybody is breaking the same news
at the same time. No exclusives! Suddenly, nobody seems to care about the
ongoing twin-murder trials in the Accra court house, where the defendant broke
down last Monday, sending tremors into Ghanaian drawing rooms. The soap
opera-like trial was the top story for sixteen days and now, overnight, a new
reporting beat has been pumped out. On GTV News something was seesawing back
and forth on top of a hole all morning and the reporter said it’s a pump – a
similar kind was used to pull oil out of the well last night.
In his message to the nation, an
emphatic President John Kufuor said, ‘With oil as a shot in the arm, we’re
going to fly.’
I texted Ajoba. ‘OIL!’
The phone beeped. ‘I am Petroleum
Venus.’
I imagined oil running over her
body, down her diminutive waist.
Jan 1,
2011
Our classes haven’t resumed.
Celebrations continued into Christmas and with details of the exploration
pouring in, nobody wants to sit in the classroom anyway. They named the field
Jubilee – the special anniversary of our quest for black gold. She hasn’t been
easy, they tell us, relenting after forty-six years of probing. Had I been
asked, I would have named her Golden Jubilee. Three kilometres down the water,
she glitters beneath the salty seabed. She is the largest of her kind in
West Africa, they say, and pumps out the sweetest crude there is. Her reserves
are endless, surprising drillers every day. And she is all ours, they tell us.
Thanks to Jubilee, soon we will be awash in gas, oil, cheap gas, cheap oil. The
petrol pump nearby will never run dry, electricity and cheap fuel will not be
rare anymore; more factories, more jobs, and the silent street outside my window
will be abuzz with motorcars. There is to be a petrochemical department at the
University. Yes, President Kufuor, I will fly!
If you ask me, right now, I
want to go to the coast and watch the waves crash against the steel legs that
stand around her, swaying with the drilling platform. Petroleum Venus.
Under the blinking lights at the
New Year’s Eve party, Ajoba was wrapped in silver plastic. All the others girls
had painted their nails black, only hers were gold. There was a joyful madness
about yesterday’s party, fuelled by Jubilee’s discovery. Much before we ran out
of drinks and the music turned soft, every conversation danced around the
forthcoming largesse. Our cocoa output is declining every day and though we are
still the seventh largest gold producer in the world, the mines are aging,
somebody said.
‘There really isn’t much left in
them except for the low-grade metal they spit out,’ somebody else added.
The final round of shots, like
every round before that, was toasted to Jubilee.
‘Till the last barrel’s out!’
May 5,
2011
Foreign correspondents are pouring
into the country every day. For years they have written stories of despair
about Ghana, painting us with the same brush they use for our neighbours Angola
and Nigeria. Armed with vaccines for hepatitis A, yellow fever, meningitis,
rabies and typhoid, they are back for a new narrative – the Jubilee. But they
aren’t satisfied with the pretty sound bites from the President who tells them
our oil output will more than double in the next eight years. They ask about
the paradox of stunted growth and development in resource-rich African
countries, the so called oil curse that has plagued our neighbours.
‘What’s your game plan to take the
wealth and dodge the curse, Mr President?’
Yes, we have heard about Cabinda.
But Ghana is not an African country, it is an oil country. These correspondents
were not around when Labadi road, which ends at the mosque behind my house, was
renamed Jubilee. They weren’t privy to that warm night under the blinking
lights, when Petroleum Venus hung heavy in the air, oil caressing her long
legs. They raise their eyebrows in suspicion when told Ghana has met its
moment. The President shouldn’t have gifted them paper weights with a drop of
golden oil suspended mid air.
‘You are drilling in the shadows
of ravaged neighbours, Mr President.’
Bastards! We know that. I
vow to not watch CNN this week.
Feb 10,
2012
The stench from Cabinda is
reaching Ghana. Cut off from the other seventeen provinces of Angola by a strip
of Congo, this oil patch looks like a mass grave if you believe what everyone’s
saying. Work at Jubilee is in that boring phase, where reporters find it too
technical to explain what’s going on. So Cabinda, our oily cousin, is the new
national obsession.
Crisscrossed with tribes and
clans, Cabinda has never stopped fighting. It fought Portugal out and now it
fights Angola, everyday. The history of Cabinda is a history of insurgency, our
textbooks say. Last week somebody called somebody ‘fiote’ there. It is so
commonly used by other Angolans and many Ghanaians for Cabindans that it
surprised everybody who heard that somebody was offended because a black man
called him ‘black’. With blood shot eyes he passed his large knife across the
man’s neck in one swoop, they tell us. Other armed men rushed to take stock and
one thing led to another, everyone says.
The killer’s tribal chief released
a video soon after. With his back to the camera, he said it’s not a sheer
coincidence that this conflict-ridden territory is rich in oil. He kept
accusing them, without really saying who they were. Pointing to the ravaged
land around him, he said Cabinda was dotted with drilling rigs, but not a
single pipeline crossed its heart. Our petrol pumps are dry, whatever little we
manage to smuggle into the region is sold at vulgarly high prices, he said.
‘Here we are. In a deep hole that
oil resources have dug for us.’
Ajoba squirms with pleasure when I
tell her why everybody surrenders to Petroleum Venus. She drags me closer with
those bare legs, oil splattered all over. She glows.
Jan 30,
2013
Jubilee has brought a lot of white
people to Accra. The English firm has leased out different jobs to American
oilfield companies. The cement for lining the wells comes from outside Ghana,
as do the strong steel pipes that guzzle oil as soon as Jubilee opens her
mouth. For her upkeep, petroleum engineers are flown in from all over. A
special security team of Ghanaians, supervised by a solid American, guard her
all day, all night. I never got close enough to see the waves crash into those
steel legs and sway with the rusting platform. The cacophony of motor horns is
still missing from the Jubilee road behind my house.
Oil is two-hundred-and-twenty-six
pesewas a litre.
The petrochemical course at the
University hasn’t yet started. They say these things take time and that we
shall have a faculty by next semester. I have enrolled into the general science
graduate program in the meanwhile. Ajoba, who also wants an oil degree, thinks
it’s useless to study anything else.
‘Oil is our only opportunity.’
She hates college now, so I cut
classes too.
Ajoba doesn’t mind when he puts
his English hands on her hips. He is a well-inspection officer at Jubilee with
suntanned arms, she told me. She has stopped listening. She no longer walks
like she has oil pumps in her boots.
April
20, 2013
In March, oil became the second
largest source of government revenue, overtaking cocoa, and is just behind
gold, our President of fourteen years announced. He won his fourth elections
last week. The election celebrations however have been moved to another
date due to disturbances in Axim, the closest land post to Jubilee.
According to a neighbour who works
there, the problem started on the tenth day of Muharram when Jubilee’s
guards at Axim were mourning the death of the Prophet’s grandson. Before namaz,
they used cooked rice to stick Imam Hussein’s poster inside the control room,
which was almost entirely manned by Ghanaians. They tied a few flags outside
before going around the back to wash their feet. The American supervisor asked
them to take it all down.
‘In all fairness, something like
that just doesn’t fit here.’
They refused. They told him a
young Christian man John fought alongside Hussein in the battle of Karbala. The
supervisor hesitated but pulled the poster down himself.
They ran to him with whatever they
could grab – pans, spoons, sticks.
‘Yah Hussein!’
Dec 28,
2013
‘Ghana remains a net oil importer
today,’ a tv reporter said.
The first fruits of Jubilee were
not eaten in Ghana. They were shipped elsewhere. There won’t be an oil
degree, without which Petroleum Venus will never be mine. She is unpredictable
– calling me to her rich meadows and herself failing to show up every other
day. The English man probed her virgin meadows, discovered her and locked her
bounty in large barrels. He can always go back for more. In the evenings,
while I sit in the dark, he changes out of his filthy protective oil suit and
drinks too much and flirts too much. He also laughs at us, an entire generation
blind to the real price of oil.
‘Till the last barrel’s out.’
Writer’s note: ‘Petroleum Venus’ is
borrowed from the title of a novel by Russian author Alexander Snegirev.
Garima Goel is twenty-two-years
old, and currently studying political science in Hyderabad. She has lived in
Manipal, in Bihar, and in Bangalore where she worked as a reporter for Reuters;
hence when asked, 'Where are you from?', she can never answer. Garima is a
member of Bangalore Writers Workshop, a community which welcomes new writers.
She likes well-stocked kitchens, collecting play tickets, and Ogden Nash's
poems.
this story has an interesting almost reportage style which makes the subject matter and message of the story even more poignant.
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